Pub Date : 2019-08-30DOI: 10.5920/anthropocosmic.15
F. Chamberlain
Nicolás Núñez and the Taller de Investigación Teatral have developed a series of immersive or participatory structures and scores to transport participants into an imaginal realm where they have the possibility to slough off their everyday selves and safely enter altered, ecstatic, states of awareness. As the main body of Anthropocosmic Theatre articulates, these practices were developed through a range of encounters with different lineages including Tibetan Buddhism, Stanislavskian actor-training, Grotowski’s post-theatrical actions, and an embodied reconnection with a pre-Hispanic, Nahuatlan, current. Does this mean that participants in the performances and trainings of the Taller lose touch with their embodied reality? Not at all: the practices are designed to assist participants to transform their relationship to reality through progression along a vertical axis from everyday life up through epic/ mythic, theistic, and ritualistic levels with the aim of reaching the level of ‘pure undifferentiated energy’ (Morris, 2017: 173). Without a grounding in the actual practices involved, this can easily sound like a process of spiritual ascent and disembodiment; absconding from material reality into a realm of dreams and fictions and progressively losing touch with our body. The Taller’s work, however, aims at synchronising body and mind with the intention of enabling individuals to ‘have the energy and the courage to maintain [themselves] in the living instant’ (Núñez, p.277 below). The journey is an embodied one which requires an intense psychophysical commitment from the participant, a willingness to generate the energy to attempt a leap to the next level. Each leap, if successful, offers another perspective on our lives, our relationships and the world but, I would suggest, that this perspective isn’t
Nicolás Núñez和Taller de Investigación Teatral开发了一系列沉浸式或参与式的结构和乐谱，将参与者带入一个想象的领域，在那里他们有可能摆脱日常的自我，安全地进入改变的、狂喜的意识状态。正如人类宇宙戏剧的主体所阐述的那样，这些实践是通过一系列与不同谱系的接触而发展起来的，包括藏传佛教、斯坦尼斯拉夫斯基的演员训练、格罗托夫斯基的后戏剧行为，以及与前西班牙人纳华特兰人的具体重新联系。这是否意味着参加高者表演和训练的参与者与他们的具体化现实失去了联系?并非如此:这些实践旨在帮助参与者通过从日常生活到史诗/神话、有神论和仪式层面的垂直轴进展，将他们的关系转变为现实，目的是达到“纯粹无差别能量”的水平(Morris, 2017: 173)。如果没有实际实践的基础，这很容易听起来像一个灵性提升和分离的过程;逃离物质现实，进入梦境和虚构的境界，逐渐与我们的身体失去联系。然而，The Taller的作品旨在同步身体和心灵，目的是使个人“有能量和勇气在生活的瞬间维持[自己]”(Núñez，下文第277页)。这段旅程是一种具体化的旅程，需要参与者做出强烈的心理和生理上的承诺，愿意产生能量，尝试跳跃到下一个层次。每一次飞跃，如果成功的话，都为我们的生活、人际关系和世界提供了另一个视角，但我想说的是，这个视角并不是
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Pub Date : 1900-01-01DOI: 10.5920/anthropocosmic.21
Ana Luisa Solís
{"title":"Snapshot: El Ensueño de los árboles - a reflection","authors":"Ana Luisa Solís","doi":"10.5920/anthropocosmic.21","DOIUrl":"https://doi.org/10.5920/anthropocosmic.21","url":null,"abstract":"","PeriodicalId":424037,"journal":{"name":"Anthropocosmic Theatre","volume":"12 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122249774","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.5920/anthropocosmic.10
Edward McGurn
{"title":"Snapshot 4: And I sang","authors":"Edward McGurn","doi":"10.5920/anthropocosmic.10","DOIUrl":"https://doi.org/10.5920/anthropocosmic.10","url":null,"abstract":"","PeriodicalId":424037,"journal":{"name":"Anthropocosmic Theatre","volume":"56 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124861386","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.5920/anthropocosmic.19
Nicolas A. Nunez
{"title":"Mandala: The sacred art of acting - A play in one act","authors":"Nicolas A. Nunez","doi":"10.5920/anthropocosmic.19","DOIUrl":"https://doi.org/10.5920/anthropocosmic.19","url":null,"abstract":"","PeriodicalId":424037,"journal":{"name":"Anthropocosmic Theatre","volume":"10 2 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132542415","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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