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From Healing to Wounding: The Psalms of Communal Lament and the Shaping of Yehud’s Cultural Trauma 从治愈到受伤:集体悲歌与耶胡德文化创伤的塑造
IF 0.5 0 RELIGION Pub Date : 2022-01-01 DOI: 10.1515/opth-2022-0208
Danilo Verde
Abstract Biblical trauma studies strongly emphasize that texts and traditions that eventually formed the Hebrew Bible helped both the authors and the (former) “readers” to cope with catastrophic events. This approach, however, leads to side-lining other functions of biblical texts, for instance the extent to which biblical texts were used and transmitted not only to “heal” but also to “wound” the collectivity, namely to shape the collective identity of ancient Israel and early Judaism as profoundly damaged. The perspective of cultural trauma studies may help us to go beyond the “healing hermeneutics.” The present article aims to understand how the psalms of communal lament in Books II and III of the Psalter contributed to make the collective trauma of the Babylonian attack become Yehud’s cultural trauma during the Persian period. It suggests that by building and transmitting a coherent metanarrative of the catastrophe and through the communal laments’ dramatic images and metaphors, the redactors of these portions of the Psalter made sure that during the Persian period the people of Israel in the province of Yehud would be wounded by their ancestors’ pain.
摘要圣经创伤研究强烈强调,最终形成《希伯来圣经》的文本和传统帮助作者和(前)“读者”应对灾难性事件。然而,这种方法导致了圣经文本的其他功能,例如,圣经文本的使用和传播程度不仅是为了“治愈”集体,也是为了“伤害”集体,即将古代以色列和早期犹太教的集体身份塑造为严重受损。文化创伤研究的视角可能有助于我们超越“治愈解释学”。本文旨在了解《诗篇》第二册和第三册中的集体哀歌如何使巴比伦袭击的集体创伤成为叶胡德在波斯时期的文化创伤。这表明,通过构建和传播一个连贯的灾难元叙事,并通过公共哀歌的戏剧性图像和隐喻,Psalter这些部分的编辑人员确保了在波斯时期,耶胡德省的以色列人民会因祖先的痛苦而受伤。
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引用次数: 0
Outside Phenomenology? 在现象学?
IF 0.5 0 RELIGION Pub Date : 2022-01-01 DOI: 10.1515/opth-2022-0211
Emma Falque
Abstract This essay marks the start of a bold reorientation of a philosophical vision of the author: where the texts of the Christian theological tradition once served as point of reference, it is now the experience of trauma that guides the phenomenological investigation – specifically, the trauma of illness, separation, the death of a child, natural disaster, and the pandemic. These experiences, which befall me without rhyme or reason, open up a new field that has hitherto remained unthought by – and indeed unthinkable to – the phenomenological tradition: extra-phenomenality. As extra-phenomenal, a trauma is neither infra-phenomenal (preparing phenomenality) nor supra-phenomenal (overflowing phenomenality), but rather denotes the destruction of all possible categories of synthesis or horizons of phenomenalization: it is properly speaking outside of lived-experience both in that it cannot be lived through by the traumatized subject in conscious experience as well as making all subsequent lived-experiences impossible. Yet, existence nevertheless persists in this crisis: it is thus not a question of attempting to escape it, or pursuing the restauration of a previous state; but rather of a different way of being there. In this way, trauma reminds us of the very essence of our humanity as a continued transformation.
摘要这篇文章标志着作者哲学视野的大胆重新定位的开始:基督教神学传统的文本曾经是参考点,现在是创伤的经历指导了现象学研究 – 特别是疾病的创伤、分离、儿童死亡、自然灾害和大流行病。这些毫无韵律、毫无理由地降临在我身上的经历,开辟了一个迄今为止尚未被思考的新领域 – 确实难以想象 – 现象学传统:额外现象。作为超现象,创伤既不是次现象(预备现象)也不是超现象(溢出现象),而是意味着对所有可能的综合范畴或现象化视野的破坏:它恰当地说是在生活体验之外,既因为受创伤的主体在意识体验中无法体验,也使所有随后的生活体验变得不可能。然而,在这场危机中仍然存在:因此,这不是一个试图逃离危机或寻求恢复先前状态的问题;而是一种不同的生活方式。通过这种方式,创伤提醒我们人类的本质是一种持续的转变。
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引用次数: 0
A Parade of Adornments (Isa 3:18–23): Daughters Zion in the Light of Gender and Material Culture Studies 装饰游行(Isa 3:18-23):从性别和物质文化研究的角度看女儿锡安
IF 0.5 0 RELIGION Pub Date : 2022-01-01 DOI: 10.1515/opth-2022-0219
Ann M. Letourneau, E. De Doncker, Olivier Roy-Turgeon
Abstract This article investigates the list of items of dress worn by the daughters Zion in Isa 3:18–23, as they are simultaneously stripped of them. It considers the poetic aspects of this list before turning to specific items, both jewelry and clothing, worn by the daughters in verses 18 and 22. These objects contribute to the complex characterization of the daughters Zion, as it poetically brings together a thick array of aesthetic, religious and traumatic meanings, and experiences.
摘要本文调查了《以赛亚书》3:18-23中锡安女儿所穿衣服的清单,因为她们同时被剥去了衣服。在谈到第18节和第22节中女儿们所穿的珠宝和衣服之前,它考虑了这份清单的诗意方面。这些物品有助于对女儿锡安的复杂刻画,因为它诗意地融合了一系列丰富的美学、宗教和创伤意义以及经历。
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引用次数: 0
A Historical-Contextualist Approach to the Joseph Chapter of the Qur’an 《古兰经》约瑟章的历史语境论研究
IF 0.5 0 RELIGION Pub Date : 2022-01-01 DOI: 10.1515/opth-2022-0213
Ali Akbar
Abstract This article applies a historical-contextualist approach to analyzing the Joseph sūra of the Qur’an. It first explores the theoretical framework of this study and introduces the historical-contextualist methodology employed and then provides a brief explanation of the Qur’anic account of the story of Joseph. The Joseph sūra is analyzed in light of the context of its revelation and the use it makes of fundamental Qur’anic teachings. This article demonstrates that the revelation of the sūra of Joseph was closely related to the sociopolitical context in which Muhammad and the Muslims lived, and that the sūra highlights several fundamental theological teachings of the Qur’an, including God’s unity and omnipotence, revelation and prophethood, and the afterlife, all themes emphasized in earliest sūras of the Qur’an including those revealed before the Joseph sūra.
摘要本文运用历史语境主义的方法来分析《古兰经》中的约瑟。它首先探讨了本研究的理论框架,介绍了所采用的历史语境主义方法,然后简要解释了《古兰经》对约瑟夫故事的描述。《约瑟书》是根据其启示的背景及其对古兰经基本教义的使用进行分析的。这篇文章表明,约瑟夫的启示与穆罕默德和穆斯林生活的社会政治背景密切相关,并强调了《古兰经》的几个基本神学教义,包括上帝的统一和全能、启示和预言,以及来生,《古兰经》最早的súras中强调的所有主题,包括在Joseph súra之前揭示的主题。
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引用次数: 0
Good Life, Brave Death, and Earned Immortality: Features of a Neglected Ancient Virtue Discourse 美好的人生、勇敢的死亡、获得永生:一个被忽视的古代美德话语的特征
IF 0.5 0 RELIGION Pub Date : 2022-01-01 DOI: 10.1515/opth-2022-0207
S. Yli-Karjanmaa, Elisa Uusimäki
Abstract This article examines early Jewish ideas of virtue that are usually ignored in presentations of the history of virtue discourse. We analyze the use of the Greek term ἀρετή in the Apocrypha of the Septuagint; all the occurrences of the term are in texts that were originally composed in Greek. We argue that the discussion on virtues – ideal human qualities and ways of living – in the Apocrypha has three thematic foci: (1) training, (2) courage, and (3) suffering and its postmortem rewards. Virtue prepares one to live well, encounter grave difficulties and even death with courage, and, finally, earn eternal life. We argue that it is implicit that virtuous Jews surpass, in ways that differ depending on the text, their more-or-less openly Greek antagonists who fail the virtue ideals that they would culturally be expected to uphold. Through their words and deeds, the exemplary Jews demonstrate that true virtue comes from a steadfast commitment to the Jewish tradition and the Mosaic law. Being a good Jew involves training that manifests itself in various desirable traits, but it also means acknowledging the divinity of the Jewish law as the basis of both the good life and the postmortem consequences of virtue.
摘要本文考察了早期犹太人的德性观念,这些观念在德性话语史的呈现中通常被忽视。我们分析在《七十子经》伪经中希腊术语“ρετή”的使用;这个词的所有出现都是在最初用希腊语写成的文本中。我们认为,《伪经》中关于美德(理想的人类品质和生活方式)的讨论有三个主题:(1)训练,(2)勇气,(3)苦难及其死后的回报。美德使人生活得好,勇敢地面对重大困难,甚至死亡,最终赢得永生。我们认为,这是隐含的,有道德的犹太人,以不同的方式,超越了他们或多或少公开的希腊对手,这些对手没有达到文化上期望他们坚持的美德理想。通过他们的言行,模范犹太人表明,真正的美德来自对犹太传统和摩西律法的坚定承诺。做一个好犹太人需要训练,表现出各种理想的品质,但这也意味着承认犹太律法的神性,作为美好生活和美德的死后后果的基础。
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引用次数: 0
Exploring the “Liminal” and “Sacred” Associated with Death in Hinduism through the Hindu Brahminic Death Rituals 从印度教婆罗门死亡仪式看印度教中与死亡相关的“Liminal”和“Sacred”
IF 0.5 0 RELIGION Pub Date : 2022-01-01 DOI: 10.1515/opth-2022-0224
Khyati Tripathi
Abstract This article aims to present the specificities associated with the Hindu liminal phase and the sacred associated with death through an ethnographic account of the death rituals of the Hindu Saryuparin Brahmin community. Through this ethnographic account, the author argues against a uniform liminal phase across different cultures by bringing to the fore aspects specific to the Hindu liminal phase in death. This aids in analyzing the Hindu cosmogenic world and the movement of the deceased’s “pret” or “ghost” within the same during the liminal phase. Building a connect between the liminal and the sacred in Hinduism, the author further discusses how the sacred is understood in terms of purity/impurity and life/death through death rituals. While exploring the sacred, the author contests the classical understanding of the sacred within the religious realm and presents its contextual nature by discussing the “context-based sacred.” This article is divided into three sections: (1) death rituals in the Hindu Brahminic tradition, (2) deconstructing the “liminal” in death in Hinduism, and (3) understanding the “sacred” associated with death in Hinduism.
摘要本文旨在通过对印度教Saryuparin婆罗门社区死亡仪式的民族志描述,呈现与印度教边缘阶段相关的特殊性和与死亡相关的神圣性。通过这一民族志描述,作者通过突出印度教死亡边缘阶段特有的方面,反对不同文化之间的统一边缘阶段。这有助于分析印度教的宇宙成因世界,以及死者的“pret”或“ghost”在其内部的运动。在印度教中,建立了界限与神圣之间的联系,作者进一步讨论了如何通过死亡仪式从纯洁/不洁和生/死的角度来理解神圣。在探索神圣的同时,作者对宗教领域内对神圣的经典理解提出了质疑,并通过讨论“基于语境的神圣”来呈现其语境性质,以及(3)理解印度教中与死亡相关的“神圣”。
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引用次数: 0
Beyond Metaphor: The Trinitarian Perichōrēsis and Dance 超越隐喻:三位一体的Perichōrısis与舞蹈
IF 0.5 0 RELIGION Pub Date : 2022-01-01 DOI: 10.1515/opth-2022-0192
R. Hikota
Abstract This article critically explores the question of how the image and metaphor of the Trinitarian divine dance could enhance the dialogue between theology and dance. Could this metaphor actually be a source of said dialogue? Does this idea of the Trinitarian dance really do justice either to the divine mystery of the Trinity or to dance itself? If we would like to go beyond metaphor, what further approach would be necessary? This article examines how different authors (e.g., C. S. Lewis, Paul S. Fiddes, and Catherine M. LaCugna) have used the image or metaphor of dance to describe the perichōrēsis within the Trinity as well as the creation’s perichoretic participation. This article concludes the survey by pointing out that contemporary usages of the Trinitarian dance metaphor are participating in European Christianity’s longstanding bias against dance, no matter how much they appear to appreciate it on the surface. The bias is related to Christianity’s ambivalent attitude toward the human body, despite its foundational belief that the Word became flesh. Therefore, a call to bring the lens of dance into Christian theology should be taken as nothing less than a call to eliminate this bias against the human body itself.
摘要本文批判性地探讨了三位一体神舞的意象和隐喻如何促进神学与舞蹈的对话。这个比喻真的能成为上述对话的来源吗?三位一体之舞的想法真的对三位一体的神圣之谜或舞蹈本身公正吗?如果我们想超越隐喻,还有什么进一步的方法是必要的?本文考察了不同的作者(例如C.S.Lewis、Paul S.Fiddes和Catherine M.LaCugna)如何使用舞蹈的意象或隐喻来描述三位一体中的perchōrısis以及创作的perch参与。本文在调查的最后指出,三位一体舞蹈隐喻的当代用法参与了欧洲基督教长期以来对舞蹈的偏见,无论他们表面上多么欣赏舞蹈。这种偏见与基督教对人体的矛盾态度有关,尽管它的基本信念是“道”变成了肉。因此,呼吁将舞蹈的镜头引入基督教神学,应该被视为消除这种对人体本身的偏见。
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引用次数: 0
Towards a Phenomenology of Kenosis: Thinking after the Theological Turn 走向科诺西斯现象学:神学转向后的思考
IF 0.5 0 RELIGION Pub Date : 2022-01-01 DOI: 10.1515/opth-2022-0201
Nikolaas Cassidy‐Deketelaere
Abstract What could it mean to think “after the theological turn”? This article proposes one possible answer by reframing the theological turn in light of the way in which Paul’s kenosis serves as a metaphor for deconstruction in a variety of continental philosophers who are all nevertheless hostile to overt theologising. Tracking this notion through the history of theology and philosophy, the article argues that it has been philosophically appropriated so as to indicate the point within the Christian theological complex that constitutes its fatal agent by setting in motion Christianity’s own self-deconstruction or de-theologisation. This dynamic, which implies that every engagement with theology ultimately carries itself outside of theology proper, will then allow the article to reconceive the gesture operated by phenomenology’s theological turn: in their right turn towards theology, the philosopher must be careful not to simply remain stuck there, for it only serves their investigation insofar as this engagement is precisely what allows them to turn away from “the theological,” or for phenomenology de-theologise itself. By drawing out the kenotic motif in contemporary continental philosophy and connecting it to phenomenology’s theological turn, the article thus argues that what is needed now is a deconstruction of the theological turn. This can be accomplished by way of what the article proposes to call a “phenomenology of kenosis”: namely, a phenomenology that starts from theology (Paul’s notion of kenosis), precisely so as to move beyond it (to de-theologise itself).
“在神学转向之后”思考意味着什么?这篇文章提出了一个可能的答案,根据保罗的克诺西斯作为各种大陆哲学家解构的隐喻的方式,重新定义了神学转向,尽管如此,这些哲学家都对公开的神学持敌对态度。通过神学和哲学史追踪这一概念,文章认为,它在哲学上被挪用了,从而通过启动基督教自身的自我解构或去神化,表明了基督教神学复合体中构成其致命代理人的观点。这种动态意味着,每一次与神学的接触最终都会超出神学本身,这将使文章重新认识到现象学的神学转向所带来的姿态:在他们转向神学的过程中,哲学家必须小心,不要简单地停留在那里,因为它只为他们的调查服务,因为这种参与正是让他们远离“神学”或现象学本身的原因。因此,本文通过引出当代大陆哲学中的基诺主义主题,并将其与现象学的神学转向联系起来,认为现在需要的是对神学转向的解构。这可以通过本文所称的“克诺西现象学”来实现:即一种从神学开始的现象学(保罗的克诺西概念),正是为了超越它(去神化本身)。
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引用次数: 1
Evangelical Historiography in the Colonial and Postcolonial Eras 殖民地和后殖民时代的福音派史学
IF 0.5 0 RELIGION Pub Date : 2022-01-01 DOI: 10.1515/opth-2022-0218
David Clark
Abstract To better understand how a particular community understands its story, we look at the philosophy, aesthetics, and historical–cultural contexts of those who have written its history. This article analyses an example of colonial era historiography entitled The Progress of Dogma written by Scottish evangelical theologian James Orr. It critically evaluates how Orr’s historiographical approach is at once an asset and a liability for evangelical Christians in the postcolonial era. Orr argued for the cohesiveness and continuity of historical orthodox doctrine, particularly as it stood over against the liberal, deconstructive approaches that were gaining traction in his day. In this sense, Orr’s work may be considered an asset to evangelical Christians today as they attempt to defend a foundationalist reading of history over against that of postfoundational philosophers such as Michel Foucault. There is a concern, however, with Orr’s adaptation of the historical methodology presented by GWF Hegel. This dialectical, linear approach has had a disastrous effect on the evangelical interpretation of doctrinal history. Rich traditions have been ignored or lost, Eurocentrism has prevailed, and many Christians whose home or origin is in the Global South continue to struggle with what they perceive as the residue of the colonial enterprise. This article argues that Evangelical historiography must be reconstructed. In the conclusion, new lines of enquiry are presented that may allow evangelicals to affirm the historical cohesiveness and continuity of their doctrine, while at the same time giving serious consideration to postcolonial sensibilities.
为了更好地理解一个特定的社区是如何理解它的故事的,我们看一下那些写历史的人的哲学、美学和历史文化背景。本文分析了苏格兰福音派神学家詹姆斯·奥尔所著的殖民时代史学《教条的进展》。它批判性地评估了奥尔的历史编纂方法如何在后殖民时代对福音派基督徒既是一种财富又是一种负担。奥尔主张历史正统主义的凝聚力和连续性,特别是当它与他那个时代获得牵引力的自由主义、解构主义方法相对立时。从这个意义上说,奥尔的作品可能被认为是福音派基督徒的财富,因为他们试图捍卫基础主义的历史解读,而不是像米歇尔·福柯这样的后基础主义哲学家。然而,奥尔对GWF黑格尔提出的历史方法论的改编存在一个问题。这种辩证的线性方法对福音派对教义历史的解释产生了灾难性的影响。丰富的传统被忽视或丢失,欧洲中心主义盛行,许多家乡或起源在全球南方的基督徒继续与他们所认为的殖民企业的残余作斗争。本文认为福音派史学必须重建。在结论中,提出了新的研究路线,可能允许福音派确认其教义的历史凝聚力和连续性,同时认真考虑后殖民的敏感性。
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引用次数: 0
The Fall of Jerusalem: Cultural Trauma as a Process 耶路撒冷的沦陷:作为一个过程的文化创伤
IF 0.5 0 RELIGION Pub Date : 2022-01-01 DOI: 10.1515/opth-2022-0212
Sonja Ammann
Abstract Cultural trauma theory provides a framework for studying the socio-cultural process which takes place between an event and its (socially accepted) representation. This article will apply the process-oriented approach of cultural trauma theory to studying biblical narratives of the Babylonian conquest of Jerusalem, focusing in particular on the destruction and pillage of the temple. The comparison of the various accounts of the Babylonian conquest of Jerusalem, and of their different versions transmitted in Hebrew and in Greek, reveals that the memory of this event was by no means unified and developed over a longer period of time. Discussing passages from 2 Kgs 24–25 and their parallels in the book of Jeremiah, this article will argue that the devastation of the temple of Jerusalem, which is often regarded as a major traumatizing event in the history of ancient Judah, became remembered as such only as the result of a longer process.
文化创伤理论为研究发生在事件及其(社会接受的)表征之间的社会文化过程提供了一个框架。本文将运用文化创伤理论的过程导向方法来研究巴比伦征服耶路撒冷的圣经叙述,特别关注圣殿的破坏和掠夺。对巴比伦征服耶路撒冷的各种记载,以及用希伯来语和希腊语传播的不同版本的比较表明,对这一事件的记忆绝不是统一的,也不是在较长一段时间内发展起来的。通过讨论《列王纪下》24-25章中的段落以及《耶利米书》中的相似之处,本文将论证耶路撒冷神庙的毁灭,这一常被视为古代犹大历史上重大的创伤事件,只是一个更漫长过程的结果。
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引用次数: 1
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Open Theology
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