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The League of Endarkenment: Hakim Bey and the Way of Disappearance into Nature 终结联盟:哈基姆·贝与消失在自然中的方式
IF 0.6 Q2 ANTHROPOLOGY Pub Date : 2023-08-06 DOI: 10.1111/anoc.12200
Ayesha Adamo

Among his later works, Peter Lamborn Wilson—known to many as Hakim Bey—began performing ritual art pieces in Upstate New York, which he referred to as acts of “Endarkenment.” This paper explores Endarkenment from the beginning of its organic growth in the fertile soil of The Temporary Autonomous Zone, to its blossoming as fully-realized ritual art, nourished by Bey's intention of returning enchantment back to the land. Through parallels in the works of antiquity, Surrealism, Georges Bataille, Giordano Bruno, Djuna Barnes, and others, an adumbration of the body of Endarkenment comes into view at the very moment of its disappearance into Nature, giving an idea of what Endarkenment could be as a fully realized form of internal transformation.

在他的后期作品中,彼得·兰伯恩·威尔逊(Peter Lamborn wilson)——许多人都叫他哈基姆·贝(Hakim bey)——开始在纽约州北部表演仪式艺术作品,他称之为“暗黑化”(Endarkenment)行为。本文探讨了Endarkenment从它在临时自治区肥沃的土壤中有机生长的开始,到它作为完全实现的仪式艺术的开花结果,在贝伊将魅力回归土地的意图的滋养下。通过与古代、超现实主义、乔治·巴塔耶、佐丹奴·布鲁诺、朱娜·巴恩斯等人的作品的相似之处,Endarkenment的身体在消失于自然的那一刻进入了人们的视野,让人们了解到Endarkenment可以作为一种完全实现的内部转化形式。
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引用次数: 0
Drawing African Diasporic women anthropologists in dialogue: Decolonizing the canon 在对话中吸引非洲散居妇女人类学家:非殖民化经典
IF 0.6 Q2 ANTHROPOLOGY Pub Date : 2023-08-03 DOI: 10.1111/anoc.12197
Amanda Walker Johnson

Inspired by the use of naming and portraiture together in the Black artivism–such as that protesting the murders of George Floyd and Breonna Taylor–this paper reflects on the use of portrait drawing as a practice of genealogy. While working on a project to raise the visibility of scholars and their works in the African Diaspora, specifically Francophone women anthropologists, I felt compelled to draw their portraits. Drawing African Diasporic women into dialogue from the archive attends to temporality, vision, and listening, elements centered within anthropological practice, but also implicated in the attachment of the discipline to colonial logics, particularly of allochronism, objectification and silencing. The multisensory, embodied and slow practice of drawing alongside reading scholars' works allows for diasporic time-travel, shifting the gaze, and constructing a decolonizing “listening genre”.

受黑人野兽派中命名和肖像画结合使用的启发——比如抗议乔治·弗洛伊德和布伦娜·泰勒谋杀案——本文反思了肖像画作为家谱实践的使用。在从事一个项目,以提高学者及其作品在非洲侨民中的知名度,特别是法语女性人类学家时,我觉得有必要为她们画像。将非洲散居女性从档案中吸引到对话中,涉及时间性、视觉和倾听,这些元素集中在人类学实践中,但也涉及到该学科对殖民逻辑的依恋,特别是不合时宜、物化和沉默。在阅读学者作品的同时进行绘画的多感官、具体化和缓慢的实践,允许散居的时间旅行、转移视线,并构建一种非殖民化的“倾听流派”。
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引用次数: 0
Symbiosis of Creation, Destruction, and Reinvention 创造、毁灭和革新的共生
IF 0.6 Q2 ANTHROPOLOGY Pub Date : 2023-08-03 DOI: 10.1111/anoc.12184
Yasmeen Abdallah
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引用次数: 0
Kali Mandala 次曼荼罗
IF 0.6 Q2 ANTHROPOLOGY Pub Date : 2023-08-03 DOI: 10.1111/anoc.12181
Daniel Onorato
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引用次数: 0
Collaging consciousness: The porous boundary of self and living world 拼贴意识:自我与生活世界的多孔边界
IF 0.6 Q2 ANTHROPOLOGY Pub Date : 2023-08-03 DOI: 10.1111/anoc.12208
Melinda Kiefer Santiago
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引用次数: 0
Beings 人类
IF 0.6 Q2 ANTHROPOLOGY Pub Date : 2023-08-02 DOI: 10.1111/anoc.12182
Josh Dorman
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引用次数: 0
Divagations Divagations
IF 0.6 Q2 ANTHROPOLOGY Pub Date : 2023-08-02 DOI: 10.1111/anoc.12191
August Franza
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引用次数: 0
Evangelical transformation: Learning the three-dimensional perception of reality 福音转变:学习对现实的三维感知
IF 0.9 Q2 ANTHROPOLOGY Pub Date : 2023-08-02 DOI: 10.1111/anoc.12215
Eugenijus Liutkevičius

In this article, I analyze the particular perception of the world Baptists start to learn during their conversion which I call the three-dimensional perception of reality. This concept refers to the ability to incorporate narratives from the Bible into everyday life events and interpret both personal stories and world events accordingly, thereby making the Bible ever relevant. Based on ethnographic fieldwork, I show how events from the believers' daily lives are perceived and explained in the light of biblical stories. Regardless of the fact that the two are separated in time and in space, the biblical story is still seen as a proto-event to the current one. No matter how diverse the believers' experiences, they are capable of finding an equivalent episode in the Bible. The scripture, therefore, is ever present in the believers' lives, as a source of meaning and interpretation.

在这篇文章中,我分析了浸信会教徒在皈依过程中开始学习的对世界的特殊感知,我称之为对现实的三维感知。这个概念指的是将《圣经》中的叙述融入日常生活事件的能力,并据此解释个人故事和世界事件,从而使《圣经》始终具有相关性。基于民族志的田野调查,我展示了信徒日常生活中的事件是如何在圣经故事的基础上被感知和解释的。尽管这两个故事在时间和空间上是分开的,但圣经故事仍然被视为当前故事的原型。无论信徒的经历多么不同,他们都能在圣经中找到一个类似的情节。因此,圣经永远存在于信徒的生活中,作为意义和解释的源泉。
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引用次数: 0
Phantasmata Phantasmata
IF 0.6 Q2 ANTHROPOLOGY Pub Date : 2023-07-31 DOI: 10.1111/anoc.12206
Christopher Santiago
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引用次数: 0
Agnosiformes
IF 0.6 Q2 ANTHROPOLOGY Pub Date : 2023-07-31 DOI: 10.1111/anoc.12202
Turner Williams Jr.
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引用次数: 0
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ANTHROPOLOGY OF CONSCIOUSNESS
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