{"title":"Farbe und Zeit : Untersuchungen zur musiktheatralen Struktur und Semantik von Olivier Messiaens Saint François d'Assise","authors":"M. Schwartz, Stefan Keym","doi":"10.2307/20141689","DOIUrl":"https://doi.org/10.2307/20141689","url":null,"abstract":"","PeriodicalId":42522,"journal":{"name":"REVUE DE MUSICOLOGIE","volume":"92 1","pages":"432"},"PeriodicalIF":0.3,"publicationDate":"2006-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/20141689","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69120188","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Liszt et la pédagogie du piano : essai sur l'art du clavier selon Liszt","authors":"Bertrand Ott, N. Dufourcq","doi":"10.2307/20141656","DOIUrl":"https://doi.org/10.2307/20141656","url":null,"abstract":"","PeriodicalId":42522,"journal":{"name":"REVUE DE MUSICOLOGIE","volume":"92 1","pages":"220"},"PeriodicalIF":0.3,"publicationDate":"2006-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/20141656","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69119540","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Unterhaltung und Belehrung im Jesuitentheater um 1700 : Untersuchungen zu Musik, Text und Kontext ausgewählter Stücke","authors":"Thomas Erlach","doi":"10.2307/20141652","DOIUrl":"https://doi.org/10.2307/20141652","url":null,"abstract":"","PeriodicalId":42522,"journal":{"name":"REVUE DE MUSICOLOGIE","volume":"92 1","pages":"213"},"PeriodicalIF":0.3,"publicationDate":"2006-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/20141652","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69119470","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Claude Debussy, F. Lesure, Denis Herlin, Georges Liébert
{"title":"Correspondance : 1872-1918","authors":"Claude Debussy, F. Lesure, Denis Herlin, Georges Liébert","doi":"10.2307/20141659","DOIUrl":"https://doi.org/10.2307/20141659","url":null,"abstract":"","PeriodicalId":42522,"journal":{"name":"REVUE DE MUSICOLOGIE","volume":"92 1","pages":"224"},"PeriodicalIF":0.3,"publicationDate":"2006-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/20141659","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69119592","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
C. Meyer, K. Volk, Frieder Zaminer, Constantin Floros, Roger Harmon, L. Richter, M. Haas
{"title":"Vom Mythos zur Fachdisziplin : Antike und Byzanz","authors":"C. Meyer, K. Volk, Frieder Zaminer, Constantin Floros, Roger Harmon, L. Richter, M. Haas","doi":"10.2307/20141677","DOIUrl":"https://doi.org/10.2307/20141677","url":null,"abstract":"","PeriodicalId":42522,"journal":{"name":"REVUE DE MUSICOLOGIE","volume":"92 1","pages":"399"},"PeriodicalIF":0.3,"publicationDate":"2006-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/20141677","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69119740","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Les Manuscrits du processionnal","authors":"M. Huglo","doi":"10.2307/20141678","DOIUrl":"https://doi.org/10.2307/20141678","url":null,"abstract":"","PeriodicalId":42522,"journal":{"name":"REVUE DE MUSICOLOGIE","volume":"92 1","pages":"401"},"PeriodicalIF":0.3,"publicationDate":"2006-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/20141678","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69119750","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"La Clef des chansonniers (1717). Erweiterte kritische Neuausgabe","authors":"Marlène Belly, H. Schneider","doi":"10.2307/20141684","DOIUrl":"https://doi.org/10.2307/20141684","url":null,"abstract":"","PeriodicalId":42522,"journal":{"name":"REVUE DE MUSICOLOGIE","volume":"92 1","pages":"417"},"PeriodicalIF":0.3,"publicationDate":"2006-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/20141684","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69120113","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Musikinstrumentenverzeichnis der Bayerischen Hofkapelle von 1655. Faksimile, Transkription und Kommentar","authors":"Bettina Wackernagel","doi":"10.2307/20141683","DOIUrl":"https://doi.org/10.2307/20141683","url":null,"abstract":"","PeriodicalId":42522,"journal":{"name":"REVUE DE MUSICOLOGIE","volume":"92 1","pages":"414"},"PeriodicalIF":0.3,"publicationDate":"2006-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/20141683","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69120067","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
P. Philips, D. J. Smith, G. Caccini, O. Lasso, A. Striggio, Luca Marenzio, John Dowland, Thomas Tomkins, Orfeo ca.before Vecchi
{"title":"Complete keyboard music","authors":"P. Philips, D. J. Smith, G. Caccini, O. Lasso, A. Striggio, Luca Marenzio, John Dowland, Thomas Tomkins, Orfeo ca.before Vecchi","doi":"10.2307/20141630","DOIUrl":"https://doi.org/10.2307/20141630","url":null,"abstract":"","PeriodicalId":42522,"journal":{"name":"REVUE DE MUSICOLOGIE","volume":"91 1","pages":"492"},"PeriodicalIF":0.3,"publicationDate":"2005-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/20141630","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69119864","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Preface I. Overview of the Subject 1. William Weber, "The Musician as Entrepreneur and Opportunist, 1700-1914" 2. Richard Leppert, "The Musician of the Imagination" II. Early Musical Entrepreneurs 3. Tanya Kevorkian, "Changing Times, Changing Music: 'New Church' Music and Musicians in Leipzig, 1700-1750" 4. David Gramit, "Selling the Serious: The Commodification of Music and Resistance to it in Germany, c. 1800" III. Concert Management in the Nineteenth Century 5. William Weber, "From the Self-Managing Musician to the Independent Concert Agent" 6. Laure Schnapper, "Bernard Ullman-Henri Herz: An Example of Financial and Artistic Partnership, 1846-1849" 7. Dana Gooley, "Franz Liszt: The Virtuoso as Strategist" 8. Simon McVeigh, "'An Audience for High-Class Music': The Musician as Entrepreneur in late Nineteenth-Century London" IV. Women as Entrepreneurs 9. Tia DeNora, "Embodiment and Opportunity: Bodily Capital, Reputation and Social Difference in Beethoven's Vienna Partnership" 10. Paula Gillett, "Entrepreneurial Women Musicians in Britain: 1790s to the early 1900s" 11. Jann Pasler, "Countess Greffulhe as Entrepreneur: Negotiating Class, Gender, and Nation" Index Contributors
{"title":"The musician as entrepreneur, 1700-1914 : managers, charlatans, and idealists","authors":"E. Buch, W. Weber","doi":"10.2307/20141623","DOIUrl":"https://doi.org/10.2307/20141623","url":null,"abstract":"Preface I. Overview of the Subject 1. William Weber, \"The Musician as Entrepreneur and Opportunist, 1700-1914\" 2. Richard Leppert, \"The Musician of the Imagination\" II. Early Musical Entrepreneurs 3. Tanya Kevorkian, \"Changing Times, Changing Music: 'New Church' Music and Musicians in Leipzig, 1700-1750\" 4. David Gramit, \"Selling the Serious: The Commodification of Music and Resistance to it in Germany, c. 1800\" III. Concert Management in the Nineteenth Century 5. William Weber, \"From the Self-Managing Musician to the Independent Concert Agent\" 6. Laure Schnapper, \"Bernard Ullman-Henri Herz: An Example of Financial and Artistic Partnership, 1846-1849\" 7. Dana Gooley, \"Franz Liszt: The Virtuoso as Strategist\" 8. Simon McVeigh, \"'An Audience for High-Class Music': The Musician as Entrepreneur in late Nineteenth-Century London\" IV. Women as Entrepreneurs 9. Tia DeNora, \"Embodiment and Opportunity: Bodily Capital, Reputation and Social Difference in Beethoven's Vienna Partnership\" 10. Paula Gillett, \"Entrepreneurial Women Musicians in Britain: 1790s to the early 1900s\" 11. Jann Pasler, \"Countess Greffulhe as Entrepreneur: Negotiating Class, Gender, and Nation\" Index Contributors","PeriodicalId":42522,"journal":{"name":"REVUE DE MUSICOLOGIE","volume":"91 1","pages":"475"},"PeriodicalIF":0.3,"publicationDate":"2005-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/20141623","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69119818","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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