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The American Dreams and Nightmares of Polish Immigrants 波兰移民的美国梦与噩梦
Pub Date : 1900-01-01 DOI: 10.15452/ojoep.2021.13.0002
Agnieszka Trąbska
This article focuses on the theme of the American Dream and its dark side in relation to Polish immigration to America. It attempts to explain various reasons behind Polish immigration based on the immigrants’ age and social status, as well as the unpleasant consequences of their decision to leave their homeland. The issues faced by Polish immigrants and Polish Americans can be better understood in the light of a brief outline of the sociopolitical situation in Poland. The aim of this article is to demonstrate the negative effects of immigrants’ belief in the American Dream and to shed light on the intergenerational identity of Polish Americans.
本文主要探讨美国梦的主题及其与波兰移民美国有关的阴暗面。它试图根据移民的年龄和社会地位来解释波兰移民背后的各种原因,以及他们决定离开祖国的不愉快后果。通过对波兰社会政治形势的简要概述,可以更好地理解波兰移民和波兰裔美国人所面临的问题。本文的目的是展示移民对美国梦信念的负面影响,并阐明波兰裔美国人的代际认同。
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引用次数: 0
Where Is My Homeland?: The Pilgrimage of Marcela Sulak 我的祖国在哪里?玛塞拉·苏拉克的朝圣之旅
Pub Date : 1900-01-01 DOI: 10.15452/ojoep.2021.13.0005
D. Livingstone
This essay examines the literary output of Marcela Sulak, a Texas‑born Czech poet and academic now living and working in Tel Aviv, Israel. There is a focus not only on her recently published memoir, but on her poetry and her translations of two Czech classics (Mácha and Erben) into English. The primary interest of the essay is in exploring her search for identity, not only geographically, but also spiritually. Increased attention is paid to those aspects of her life and work connected with the Czech nation, history, culture and language.
本文考察了玛塞拉·苏拉克的文学作品,她是一位出生于德克萨斯州的捷克诗人和学者,现生活和工作在以色列特拉维夫。人们关注的不仅是她最近出版的回忆录,还有她的诗歌和她将两部捷克经典(Mácha和Erben)翻译成英文的作品。这篇文章的主要兴趣是探索她对身份的追求,不仅是地理上的,而且是精神上的。人们更加注意她的生活和工作中与捷克民族、历史、文化和语言有关的那些方面。
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引用次数: 0
Memory, Culture and Identity: A cultural reading of The Legends of Pensam 记忆、文化与身份:《彭萨姆传说》的文化解读
Pub Date : 1900-01-01 DOI: 10.15452/ojoep.2021.13.0004
Ujjwal Jana, T. Dutta
Located at the intersections of memory, culture and identity, this paper attempts a literary and cultural reading of Mamang Dai’s novel The Legends of Pensam (2006), an extraordinary piece of tribal narrative from the North‑Eastern part of India, imbued with the colours of its traditions and the flavours of its geography. This paper argues that literature, in particular tribal literature, has the potential to uncover the profound wealth and resources of an underrepresented culture and tradition camouflaged behind the curtains of mainstream cultures. This paper focuses on the robustness of literature in preserving a marginalized culture informed by the multiplicity of its rich cultural traditions, social beliefs, religious views, oral tradition, and colourful lifestyle. The study focuses on how a literary work can preserve and document the history, culture and identity of the Adi tribes, imbued with lore and myths from the memory of people defining their unique identities.
位于记忆,文化和身份的交叉点,本文试图从文学和文化的角度解读Mamang Dai的小说《Pensam的传说》(2006),这是一部来自印度东北部的非凡的部落叙事作品,充满了传统的色彩和地理的味道。本文认为,文学,特别是部落文学,有潜力揭示隐藏在主流文化帷幕背后的未被充分代表的文化和传统的深刻财富和资源。本文关注文学在保护边缘文化方面的坚固性,这种文化受到其丰富的文化传统、社会信仰、宗教观点、口头传统和丰富多彩的生活方式的多样性的影响。这项研究的重点是文学作品如何保存和记录阿迪部落的历史、文化和身份,其中充满了人们定义其独特身份的记忆中的爱和神话。
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引用次数: 0
When Nature Triggers Trauma: Environmental Racism and Ecofeminism in Zora Neale Hurston's Their Eyes Were Watching God 当自然引发创伤:佐拉·尼尔·赫斯顿《他们的眼睛在看着上帝》中的环境种族主义和生态女权主义
Pub Date : 1900-01-01 DOI: 10.15452/ojoep.2021.13.0003
K. Rohová
This paper deals with the depiction of environmental racism, natural trauma and the woman/nature or woman/animal relationships in Zora Neale Hurston’s novel Their Eyes Were Watching God. The main goal is to identify and critically evaluate the impacts of such depictions or relationships in the context of the systemic oppression of African American women and men in the United States of America. For this purpose, excerpts from throughout the novel are discussed with regard to their depiction of dehumanization, animalization, natural trauma, or the metaphor of the female body, with the emphasis on ecofeminist and ecocritical aspects in Hurston’s work
本文研究佐拉·尼尔·赫斯顿的小说《他们的眼睛在看上帝》中对环境种族主义、自然创伤以及女人/自然或女人/动物关系的描写。主要目标是在美国对非裔美国男女的系统性压迫的背景下,识别和批判性地评估这种描述或关系的影响。为了达到这个目的,我们从整部小说的节选中讨论了它们对非人化、动物化、自然创伤或女性身体隐喻的描述,重点是赫斯顿作品中的生态女权主义和生态批评方面
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引用次数: 1
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Ostrava Journal of English Philology
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