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ENGLISH LITERATURE IN TRANSITION 1880-1920最新文献

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The Clockmaker 钟表匠
Q2 Arts and Humanities Pub Date : 2010-05-21 DOI: 10.5040/9781770916852.00000005
R. Stevenson
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引用次数: 1
Henry Newbolt 亨利·纽波特
Q2 Arts and Humanities Pub Date : 2010-05-21 DOI: 10.4324/9780203388495-22
J. G. Nelson
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引用次数: 0
Modern Poetry 现代诗歌
Q2 Arts and Humanities Pub Date : 2010-05-21 DOI: 10.4324/9780203403624-28
D. Kerr
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引用次数: 0
The Politics of Loyalty 忠诚的政治
Q2 Arts and Humanities Pub Date : 2010-05-21 DOI: 10.2307/j.ctv1njw0qx.5
T. Hanzo
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引用次数: 2
Lord Jim 吉姆老爷
Q2 Arts and Humanities Pub Date : 2010-05-21 DOI: 10.2307/j.ctv19fvx2n.8
Bruce E. Teets
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引用次数: 0
Fragments of Oscar Wilde in Colonial Nigeria: The Story of J. M. Stuart-Young 奥斯卡·王尔德在尼日利亚殖民地的片段:j·m·斯图尔特-杨的故事
Q2 Arts and Humanities Pub Date : 2010-05-21 DOI: 10.2487/7218-1377-3741-59H6
Stephanie E. Newell
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引用次数: 0
Homosocial Relations, Masculine Embodiment, and Imperialism in Stevenson's The Ebb-Tide 史蒂文森《退潮》中的同性恋社会关系、男性化体现与帝国主义
Q2 Arts and Humanities Pub Date : 2010-05-21 DOI: 10.2487/7456-2056-W426-X427
Guy Davidson
ROBERT LOUIS STEVENSON'S novella The Ebb-Tide (1894) presents perhaps the most intensively elaborated and intensely anxious treatment of masculine identity and relations between men in an oeuvre enduringly preoccupied with these interimplicated issues. In its representations of fractured masculine subjectivities and a homosociality fraught with compounded aggressive and libidinal impulses, Stevenson's work may be located within a wide range of fictions that dramatize the late nineteenth-century "crisis" within masculinity.1 More specifically, in The Ebb-Tide, which is set in the colonized Pacific, an account of the instabilities of conventional masculinity overlaps with an account of the instabilities of the imperialist project. In this essay, I suggest The Ebb-Tide's representation of masculine crisis might be understood as a manifestation of what Christopher Lane has named "colonial jouissance." In his wide-ranging study of British colonialist literature of the late nineteenth and early twentieth centuries, Lane points to the frequent invocation of forces, located both outside and within the imperialist masculine subject, which simultaneously drive and threaten to dissipate the "labor and power" essential to the imperialist project: "an unremitting dread of external defiance and internal unmaking propelled Britain's drive for global mastery," Lane contends.2 The experience of cultural and environmental alterity made dangerously evident the fragility of a masculine subjectivity more readily naturalized at home, so that the colonial subject "was obliged... to compete with a correponding impulse to self-dispossession whenever he bid for a country's possession."3 In The Ebb-Tide, I suggest, the Pacific setting enables extreme modes of "internal unmaking." The threat of self-dissolution that always shadowed the "aggressive self-mastery"
罗伯特·路易斯·史蒂文森的中篇小说《退潮》(1894年)可能是他的全部作品中对男性身份和男性之间的关系进行了最详尽、最焦虑的处理,这些问题一直困扰着这些相互关联的问题。史蒂文森的作品表现了支离破碎的男性主体性,以及一种充满侵略性和性欲冲动的同性恋性,这使得他的作品可以被归入一系列戏剧化19世纪晚期男性气质“危机”的小说之中更具体地说,在以被殖民的太平洋为背景的《退潮》中,对传统男子气概的不稳定性的描述与对帝国主义计划的不稳定性的描述重叠。在这篇文章中,我认为《退潮》对男性危机的表现可以被理解为克里斯托弗·莱恩所说的“殖民欢爽”的一种表现。在他对19世纪末和20世纪初英国殖民主义文学的广泛研究中,莱恩指出,频繁地援引帝国主义男性主体内外的力量,这些力量同时推动并威胁着消散对帝国主义计划至关重要的“劳动力和力量”:“对外部反抗和内部破坏的不懈恐惧推动了英国对全球统治的驱动,”莱恩认为文化和环境的变化使男性主体性在国内更容易归化的脆弱性变得危险而明显,因此殖民地主体“被迫……自私自利:每当他争取一个国家的所有权时,就以一种相应的自私自利的冲动进行竞争我认为,在《退潮》中,太平洋的环境使“内部破坏”的极端模式成为可能。自我解体的威胁总是笼罩在“侵略性自我控制”的阴影之下。
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引用次数: 2
Character and the Modern City: George Gissing's Urban Negotiations 性格与现代城市:乔治·吉辛的城市谈判
Q2 Arts and Humanities Pub Date : 2010-05-21 DOI: 10.2487/F105-1416-2V17-7728
Arlene Young
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引用次数: 5
George Slythe Street: Avant-Garde Anachronism 乔治·斯莱斯街:前卫时代错误
Q2 Arts and Humanities Pub Date : 2010-05-21 DOI: 10.2487/F4MM-2866-6133-86P4
Wendell V. Harris
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引用次数: 0
Bram Stoker, Geneviève Ward and The Lady of the Shroud: Gothic Weddings and Performing Vampires 布拉姆·斯托克,吉纳维<e:1>·沃德和裹尸布女士:哥特式婚礼和表演吸血鬼
Q2 Arts and Humanities Pub Date : 2010-05-21 DOI: 10.2487/GQ61-3581-6361-6062
C. Wynne
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引用次数: 4
期刊
ENGLISH LITERATURE IN TRANSITION 1880-1920
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