Pub Date : 1900-01-01DOI: 10.1017/s027343540059035x
D. Melmoth
{"title":"The Great American Light War","authors":"D. Melmoth","doi":"10.1017/s027343540059035x","DOIUrl":"https://doi.org/10.1017/s027343540059035x","url":null,"abstract":"","PeriodicalId":429245,"journal":{"name":"TDR (1967)","volume":"90 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133393320","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.1017/s0273435400590415
P. Dessau
{"title":"Composing for BB: Some Comments","authors":"P. Dessau","doi":"10.1017/s0273435400590415","DOIUrl":"https://doi.org/10.1017/s0273435400590415","url":null,"abstract":"","PeriodicalId":429245,"journal":{"name":"TDR (1967)","volume":"27 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133417995","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.1017/s0273435400590324
R. Hosley
The so-called Elizabethan multiple stage is perhaps best illustrated in the reconstruction by John Cranford Adams. This consists of the following elements: an “outer stage,” an “inner stage” or “study,” obliquely set tiring-house doors (one on either side of the inner stage), obliquely set second-story “window-stages” (one above each of the tiring-house doors), an “upper stage” or “chamber” directly above the inner stage, a “tarras” or balcony running in front of the upper-stage curtains, a third-story musicroom directly above the upper stage, and a system of six traps set in the outer and inner stages. At one time or another (one supposes) most students of the Elizabethan stage have accepted this complex combination of separate playing-areas as more or less “Elizabethan“; and most of them have also, in time, come to be more or less disillusioned with the conception.
{"title":"The Origins of the So-called Elizabethan Multiple Stage","authors":"R. Hosley","doi":"10.1017/s0273435400590324","DOIUrl":"https://doi.org/10.1017/s0273435400590324","url":null,"abstract":"The so-called Elizabethan multiple stage is perhaps best illustrated in\u0000 the reconstruction by John Cranford Adams. This consists of the following\u0000 elements: an “outer stage,” an “inner stage” or “study,” obliquely set\u0000 tiring-house doors (one on either side of the inner stage), obliquely set\u0000 second-story “window-stages” (one above each of the tiring-house doors), an\u0000 “upper stage” or “chamber” directly above the inner stage, a “tarras” or\u0000 balcony running in front of the upper-stage curtains, a third-story\u0000 musicroom directly above the upper stage, and a system of six traps set in\u0000 the outer and inner stages. At one time or another (one supposes) most\u0000 students of the Elizabethan stage have accepted this complex combination of\u0000 separate playing-areas as more or less “Elizabethan“; and most of them have\u0000 also, in time, come to be more or less disillusioned with the\u0000 conception.","PeriodicalId":429245,"journal":{"name":"TDR (1967)","volume":"80 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126212284","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.1017/s0273435400590385
Ernst Schumacher
In the early fifties, Brecht wanted to change from “epic” theatre to “dialectical” theatre. The latter was to keep the “narrative element” of the former, but had a distinct aim: “ … deliberately to develop features —dialectical vestiges —from earlier forms of theatre and make them enjoyable” (Schriften zum Theatre, vol. 7, p. 316). “Developmental laws” were to be worked out by means of “the dialectic of the classical writers of socialism, so that we could perceive and enjoy the alterability of the world.” To this end, it would be necessary to make perceptible the “imperceptible contradictions” in all things, people, processes. Alienation techniques were to be used to depict the “contradictions and development of human co-existence,” and to make dialectic “a source of learning and enjoyment.”
{"title":"The Dialectics of Galileo","authors":"Ernst Schumacher","doi":"10.1017/s0273435400590385","DOIUrl":"https://doi.org/10.1017/s0273435400590385","url":null,"abstract":"In the early fifties, Brecht wanted to change from “epic” theatre to\u0000 “dialectical” theatre. The latter was to keep the “narrative element” of the\u0000 former, but had a distinct aim: “ … deliberately\u0000 to develop features —dialectical vestiges —from earlier forms of theatre and\u0000 make them enjoyable” (Schriften zum Theatre, vol.\u0000 7, p. 316). “Developmental laws” were to be worked out by means of “the\u0000 dialectic of the classical writers of socialism, so that we could perceive\u0000 and enjoy the alterability of the world.” To this end, it would be necessary\u0000 to make perceptible the “imperceptible contradictions” in all things,\u0000 people, processes. Alienation techniques were to be used to depict the\u0000 “contradictions and development of human co-existence,” and to make\u0000 dialectic “a source of learning and enjoyment.”","PeriodicalId":429245,"journal":{"name":"TDR (1967)","volume":"28 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121138436","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.1017/s0273435400590348
H. Brown, J. Seitz
{"title":"With The Bread & Puppet Theatre: An Interview with Peter\u0000 Schumann","authors":"H. Brown, J. Seitz","doi":"10.1017/s0273435400590348","DOIUrl":"https://doi.org/10.1017/s0273435400590348","url":null,"abstract":"","PeriodicalId":429245,"journal":{"name":"TDR (1967)","volume":"101 37","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131914347","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.1017/s0273435400590464
Martin A. Nicolaus
{"title":"[Letter from Martin A. Nicolaus]","authors":"Martin A. Nicolaus","doi":"10.1017/s0273435400590464","DOIUrl":"https://doi.org/10.1017/s0273435400590464","url":null,"abstract":"","PeriodicalId":429245,"journal":{"name":"TDR (1967)","volume":"51 21","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"120911787","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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