Pub Date : 2021-05-06DOI: 10.13110/FRAMEWORK.62.1.0107
Jonathan Buchsbaum, Mariano Mestman
{"title":"Images of the Itinerary of the Group Cine Liberación and “Third Cinema”","authors":"Jonathan Buchsbaum, Mariano Mestman","doi":"10.13110/FRAMEWORK.62.1.0107","DOIUrl":"https://doi.org/10.13110/FRAMEWORK.62.1.0107","url":null,"abstract":"","PeriodicalId":43199,"journal":{"name":"Framework-The Journal of Cinema and Media","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2021-05-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80178128","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-05-06DOI: 10.13110/FRAMEWORK.62.1.0085
Octavio Getino, Christian Pageau, Jonathan Buchsbaum
{"title":"“Some Observations on the Concept of ‘Third Cinema’” [1979] “Algunas observaciones sobre el concepto del ‘Tercer Cine’”","authors":"Octavio Getino, Christian Pageau, Jonathan Buchsbaum","doi":"10.13110/FRAMEWORK.62.1.0085","DOIUrl":"https://doi.org/10.13110/FRAMEWORK.62.1.0085","url":null,"abstract":"","PeriodicalId":43199,"journal":{"name":"Framework-The Journal of Cinema and Media","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2021-05-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75967359","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-05-06DOI: 10.13110/FRAMEWORK.62.1.0057
Jonathan Buchsbaum
Introductory note: The journal CinémAction, created in 1978 by Guy Hennebelle and Monique Martineau, was first hosted by friendly journals before establishing itself as an independent journal. In that way, CinémAction assembled the dossier on “The Impact of ‘Third Cinema’ in the World,” published by the journal Revue Tiers Monde in Volume 20, no. 79, “Audio-visual and Development” (Presses Universitaires de France, 1979), directed by Yvonne Mignot-Lefebvre. —Monique Martineau-Hennebelle, 2020
{"title":"“The Impact of ‘Third Cinema’ in the World” [1979]","authors":"Jonathan Buchsbaum","doi":"10.13110/FRAMEWORK.62.1.0057","DOIUrl":"https://doi.org/10.13110/FRAMEWORK.62.1.0057","url":null,"abstract":"Introductory note: The journal CinémAction, created in 1978 by Guy Hennebelle and Monique Martineau, was first hosted by friendly journals before establishing itself as an independent journal. In that way, CinémAction assembled the dossier on “The Impact of ‘Third Cinema’ in the World,” published by the journal Revue Tiers Monde in Volume 20, no. 79, “Audio-visual and Development” (Presses Universitaires de France, 1979), directed by Yvonne Mignot-Lefebvre. —Monique Martineau-Hennebelle, 2020","PeriodicalId":43199,"journal":{"name":"Framework-The Journal of Cinema and Media","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2021-05-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73487081","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-05-06DOI: 10.13110/FRAMEWORK.62.1.0005
Jonathan Buchsbaum, Mariano Mestman
{"title":"Documenting Third Cinema (1968–1979): Overlooked and Little-Known Documents Around Third Cinema","authors":"Jonathan Buchsbaum, Mariano Mestman","doi":"10.13110/FRAMEWORK.62.1.0005","DOIUrl":"https://doi.org/10.13110/FRAMEWORK.62.1.0005","url":null,"abstract":"","PeriodicalId":43199,"journal":{"name":"Framework-The Journal of Cinema and Media","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2021-05-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83962544","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-05-06DOI: 10.13110/FRAMEWORK.62.1.0022
Fernando Solanas, Octavio Getino, Jonathan Buchsbaum
Editors’ note: The following article, originally written by Solanas and Getino in 1971 as one article (according to Getino in “Algunas observaciones sobre el concepto del ‘tercer cine’”) was printed as two separate articles—“El cine militante: una categoría interna del tercer cine” and “El cine como hecho político”—in Cine, cultura y descolonización (1973). This translation follows precisely the text as published there by Solanas and Getino; some of the labelling of the subheadings of sections is inconsistent in the original.
Editors ')的说明:以下条,originally Solanas and Getino in 1971年《as one》(to Getino”谈几点‘第三电影”概念)was printed two单独articles—“激进的电影:一个内部类第三电影”和“电影作为政治事实”—in电影、文化和非殖民化(1973)。这首歌在英国单曲排行榜上排名第二，在英国单曲榜上排名第三，在英国单曲榜上排名第三，在英国单曲榜上排名第四。some of the通布鲁of the subheadings of原始文件is inconsistent in the。
{"title":"“Militant Cinema: An Internal Category of Third Cinema” [1971] “Cine militante: una categoría interna del Tercer Cine”","authors":"Fernando Solanas, Octavio Getino, Jonathan Buchsbaum","doi":"10.13110/FRAMEWORK.62.1.0022","DOIUrl":"https://doi.org/10.13110/FRAMEWORK.62.1.0022","url":null,"abstract":"Editors’ note: The following article, originally written by Solanas and Getino in 1971 as one article (according to Getino in “Algunas observaciones sobre el concepto del ‘tercer cine’”) was printed as two separate articles—“El cine militante: una categoría interna del tercer cine” and “El cine como hecho político”—in Cine, cultura y descolonización (1973). This translation follows precisely the text as published there by Solanas and Getino; some of the labelling of the subheadings of sections is inconsistent in the original.","PeriodicalId":43199,"journal":{"name":"Framework-The Journal of Cinema and Media","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2021-05-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73663080","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-03-01DOI: 10.1353/frm.2021.a790371
Cinm Action
{"title":"“The Impact of ‘Third Cinema’ in the World” [1979]","authors":"Cinm Action","doi":"10.1353/frm.2021.a790371","DOIUrl":"https://doi.org/10.1353/frm.2021.a790371","url":null,"abstract":"","PeriodicalId":43199,"journal":{"name":"Framework-The Journal of Cinema and Media","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2021-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83126558","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-01-01DOI: 10.13110/framework.62.2.0139
Baroody, Hennefeld
{"title":"Introduction: Film for the Future","authors":"Baroody, Hennefeld","doi":"10.13110/framework.62.2.0139","DOIUrl":"https://doi.org/10.13110/framework.62.2.0139","url":null,"abstract":"","PeriodicalId":43199,"journal":{"name":"Framework-The Journal of Cinema and Media","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85191471","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-01-01DOI: 10.13110/framework.62.1.bm
{"title":"Back Matter","authors":"","doi":"10.13110/framework.62.1.bm","DOIUrl":"https://doi.org/10.13110/framework.62.1.bm","url":null,"abstract":"","PeriodicalId":43199,"journal":{"name":"Framework-The Journal of Cinema and Media","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76187365","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
During a global pandemic, individual views of government can be linked to citizens ’ trust and cooperation with government and their propensity to resist state policies or to take action that influences the course of a pandemic. This article explores citizens ’ assessments of government responses to COVID-19 as a function of policy substance (restrictions on civil liberties), information about performance, and socioeconomic inequity in outcomes. We conducted a survey experiment and analyzed data on over 7000 respondents from eight democratic countries. We find that across countries, citizens are less favorable toward COVID-19 policies that are more restrictive of civil liberties. Additionally, citizens ’ views of government performance are significantly influenced by objective performance information from reputable sources and information on the disproportionate impacts of COVID-19 on
{"title":"Liberté","authors":"","doi":"10.4414/pc-d.2003.05888","DOIUrl":"https://doi.org/10.4414/pc-d.2003.05888","url":null,"abstract":"During a global pandemic, individual views of government can be linked to citizens ’ trust and cooperation with government and their propensity to resist state policies or to take action that influences the course of a pandemic. This article explores citizens ’ assessments of government responses to COVID-19 as a function of policy substance (restrictions on civil liberties), information about performance, and socioeconomic inequity in outcomes. We conducted a survey experiment and analyzed data on over 7000 respondents from eight democratic countries. We find that across countries, citizens are less favorable toward COVID-19 policies that are more restrictive of civil liberties. Additionally, citizens ’ views of government performance are significantly influenced by objective performance information from reputable sources and information on the disproportionate impacts of COVID-19 on","PeriodicalId":43199,"journal":{"name":"Framework-The Journal of Cinema and Media","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2020-12-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89306597","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-12-17DOI: 10.13110/framework.61.2.0023
Tahar Cheriaa
Ousmane Sembene: Pas «K’sala.» «Khâla»! Il faut prononcer «Khâla,» avec un Khâ arabe de «Khâlifa,» par exemple. Etymologiquement, “xala” veut dire en langue ouolof, «impuissance sexuelle temporaire.» Nous sommes ici dans une «zone culturelle» différente, même si nous sommes continentalement solidaires. «Xala» ça peut arriver à tous les hommes, qu’ils soient riches ou pauvres, ça peut être la conséquence d’un sentiment agressif de jalousie et de rivalité, ça peut prévenir d’un vice, ou d’autre chose. Le «xala” en ouolof usuel veut dire aussi I’arc, cette arme qui tire des flèches. Or, Ie sexe de l’homme en repos est toujours courbé, comme un arc. Comme l’arc, iI se tend à un moment donné, pour un acte donné, puis il reprend sa forme détendue, qui est alors courbe. D›où Ie sens du mot, sur le plan culturel: impuissance sexuelle temporaire. Avoir le “xala,” c’est avoir “l’arc au repos”. Et, si c’est à un moment où il ne le faudrait pas, cela peut être très regrettable, évidemment. Ça, c’est une première donnée, d’ordre culturel, une donnée linguistique, si tu veux. Mais mon film n’est pas un film pornographique ou érotique. Cet aspect sexuel n’est qu’un prétexte à une réflexion sur la société sénégalaise d’aujourd’hui et sur la problématique de sa libération. . .
{"title":"Issues in African Film: The Artist and the Revolution: \"Interview with Ousmane Sembene\" in French","authors":"Tahar Cheriaa","doi":"10.13110/framework.61.2.0023","DOIUrl":"https://doi.org/10.13110/framework.61.2.0023","url":null,"abstract":"Ousmane Sembene: Pas «K’sala.» «Khâla»! Il faut prononcer «Khâla,» avec un Khâ arabe de «Khâlifa,» par exemple. Etymologiquement, “xala” veut dire en langue ouolof, «impuissance sexuelle temporaire.» Nous sommes ici dans une «zone culturelle» différente, même si nous sommes continentalement solidaires. «Xala» ça peut arriver à tous les hommes, qu’ils soient riches ou pauvres, ça peut être la conséquence d’un sentiment agressif de jalousie et de rivalité, ça peut prévenir d’un vice, ou d’autre chose. Le «xala” en ouolof usuel veut dire aussi I’arc, cette arme qui tire des flèches. Or, Ie sexe de l’homme en repos est toujours courbé, comme un arc. Comme l’arc, iI se tend à un moment donné, pour un acte donné, puis il reprend sa forme détendue, qui est alors courbe. D›où Ie sens du mot, sur le plan culturel: impuissance sexuelle temporaire. Avoir le “xala,” c’est avoir “l’arc au repos”. Et, si c’est à un moment où il ne le faudrait pas, cela peut être très regrettable, évidemment. Ça, c’est une première donnée, d’ordre culturel, une donnée linguistique, si tu veux. Mais mon film n’est pas un film pornographique ou érotique. Cet aspect sexuel n’est qu’un prétexte à une réflexion sur la société sénégalaise d’aujourd’hui et sur la problématique de sa libération. . .","PeriodicalId":43199,"journal":{"name":"Framework-The Journal of Cinema and Media","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2020-12-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81265404","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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