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Chán Buddhism in Dūnhuáng and Beyond最新文献

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Buddhist–Daoist Interaction as Creative Dialogue: The Mind and Dào in Twofold Mystery Teaching 作为创造性对话的佛道互动:双重神秘教学中的心灵与Dào
Pub Date : 2020-10-16 DOI: 10.1163/9789004439245_009
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引用次数: 0
The Old Uigur Translation of the Siddhaṃ Songs 悉达摩歌的古维吾尔语翻译
Pub Date : 2020-10-16 DOI: 10.1163/9789004439245_005
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引用次数: 0
The Meeting and Conflation of Chán and Esoteric Buddhism during the Táng Táng时期Chán与密教的相遇与合并
Pub Date : 2020-10-16 DOI: 10.1163/9789004439245_008
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引用次数: 3
Northern Chán and the Siddhaṃ Songs 北方Chán和悉达伽之歌
Pub Date : 2020-10-16 DOI: 10.1163/9789004439245_004
Christoph Anderl, H. Sørensen
In this paper, we will examine a text that enjoyed great popularity in the northwestern region of China, with multiple copies preserved in the Dūnhuáng corpus. Although probably authored during the eighth century and conveying typical Northern Chán ideas, the text was copied repeatedly in later years, evidencing that Northern Chán thinking remained en vogue in at least some sectors of the Chinese Buddhist sphere. As mentioned in the Introduction to this volume, Dūnhuáng Chán adherents were well aware of the “split” in the Chán School, resulting in the so-called “Northern” and “Southern” branches. However, in Dūnhuáng, Chán Buddhists could identify with both approaches, and seem tohavehada reconciliatory attitude towards these sectariandevelopments. The text under discussion not only exemplifies early Chán terminology but also illustrates how Sanskrit versification appeared in material relating to Northern Chán. The text in question is the Fóshuō Léngqié jīng chánmén xītán zhāng佛說 楞伽經禪門悉談章 (The Siddhaṃ Chapter of the Gate of Chán [According to] the Laṅkāvatāra Sūtra Expounded by the Buddha; hereafter the Siddhaṃ Song), of which several copies have been identified.1 This text was so popular that it was translated into Old Uighur several times (see Chapter Three, this volume). This suggests that early Chán thinking, concepts, and terms remained popular, an observation that is confirmed when we examine the translations in Tibetan (see Chapter Four, this volume). The Siddhaṃ Song is ascribed to a previously unknown Chánmaster named Dìnghuì定惠, who is variously said to have hailed fromDàxīngshānMonastery 大興善寺 in Luòyáng orHuìshànMonastery會善寺 onMt. Sōng嵩嶽 inHénán province.2
在本文中,我们将研究一个在中国西北地区非常受欢迎的文本,并在Dūnhuáng语料库中保存了多个副本。虽然可能是在八世纪创作的,传达了典型的北方Chán思想,但在后来的几年里,文本被反复复制,证明北方Chán思想至少在中国佛教领域的某些领域仍然流行。如本卷导言所述,Dūnhuáng Chán的信徒很清楚Chán学派的“分裂”,从而产生了所谓的“北派”和“南派”。然而,在Dūnhuáng, Chán,佛教徒可以认同这两种方法,似乎对这些宗派的发展有和解的态度。讨论中的文本不仅举例说明了早期Chán术语,而且说明了梵文译本如何出现在与北方Chán有关的材料中。文本是FoshuōLengqie jīng chanmen xītan zh型āng佛說楞伽經禪門悉談章(悉ṃ章门的陈(据)洛杉矶ṅkā增值税āra年代ū交易由佛陀阐述;以下为悉达伽歌),其中有几个副本已被确认这篇文章非常受欢迎,因此多次被翻译成古维吾尔语(见本卷第三章)。这表明早期的Chán思想、概念和术语仍然流行,当我们检查藏文翻译时,这一观察得到证实(见本卷第四章)。悉达罗之歌被认为是一个以前不为人知的Chánmaster,名叫Dìnghuì,据说他在Luòyáng orHuìshànMonastery山上欢呼fromDàxīngshānMonastery。Sōng inHénán
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引用次数: 1
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Chán Buddhism in Dūnhuáng and Beyond
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