Pub Date : 2019-12-01DOI: 10.4067/s0718-04622019000200155
M. González
{"title":"HACER HISTORIA LITERARIA EN CHILE","authors":"M. González","doi":"10.4067/s0718-04622019000200155","DOIUrl":"https://doi.org/10.4067/s0718-04622019000200155","url":null,"abstract":"","PeriodicalId":43674,"journal":{"name":"Atenea","volume":"1 1","pages":"155-161"},"PeriodicalIF":0.0,"publicationDate":"2019-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75544585","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-12-01DOI: 10.4067/s0718-04622019000200011
Juan Carlos Beltrán Véliz, S. Bustingorry, Carlos del Valle Rojas, Juan Guillermo Mansilla Sepúlveda
espanolResumen El presente articulo se propone reflexionar en torno a las relaciones intersubjetivas en el campo de la interculturalidad. Desde esta perspectiva, es posible senalar que el dialogo juega un rol importante, pues es un elemento fundamental en las relaciones intersubjetivas existentes entre los kimches y los profesores occidentales. Esto favoreceria la convivencia en un contexto intercultural, debido a que el conocimiento del Otro constituye una de las fuentes imprescindibles para la construccion de proyectos de vida en comun. Al respecto, en el marco de la educacion intercultural, los saberes culturales mapuche se deben reconocer, comprender, valorar y legitimar desde un plano epistemologico, a fin de contribuir a la formacion de personas mapuche y no mapuche que conviven e interactuan en una misma sociedad. EnglishAbstract The following article presents a critical reflection on intersubjective rela tions in the field of interculturality. From this perspective, dialogue emerges as an im portant factor, as it represents a fundamental element of intersubjective relations between kimches and Western teachers. This would favor coexistence in an intercultural context, since the knowledge of the Other constitutes one of the essential sources for the construction of common life projects. In this respect, within an intercultural educational framework, Mapuche cultural knowledges should be recognized, understood, valued and validated from an epistemological perspective, in order to contribute to the education of Mapuche and non-Mapuche people who live and interact in the same society.
{"title":"RELACIONES INTERSUBJETIVAS EN EL CAMPO DE LA INTERCULTURALIDAD. SABERES CULTURALES MAPUCHE","authors":"Juan Carlos Beltrán Véliz, S. Bustingorry, Carlos del Valle Rojas, Juan Guillermo Mansilla Sepúlveda","doi":"10.4067/s0718-04622019000200011","DOIUrl":"https://doi.org/10.4067/s0718-04622019000200011","url":null,"abstract":"espanolResumen El presente articulo se propone reflexionar en torno a las relaciones intersubjetivas en el campo de la interculturalidad. Desde esta perspectiva, es posible senalar que el dialogo juega un rol importante, pues es un elemento fundamental en las relaciones intersubjetivas existentes entre los kimches y los profesores occidentales. Esto favoreceria la convivencia en un contexto intercultural, debido a que el conocimiento del Otro constituye una de las fuentes imprescindibles para la construccion de proyectos de vida en comun. Al respecto, en el marco de la educacion intercultural, los saberes culturales mapuche se deben reconocer, comprender, valorar y legitimar desde un plano epistemologico, a fin de contribuir a la formacion de personas mapuche y no mapuche que conviven e interactuan en una misma sociedad. EnglishAbstract The following article presents a critical reflection on intersubjective rela tions in the field of interculturality. From this perspective, dialogue emerges as an im portant factor, as it represents a fundamental element of intersubjective relations between kimches and Western teachers. This would favor coexistence in an intercultural context, since the knowledge of the Other constitutes one of the essential sources for the construction of common life projects. In this respect, within an intercultural educational framework, Mapuche cultural knowledges should be recognized, understood, valued and validated from an epistemological perspective, in order to contribute to the education of Mapuche and non-Mapuche people who live and interact in the same society.","PeriodicalId":43674,"journal":{"name":"Atenea","volume":"127 21 1","pages":"11-21"},"PeriodicalIF":0.0,"publicationDate":"2019-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87761089","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-12-01DOI: 10.4067/s0718-04622019000200177
Grínor Rojo
{"title":"SOBRE LA APORIA DESCOLONIAL, DE ROMINA PISTACCHIO","authors":"Grínor Rojo","doi":"10.4067/s0718-04622019000200177","DOIUrl":"https://doi.org/10.4067/s0718-04622019000200177","url":null,"abstract":"","PeriodicalId":43674,"journal":{"name":"Atenea","volume":"76 1","pages":"177-181"},"PeriodicalIF":0.0,"publicationDate":"2019-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81054440","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-12-01DOI: 10.4067/s0718-04622019000200183
A. Giordano
{"title":"¿CÓMO SE CUENTA UNA VIDA? APUNTES DE LECTURA","authors":"A. Giordano","doi":"10.4067/s0718-04622019000200183","DOIUrl":"https://doi.org/10.4067/s0718-04622019000200183","url":null,"abstract":"","PeriodicalId":43674,"journal":{"name":"Atenea","volume":"18 1","pages":"183-193"},"PeriodicalIF":0.0,"publicationDate":"2019-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82225334","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-12-01DOI: 10.4067/s0718-04622019000200147
C. Castro
{"title":"SOBRE LA RELACIÓN ENTRE INDIVIDUALIDAD Y COLECTIVIDAD. NOTAS A EL HECHICERO DE LA TRIBU. MARIO VARGAS LLOSA Y EL LIBERALISMO EN AMÉRICA LATINA DE ATILIO BORÓN","authors":"C. Castro","doi":"10.4067/s0718-04622019000200147","DOIUrl":"https://doi.org/10.4067/s0718-04622019000200147","url":null,"abstract":"","PeriodicalId":43674,"journal":{"name":"Atenea","volume":"44 1","pages":"147-154"},"PeriodicalIF":0.0,"publicationDate":"2019-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87530830","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-12-01DOI: 10.4067/s0718-04622019000200023
Patricia Zúñiga
espanolRESUMEN El presente articulo expone los alcances de una intervencion de diseno realizada en la localidad de Llahualco, Region de Los Lagos, Chile, a artesanas textiles con ascendencia mapuche-williche. En particular, busca tensionar el concepto de desarrollo, en funcion del contexto intercultural donde se situa, analizando la figura de la mujer en la transmision de conocimiento heredado y sus nuevos escenarios de validacion. Junto con lo anterior, expone como la asimilacion de nuevas tecnicas artesanales, sus apropiaciones y nuevos usos, va generando nuevas tradiciones textiles para los territorios multiculturales del sur de Chile. Se espera realizar una aproximacion a los principios de integracion cultural aplicables a procesos de diseno, que permitan prospectar el desafio de la interculturalidad en los territorios de la globalizacion. EnglishABSTRACT This article demonstrates the scope of a design intervention carried out in Llahualco, Los Lagos Region, Chile, with textile artisans of Mapuche-Williche ancestry. In particular, it seeks to question the concept of development as a function of the intercultural context of the village, analyzing the role of women in the transmission of inherited knowledge and new scenarios for validation of that knowledge. Furthermore, the article demonstrates how the assimilation of new artisanal techniques, along with their appropriations and novel uses, is generating new textile traditions for the multicultural territories of southern Chile. This project offers an approach to the principles of cultural integration applicable to design processes, thus enabling us to explore the challenge of interculturality in territories open to globalization.
{"title":"DISEÑO TEXTIL INTERCULTURAL: ALCANCES SOBRE UNA INTERVENCIÓN EN TERRITORIO MAPUCHE-WILLICHE","authors":"Patricia Zúñiga","doi":"10.4067/s0718-04622019000200023","DOIUrl":"https://doi.org/10.4067/s0718-04622019000200023","url":null,"abstract":"espanolRESUMEN El presente articulo expone los alcances de una intervencion de diseno realizada en la localidad de Llahualco, Region de Los Lagos, Chile, a artesanas textiles con ascendencia mapuche-williche. En particular, busca tensionar el concepto de desarrollo, en funcion del contexto intercultural donde se situa, analizando la figura de la mujer en la transmision de conocimiento heredado y sus nuevos escenarios de validacion. Junto con lo anterior, expone como la asimilacion de nuevas tecnicas artesanales, sus apropiaciones y nuevos usos, va generando nuevas tradiciones textiles para los territorios multiculturales del sur de Chile. Se espera realizar una aproximacion a los principios de integracion cultural aplicables a procesos de diseno, que permitan prospectar el desafio de la interculturalidad en los territorios de la globalizacion. EnglishABSTRACT This article demonstrates the scope of a design intervention carried out in Llahualco, Los Lagos Region, Chile, with textile artisans of Mapuche-Williche ancestry. In particular, it seeks to question the concept of development as a function of the intercultural context of the village, analyzing the role of women in the transmission of inherited knowledge and new scenarios for validation of that knowledge. Furthermore, the article demonstrates how the assimilation of new artisanal techniques, along with their appropriations and novel uses, is generating new textile traditions for the multicultural territories of southern Chile. This project offers an approach to the principles of cultural integration applicable to design processes, thus enabling us to explore the challenge of interculturality in territories open to globalization.","PeriodicalId":43674,"journal":{"name":"Atenea","volume":"41 1","pages":"23-43"},"PeriodicalIF":0.0,"publicationDate":"2019-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79009521","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-12-01DOI: 10.4067/s0718-04622019000200097
F. Alfonso, Ximena Figueroa Flores
espanolRESUMEN Jorge Luis Borges y Harold Bloom coinciden en que la obra clasica o canonica posee un fondo misterioso, reacio a la descripcion: es "profunda como el cosmos" o bien nos impone cierta "extraneza". Pero disienten en lo esencial de sus concepciones. Para el primero, las cualidades de un clasico son externas y su valoracion cambiante, ademas, cada tradicion tiene su propio centro; para el segundo, las cualidades canonicas son intrinsecas y Shakespeare es el centro de una unica tradicion occidental. Aqui propondremos una comprension intermedia del modo en que las obras devienen clasi cas o canonicas. Determinar ciertos atributos "objetivos" resulta indispensable para su canonizacion, segun insiste Bloom, pero tales atributos, como querria Borges, varian a traves de la historia y las culturas. No hay, en consecuencia, un unico canon, sino una multiplicidad de ellos, seleccionados y organizados, sin embargo, no por misteriosas razones, sino bajo criterios estetico-ideologicos instaurados por cada tradicion. EnglishABSTRACT Jorge Luis Borges and Harold Bloom are in agreement that the classics or the "Western Canon" are steeped in mystery, worthy of the description, "deep like the cosmos," or that they impose a certain "strangeness" on us. But when it comes to their fundamentals, their two views differ. For the former, the qualities of a classic are external and their value can change, and each tradition has its own center. For the latter, the value of the canon is inherent, and Shakespeare is at the center of a single Western tradition. Here, we will draw from both views to understand the way in which works become classics or canonical. Bloom insists that determining certain "objective" qualities of a work proves indispensable for assessing if they should be part of the canon or not. But as Borges noted, said qualities vary throughout history and between cultures. There is not, therefore, a single canon, but a multiplicity of them, selected and organized, however, not for mysterious reasons, but under the aesthetic-ideological criteria established by each tradition.
豪尔赫·路易斯·博尔赫斯(Jorge Luis Borges)和哈罗德·布鲁姆(Harold Bloom)都认为，经典或经典作品有一种神秘的背景，不愿描述:它“像宇宙一样深刻”，或者它强加了某种“奇怪”。但他们的观点在本质上是不同的。首先，经典的品质是外在的，它的价值是不断变化的，而且，每一种传统都有自己的中心;对于前者，规范的品质是内在的，莎士比亚是一个独特的西方传统的中心。在这里，我们将提出一个中间理解的方式，作品成为经典或规范。根据布鲁姆的说法，确定某些“客观”属性是封圣的必要条件，但正如博尔赫斯所希望的那样，这些属性在历史和文化中是不同的。因此，没有单一的正典，而是多种多样的正典，选择和组织它们不是出于神秘的原因，而是根据每一种传统建立的美学和意识形态标准。乔治·路易斯·博尔赫斯(george Luis Borges)和哈罗德·布鲁姆(Harold Bloom)同意经典或西方经典是神秘的，值得描述，“像宇宙一样深”，或者他们对我们提出了某种“奇怪”。但当谈到它们的基础时，它们有两个不同的观点。前,the qualities of a classic are For the value can change, and external及其每tradition你自己center。For the后一,the value of the尺度is inherent莎士比亚,and is at the center of a single Western tradition。Here, we will的from both views to明白经典(the way in which .练习or meraka。布鲁姆坚持认为，确定某项工作的某些“客观”质量对于评估其是否应成为规范的一部分至关重要。But as Borges, said qualities亿至history and between文化。因此，没有单一的标准，而是它们的多样性，选择和组织，但是，不是出于神秘的原因，而是在每个传统所确立的审美意识形态标准之下。
{"title":"BORGES CONTRA BLOOM: LO ESTÉTICO-IDEOLÓGICO EN LA CONFORMACIÓN DEL (LOS) CANON(ES)","authors":"F. Alfonso, Ximena Figueroa Flores","doi":"10.4067/s0718-04622019000200097","DOIUrl":"https://doi.org/10.4067/s0718-04622019000200097","url":null,"abstract":"espanolRESUMEN Jorge Luis Borges y Harold Bloom coinciden en que la obra clasica o canonica posee un fondo misterioso, reacio a la descripcion: es \"profunda como el cosmos\" o bien nos impone cierta \"extraneza\". Pero disienten en lo esencial de sus concepciones. Para el primero, las cualidades de un clasico son externas y su valoracion cambiante, ademas, cada tradicion tiene su propio centro; para el segundo, las cualidades canonicas son intrinsecas y Shakespeare es el centro de una unica tradicion occidental. Aqui propondremos una comprension intermedia del modo en que las obras devienen clasi cas o canonicas. Determinar ciertos atributos \"objetivos\" resulta indispensable para su canonizacion, segun insiste Bloom, pero tales atributos, como querria Borges, varian a traves de la historia y las culturas. No hay, en consecuencia, un unico canon, sino una multiplicidad de ellos, seleccionados y organizados, sin embargo, no por misteriosas razones, sino bajo criterios estetico-ideologicos instaurados por cada tradicion. EnglishABSTRACT Jorge Luis Borges and Harold Bloom are in agreement that the classics or the \"Western Canon\" are steeped in mystery, worthy of the description, \"deep like the cosmos,\" or that they impose a certain \"strangeness\" on us. But when it comes to their fundamentals, their two views differ. For the former, the qualities of a classic are external and their value can change, and each tradition has its own center. For the latter, the value of the canon is inherent, and Shakespeare is at the center of a single Western tradition. Here, we will draw from both views to understand the way in which works become classics or canonical. Bloom insists that determining certain \"objective\" qualities of a work proves indispensable for assessing if they should be part of the canon or not. But as Borges noted, said qualities vary throughout history and between cultures. There is not, therefore, a single canon, but a multiplicity of them, selected and organized, however, not for mysterious reasons, but under the aesthetic-ideological criteria established by each tradition.","PeriodicalId":43674,"journal":{"name":"Atenea","volume":"31 1","pages":"97-112"},"PeriodicalIF":0.0,"publicationDate":"2019-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84718131","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-12-01DOI: 10.4067/s0718-04622019000200203
E. Gianoli
{"title":"DISCURSO DE RECEPCIÓN DEL PREMIO ATENEA 2018 AL MEJOR ARTÍCULO CIENTÍFICO: \"ECOLOGICAL AND EVOLUTIONARY IMPACTS OF CHANGING CLIMATIC VARIABILITY\", DE DIEGO VÁZQUEZ, ERNESTO GIANOLI, WILLIAM MORRIS Y FRANCISCO BOZINOVIC","authors":"E. Gianoli","doi":"10.4067/s0718-04622019000200203","DOIUrl":"https://doi.org/10.4067/s0718-04622019000200203","url":null,"abstract":"","PeriodicalId":43674,"journal":{"name":"Atenea","volume":"45 1","pages":"203-206"},"PeriodicalIF":0.0,"publicationDate":"2019-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76229727","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-12-01DOI: 10.4067/s0718-04622019000200127
José Díaz-Diego, F. Soto, José Manuel Zavala Cepeda
espanolRESUMEN Los diarios de viaje de Francisco Echaurren (1852-1857) son los mas antiguos que se conservan hoy de un viajero chileno alrededor del mundo. Para profundizar en los mismos, exponemos el perfil social y politico del autor, la estructura y estilo literario de los diarios, y los vinculos entre la autoria y la representacion de otredades como las elites locales, los criados y los guias. Escritos para recordar el viaje y no para ser publicados, los cuadernos se caracterizan por la franqueza de su intimidad. Concluimos subrayando la presencia en los textos de valores modernos de predileccion por la aventura, el exotismo y el protagonismo del sujeto, asi como de estrategias escriturales que marcan un clasismo constante en la construccion del otro. EnglishABSTRACT Francisco Echaurren's diaries from his voyage around the world (1852 1857) are the oldest extant example of this genre from a Chilean traveler. In order to deepen our understanding of this work, we explore the social and political profile of the author, the diaries' structure and literary style, and the links between authorship and the representation of otherness through Echaurren's descriptions of local elites, servants, and guides. The diaries are characterized by their candor and intimacy, as they were written as a personal record of the journey but not meant to be published. We con clude by emphasizing the work's embodiment of modern values, such as a predilection for adventure, exoticism and the subject's centrality, as well as the scriptural strategies that reveal the author's class bias in the construction of otherness.
弗朗西斯科·埃乔伦(Francisco Echaurren, 1852-1857)的旅行日记是现存最古老的关于世界各地的智利旅行者的日记。本文分析了20世纪90年代和21世纪初墨西哥报纸的社会和政治形象，以及作者身份与当地精英、仆人和导游等其他群体的代表之间的联系。这些笔记本是为了纪念这次旅行而写的，而不是为了出版，它们的特点是亲密的坦率。最后，我们强调了现代价值观对冒险、异国风情和主题主角的偏爱，以及在构建他者时标志着持续阶级主义的写作策略。EnglishABSTRACT Francisco Echaurren’s diaries于顺风around the world (1852 1857) are the oldest extant例如of this性别从货真价实traveler)。In order to加深our understanding of this work,我们探索the social and political profile of the提交人,the diaries’structure and literary style, and the links between authorship and the representation of otherness through Echaurren’s descriptions of local、仆人和guides精英。这些日记的特点是它们的坦率和亲密，因为它们写的是旅行的个人记录，但不打算出版。我们通过强调作品的现代价值体现，例如对冒险、异域主义和主体中心性的偏爱，以及揭示作者在建构他人方面的阶级偏见的圣经策略，得出结论。
{"title":"AUTORÍA Y OTREDADES EN LOS DIARIOS DE VIAJE ALREDEDOR DEL MUNDO DE FRANCISCO ECHAURREN","authors":"José Díaz-Diego, F. Soto, José Manuel Zavala Cepeda","doi":"10.4067/s0718-04622019000200127","DOIUrl":"https://doi.org/10.4067/s0718-04622019000200127","url":null,"abstract":"espanolRESUMEN Los diarios de viaje de Francisco Echaurren (1852-1857) son los mas antiguos que se conservan hoy de un viajero chileno alrededor del mundo. Para profundizar en los mismos, exponemos el perfil social y politico del autor, la estructura y estilo literario de los diarios, y los vinculos entre la autoria y la representacion de otredades como las elites locales, los criados y los guias. Escritos para recordar el viaje y no para ser publicados, los cuadernos se caracterizan por la franqueza de su intimidad. Concluimos subrayando la presencia en los textos de valores modernos de predileccion por la aventura, el exotismo y el protagonismo del sujeto, asi como de estrategias escriturales que marcan un clasismo constante en la construccion del otro. EnglishABSTRACT Francisco Echaurren's diaries from his voyage around the world (1852 1857) are the oldest extant example of this genre from a Chilean traveler. In order to deepen our understanding of this work, we explore the social and political profile of the author, the diaries' structure and literary style, and the links between authorship and the representation of otherness through Echaurren's descriptions of local elites, servants, and guides. The diaries are characterized by their candor and intimacy, as they were written as a personal record of the journey but not meant to be published. We con clude by emphasizing the work's embodiment of modern values, such as a predilection for adventure, exoticism and the subject's centrality, as well as the scriptural strategies that reveal the author's class bias in the construction of otherness.","PeriodicalId":43674,"journal":{"name":"Atenea","volume":"124 1","pages":"127-145"},"PeriodicalIF":0.0,"publicationDate":"2019-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73768763","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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