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Psychodynamic Practice最新文献

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Freud’s patients: a book of lives 弗洛伊德的病人:一本生命之书
Q4 PSYCHOLOGY, CLINICAL Pub Date : 2023-09-13 DOI: 10.1080/14753634.2023.2257207
Martin Weegmann
Click to increase image sizeClick to decrease image size Disclosure statementNo potential conflict of interest was reported by the author(s).Additional informationNotes on contributorsMartin WeegmannMartin Weegmann is a psychologist and group analyst, living and working in London
点击放大图片点击缩小图片披露声明作者未发现潜在的利益冲突。马丁·魏格曼(martin Weegmann)是一名心理学家和团体分析师,生活和工作在伦敦
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引用次数: 0
A dog called Chaos: what’s the use of in-house psychodynamic consultation to think about the unhoused mind? 一只名叫混沌的狗:内部心理动力学咨询对思考没有住所的心灵有什么用?
IF 0.3 Q4 PSYCHOLOGY, CLINICAL Pub Date : 2023-08-24 DOI: 10.1080/14753634.2023.2250365
Jonathan D. Day
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引用次数: 0
From fiction to psychoanalysis: re-imagining a relationship 从小说到精神分析:重新想象一段关系
IF 0.3 Q4 PSYCHOLOGY, CLINICAL Pub Date : 2023-08-11 DOI: 10.1080/14753634.2023.2244964
Jennie Hogan
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引用次数: 0
‘I am watching you. Are you watching yourself in me?1’: reflection as an act of triangulation “我在看着你。你在我身上看到你自己了吗?作为三角测量的反射
IF 0.3 Q4 PSYCHOLOGY, CLINICAL Pub Date : 2023-07-25 DOI: 10.1080/14753634.2023.2234913
Joanna Laurens
This paper approaches the process of ‘reflection’ as an interpersonal and intra-personal creative act. As commonly used, the word ‘reflection’ appears to reference two seemingly different processes; the returning of a mirror image and the process of reflective thought. Examining the intersection of these two definitions – from infant development, through attachment theory to post-Kleinian thinking and Lacan – this paper finds that the act of ‘reflection’ can be conceived of as an act of triangulation, in a mathematical sense, whereby a pre-existing but unknown point is found/made using two known points as the vertices.
本文将“反思”过程视为一种人际和个人内部的创造行为。通常,“反思”一词似乎指的是两种看似不同的过程;镜像的回归和反思思维的过程。检查这两个定义的交集-从婴儿发展,通过依恋理论到后克莱因思维和拉康-这篇论文发现,“反思”的行为可以被认为是一种三角测量的行为,在数学意义上,通过使用两个已知的点作为顶点来发现/制造一个预先存在但未知的点。
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引用次数: 0
The object relations lens – a psychodynamic framework for the beginning therapist 对象关系镜头——一个心理动力学的框架,为初级治疗师
IF 0.3 Q4 PSYCHOLOGY, CLINICAL Pub Date : 2023-07-24 DOI: 10.1080/14753634.2023.2239257
Aaron K. Davis
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引用次数: 1
Psychoanalysis, gender, and sexualities: from Feminism to Trans. 精神分析、性别与性:从女权主义到跨性别。
IF 0.3 Q4 PSYCHOLOGY, CLINICAL Pub Date : 2023-07-21 DOI: 10.1080/14753634.2023.2239249
Alice Kentridge
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引用次数: 0
Underlying assumptions in psychoanalytic schools: a comparative perspective 精神分析学派的基本假设:比较视角
IF 0.3 Q4 PSYCHOLOGY, CLINICAL Pub Date : 2023-07-19 DOI: 10.1080/14753634.2023.2235752
R. Waska
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引用次数: 0
Implicit bias: Repression, denial, or what? 内隐偏见:压抑,否认,还是什么?
IF 0.3 Q4 PSYCHOLOGY, CLINICAL Pub Date : 2023-07-17 DOI: 10.1080/14753634.2023.2234696
Sheldon Siporin
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引用次数: 0
Suffering in silence: a psychodynamic exploration into the lived experience of student opera singers in a time of Covid 沉默中的痛苦:对新冠肺炎时期学生歌剧演员生活经历的心理动力学探索
IF 0.3 Q4 PSYCHOLOGY, CLINICAL Pub Date : 2023-07-06 DOI: 10.1080/14753634.2023.2213563
A. Harvey
Concert halls fall silent, audiences vanish. Daily practice, nightly performance and a lifetime’s dreams vaporise as COVID-19 plunges the UK into lockdown. Yet everywhere there is the echo of tumultuous applause as front-line NHS teams take centre stage. The old audience is the new star; the nation’s 50,000 singers, dancers and actors side-lined. ‘Nothing is more devastating to a performing artist than not having the chance to be on stage’, writes Plaut (1988, p. 114). So how might a performer experience being in a world in which performance has ceased to exist? How might a singer with an inescapable instrument make sense of their thoughts and feelings when the once-prized voice is now malign, every breath toxic? This was the focus for my psychodynamic study, one of the first into the lived experience of young singers in a time of Covid. Student opera singers embarking on a solo career and cut off from their conservatoire training and peers while still negotiating adolescence provided a tight focus. Much of the research into musicians pre-Covid focuses on music performance anxiety (MPA) and its treatment, which perhaps suggests a collective gaze that views creative artists as commodities rather than as persons to be understood. Performers are there for our pleasure and an enjoyment of opera particularly can be understood as an intensely erotic experience (Abel, 1996; Poizat, 1992) that we may prefer not to acknowledge. Perhaps when performers could no longer perform in a time of Covid they attracted our collective rage and fear to become worthless objects. After a lifetime’s training, participants in my study found themselves ‘left over from society’ and alone. The crucial well-being performers bring to society was also lost; the power of music to transform separateness into ‘authentic togetherness’ (Zuckerlandl, 1973) for singer and audience alike. Seven participants aged 25–30 were recruited from UK conservatoires for individual hour-long interviews. These were anonymised and transcribed for the study, which used a framework of Interpretive Phenomenological Analysis seen through a psychodynamic lens. My research aims to help therapists better understand and support this under-researched group. It has relevance for how
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引用次数: 0
A clinician’s guide to understanding and using psychoanalysis in practice 临床医生在实践中理解和使用精神分析的指南
IF 0.3 Q4 PSYCHOLOGY, CLINICAL Pub Date : 2023-07-03 DOI: 10.1080/14753634.2023.2231471
Toby Ingham
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引用次数: 0
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Psychodynamic Practice
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