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Wicked Women and Evil Emperors 邪恶的女人和邪恶的皇帝
Pub Date : 2006-01-01 DOI: 10.1163/9789047417231_011
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引用次数: 0
The Spotted Barbarian and Auntie Old Tiger 斑点野蛮人和老老虎阿姨
Pub Date : 2006-01-01 DOI: 10.1163/9789047417231_007
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引用次数: 0
Westerners as Scapegoats 西方人是替罪羊
Pub Date : 2006-01-01 DOI: 10.1163/9789047417231_009
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引用次数: 0
Organ-snatching and Eoetns-tbeft 抢夺器官和盗窃器官
Pub Date : 2006-01-01 DOI: 10.1163/9789047417231_008
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引用次数: 0
A Measure of Irony 讽刺的程度
Pub Date : 2001-01-01 DOI: 10.1163/9789004490710_007
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引用次数: 0
South African Short Fiction and Orality 南非短篇小说与口语
Pub Date : 2001-01-01 DOI: 10.1163/9789004490710_017
Z. Wicomb, J. Bardolph
This volume originated in the second conference on postcolonial short fiction organized in Nice by Jacqueline Bardolph. The scope has been subsequently enlarged to cover most geographical areas and make it more comprehensive, resulting in a total of thirty-five contributions analyzing a broad spectrum of stories. If theoretical approaches to this often undervalued yet multifaceted genre receive due attention, the essays closely scrutinize specific texts. Some of the writers discussed are exclusive practitioners of the short story (Mansfield, Munro), but others (Achebe, Armah, Atwood, Carely, Rushdie) are also well-known novelists, a duality of interest that allows stimulating comparisons between shorter and longer works by the same authors. The origin of the short story in orality is a topic frequently addressed by contributors, who comment in particular on the use of dialect and dance rhythms in Selvon and Mittelholzer, or on circularity and the trickster figure in Thomas King and Ken Saro-Wiwa. Alternatively, they assess the stance adopted by characters or implied authors towards their communities, a stance ranging from marginality (Janet Frame) through apparent rootlessness (Wilding, Gunesekera) to a more or less explicitly formulated sense of belonging (Marshall, Head). Correspondingly, in the case of a multicultural society such as South Africa, the changing political situation has rendered possible new ways of defining whiteness (Isaacson, Gordimer). The status of women (both white and black) emerges as another major theme, with an emphasis on their persistent marginalization. As for the confessional mode, favoured by a number of women writers, it assumes a new form with Janice Kulyk Keefer, who gives the reader the rare pleasure of discovering 'Fox,' her version of what she calls 'displaced autobiography,' or 'creative non-fiction.'
这本书起源于杰奎琳·巴道夫在尼斯组织的第二届后殖民短篇小说会议。后来扩大了范围,以涵盖大多数地理区域,并使其更加全面,结果总共有35篇文章分析了广泛的故事。如果理论方法,这往往被低估,但多方面的体裁得到应有的重视,论文仔细审查具体文本。讨论的一些作家是短篇小说的独家从业者(曼斯菲尔德、门罗),但其他作家(阿契贝、阿玛、阿特伍德、卡雷里、拉什迪)也都是知名小说家,这种双重兴趣可以让人在同一作者的短篇和长篇作品之间进行比较。短篇小说的口述起源是撰稿人经常讨论的一个话题,他们特别评论了塞尔文和米特尔霍尔泽的方言和舞蹈节奏的使用,或者评论了托马斯·金和肯·萨罗·维瓦的循环和骗子形象。或者,他们评估角色或隐含作者对其社区所采取的立场,从边缘化(Janet Frame)到明显的无根(Wilding, Gunesekera),再到或多或少明确表达的归属感(Marshall, Head)。相应地,在南非这样的多元文化社会中,不断变化的政治局势为定义白人提供了可能的新方法(艾萨克森,戈迪默)。妇女(包括白人和黑人)的地位成为另一个主要主题,重点是她们持续被边缘化。至于许多女作家青睐的自白模式,在贾尼斯·库莱克·基弗(Janice Kulyk Keefer)的作品中,它呈现出一种新的形式,她给读者带来了罕见的发现《福克斯》(Fox)的乐趣,这是她所谓的“另类自传”或“创造性非虚构”的版本。
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引用次数: 6
Unanswered Questions, Unattended Quests 未解之谜,无人问津的任务
Pub Date : 2001-01-01 DOI: 10.1163/9789004490710_026
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引用次数: 0
Writing the Ballad 写歌谣
Pub Date : 2001-01-01 DOI: 10.1163/9789004490710_012
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引用次数: 0
Finding a Safe House of Fiction in Nadine Gordimer’s Jump and Other Stories 在纳丁·戈迪默的《跳跃和其他故事》中寻找小说的安全屋
Pub Date : 2001-01-01 DOI: 10.1163/9789004490710_020
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引用次数: 1
Colonial Literature or Caribbean Orature? 殖民文学还是加勒比文学?
Pub Date : 2001-01-01 DOI: 10.1163/9789004490710_015
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引用次数: 0
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Telling Stories
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