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Political Cartoons as Burkean Frames of Acceptance: The Comic Framing of Ramaphosa’s Revolution 作为伯克式接受框架的政治漫画:拉马福萨革命的喜剧框架
IF 0.4 Q4 COMMUNICATION Pub Date : 2023-04-03 DOI: 10.1080/15551393.2023.2196630
Anneli Bowie
Although political cartoons have been read as criticism in Kenneth Burke’s burlesque rejection frame, this article presents an alternative reading, to consider their potential for expressing attitudes of acceptance via comic framing. A Burkean vocabulary for studying cartoons is provided, including the mechanism of perspective by incongruity, the attitudinal alignments of acceptance and rejection, the genres of comic framing and burlesque, as well as the phenomenon of bureaucratization of the imaginative. South African cartoons featuring President Cyril Ramaphosa are then analyzed to illustrate how cartoons can potentially offer more nuanced political critiques when expressing comic discounting rather than burlesque debunking. The article concludes by reflecting on the civic potential of comic framing, as a constructive alternative to polemical cartooning.
虽然政治漫画在肯尼斯·伯克的滑稽拒绝框架中被解读为批评,但本文提出了另一种解读,以考虑它们通过喜剧框架表达接受态度的潜力。提供了研究漫画的伯克词汇,包括不协调的视角机制,接受和拒绝的态度对齐,喜剧框架和滑稽剧的类型,以及想象的官僚化现象。然后分析以西里尔·拉马福萨总统为主题的南非漫画,以说明漫画如何在表达喜剧折扣而不是滑稽的揭穿时,提供更微妙的政治批评。文章最后反思了漫画框架的公民潜力,作为一种建设性的替代辩论漫画。
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引用次数: 0
Performing Offense: Redrawing the Lines of Political Cartoons 表演冒犯:重新绘制政治漫画的线条
IF 0.4 Q4 COMMUNICATION Pub Date : 2023-04-03 DOI: 10.1080/15551393.2023.2196633
Snehal P Sanathanan, Vinod Balakrishnan
Offense lurks behind the political cartoon like its shadow, capable of creating mixed reactions in the target. In terms of offense-giving, cartoonists are sometimes cautious and at other times cavalier, thereby causing intentional and inadvertent offense, respectively. This article examines the aspects of the political cartoon that facilitate the performance of offense, which is predominantly visual in nature. The article takes the position that there must be an earnest attempt at delimiting offense-giving. In order to emphasize this ethical turn, the authors attempt a delimitation exercise by experimenting with a select controversial cartoon.
攻击性就像它的影子一样潜伏在政治漫画的背后,能够在目标中产生不同的反应。在冒犯性方面,漫画家有时是谨慎的,有时是漫不经心的,因此分别造成有意和无意的冒犯。这篇文章探讨了政治漫画的各个方面,促进了犯罪的表现,这主要是视觉的性质。文章采取的立场是,必须认真尝试界定冒犯行为。为了强调这一伦理转向,作者试图通过选择一个有争议的漫画来进行划界练习。
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引用次数: 0
“Shiny Happy People Laughing”: The Protest Paradigm, WUNC, and the Visual Framing of Political Activism “闪亮的快乐的人笑”:抗议范式,WUNC,和政治行动主义的视觉框架
IF 0.4 Q4 COMMUNICATION Pub Date : 2023-04-03 DOI: 10.1080/15551393.2023.2196631
Stephanie Geise, Axel Heck, D. Panke
Media coverage of protest, particularly its visual framing, is crucial to the legitimacy and impact of protest movements. Typical patterns in media coverage of protests, which account for discrepancies between how protests are portrayed, are the protest paradigm and WUNC (worthy, united, numbers, commitment). In order to investigate how specific visual items and features of media images showing political protest elicit positive or negative perceptions and annotations by an audience, we study two questions: Which visual features in media images of protest elicit positive or negative perceptions and annotations by an audience? How do these perceptions correspond with the protest paradigm and WUNC, respectively? We answer these questions by conducting a qualitative focus group study with students from a mid-size German university.
媒体对抗议活动的报道,特别是其视觉框架,对抗议运动的合法性和影响至关重要。媒体报道抗议活动的典型模式是抗议范式和WUNC(有价值、团结、数字、承诺),这解释了抗议活动的描述方式之间的差异。为了探究呈现政治抗议的媒体图像的具体视觉项目和特征是如何引起观众积极或消极的感知和注释的,我们研究了两个问题:抗议媒体图像中的哪些视觉特征引起了观众积极或消极的感知和注释?这些看法分别如何与抗议范式和WUNC相对应?我们通过对德国一所中型大学的学生进行定性焦点小组研究来回答这些问题。
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引用次数: 0
Cartoons and More 卡通和更多
IF 0.4 Q4 COMMUNICATION Pub Date : 2023-04-03 DOI: 10.1080/15551393.2023.2201561
Lawrence J. Mullen
During my tenure as Editor-in-Chief, VCQ has published several articles about cartoons. Indeed, political, advertising, children’s, editorial, and other categories of cartoons are humorous, satirical, educational, and meaningful in many ways. The types and styles of visual representation they depict are an endless buffet for the visual communication researcher. Certainly, they are some of our favorite morsels of cultural fodder for visual analysis. This issue features two articles about cartoons.
在我担任主编期间,VCQ发表了几篇关于漫画的文章。的确,政治、广告、儿童、社论和其他种类的漫画在许多方面都是幽默的、讽刺的、教育的和有意义的。它们所描绘的视觉表现的类型和风格是视觉传达研究者的无尽自助餐。当然,它们是我们最喜欢的一些视觉分析的文化素材。本期有两篇关于漫画的文章。
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引用次数: 0
Foreign Travel in Indiana: An Unintended Exploration of the Dogma of Photojournalism 印第安纳州的国外旅行:对新闻摄影教条的意外探索
IF 0.4 Q4 COMMUNICATION Pub Date : 2023-04-03 DOI: 10.1080/15551393.2023.2196632
Kevin Moloney
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引用次数: 0
Visual Thinking: The Hidden Gifts of People Who Think in Pictures, Patterns, and Abstractions, by Temple Grandin, with Betsy Lerner 《视觉思维:用图片、模式和抽象思维的人的隐藏天赋》,作者:坦普尔·格兰丁,贝琪·勒纳
IF 0.4 Q4 COMMUNICATION Pub Date : 2023-04-03 DOI: 10.1080/15551393.2023.2199047
David Staton
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引用次数: 2
Browse Our Book Reviews 浏览我们的书评
IF 0.4 Q4 COMMUNICATION Pub Date : 2023-04-03 DOI: 10.1080/15551393.2023.2228677
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引用次数: 0
Crisis, Spectacle, Drinking, and Toil 危机、奇观、饮酒和辛劳
IF 0.4 Q4 COMMUNICATION Pub Date : 2023-01-02 DOI: 10.1080/15551393.2023.2166310
Lawrence J. Mullen
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引用次数: 0
Photography and Environmental Activism: Visualising the Struggle Against Industrial Pollution by Conohar Scott 摄影与环境行动主义:视觉化与工业污染的斗争作者:科诺哈尔·斯科特
IF 0.4 Q4 COMMUNICATION Pub Date : 2023-01-02 DOI: 10.1080/15551393.2023.2165389
E. Palmer
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引用次数: 0
Browse Our Book Reviews 浏览我们的书评
IF 0.4 Q4 COMMUNICATION Pub Date : 2023-01-02 DOI: 10.1080/15551393.2023.2189429
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引用次数: 0
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