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How to Pay your Students to Go to School: Student-run record labels and the creative pedagogue 如何支付你的学生去上学:学生经营的唱片公司和创造性的教育
IF 0.1 Q4 EDUCATION & EDUCATIONAL RESEARCH Pub Date : 2021-11-09 DOI: 10.7202/1083421ar
Michael Lipset
The author examines a federally funded internship program he organized while serving as the director of the High School for Recording Arts Los Angeles program. The school paid students to operate their own record label. Under the American Workforce Innovation and Opportunity Act, approved organizations provide paid, for-credit internships to young people who meet the definition of opportunity youth. Through this partnership, students learned real-world skills, gained hands-on experience, and built their resumes. The author experienced a shift in his professional praxis from school leader to creative pedagogue. During the internship, the school experienced increased student attendance and enrolment, suggesting the paid internship resulted in increased opportunities for student learning. The author covers similar opportunities across the US and Canada.
作者考察了他在担任洛杉矶录音艺术高中项目主任期间组织的一个由联邦政府资助的实习项目。学校花钱请学生经营自己的唱片公司。根据《美国劳动力创新和机会法案》,经批准的组织向符合机会青年定义的年轻人提供带薪、信用实习。通过这种合作关系,学生们学习了现实世界的技能,获得了实践经验,并建立了他们的简历。作者的职业实践经历了从学校领导者到创造性教育者的转变。在实习期间,学校的学生出勤率和入学率都有所提高,这表明带薪实习增加了学生学习的机会。作者介绍了美国和加拿大的类似机会。
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引用次数: 1
Exploring the Creative Geographies of Work with Pre-Service Social Studies Teachers: Exposing intersections of time and labour in New Brunswick, Canada 与职前社会研究教师一起探索工作的创造性地域:加拿大新不伦瑞克省时间与劳动的交叉点
IF 0.1 Q4 EDUCATION & EDUCATIONAL RESEARCH Pub Date : 2021-11-09 DOI: 10.7202/1083423ar
Casey Burkholder, Allen Chase
What creative approaches might be harnessed to encourage social critique and action in pre-service Geography teacher education? By reflecting on an assignment in Casey’s Introduction to Teaching Geography class where pre-service teachers (including Allen) visually mapped a worker’s labour for a day on unceded and unsurrendered Wolastoqiyik territory (Fredericton, New Brunswick), we ask: What can we learn about work, labour, space, capitalism, and intersectionality by visually mapping a worker’s day and analyzing their labour? We argue that by confronting the apolitical teaching of Geography education through the example of the Mapping Labour assignment, we might attempt to disrupt the ways that European Canadian settler geographies permeate the existing curriculum and work to disrupt neoliberal assumptions about schooling, creativity, and work.
在职前地理教师教育中,可以利用哪些创造性的方法来鼓励社会批判和行动?通过反思凯西的地理教学导论课上的一项作业,在该课上,职前教师(包括艾伦)在未经宣布和未经宣布的沃拉斯托奇伊克地区(新不伦瑞克省弗雷德里克顿市)直观地绘制了一名工人一天的劳动图,我们问道:我们能学到什么关于工作、劳动、空间、资本主义,以及通过直观地绘制工人的一天并分析他们的劳动来实现交叉性?我们认为,通过以测绘劳工作业为例来对抗地理教育的非政治教学,我们可能会试图破坏欧洲-加拿大定居者地理渗透到现有课程中的方式,并努力破坏关于学校教育、创造力和工作的新自由主义假设。
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引用次数: 0
A Creative Pedagogue's Inquiry through Images: Does it Have Wings? 一个创造性的教师通过图像探究:它有翅膀吗?
IF 0.1 Q4 EDUCATION & EDUCATIONAL RESEARCH Pub Date : 2021-11-09 DOI: 10.7202/1083430ar
Anar Rajabali
In this photo essay, I enact how a creative pedagogue engages with artistic practice and contemplative inquiry. As a poet, at home in words, photography represents a creative risk. This vulnerability is felt in the sharing of the work through the lens of (re)search. Hence, I ask: Does it have wings? By delving in expressive forms toward the service of understanding my personal and pedagogical self, creative risk is rewarded in profound ways. I have discovered that my art practice is driven by intention, intuition and imagination. Thus, here is my creative pedagogy in action illuminating how an inquiry through images provokes learning and teaching. Both poetry and photography provide keen vision—a way of sensing and seeing Light.
在这篇摄影文章中,我展示了一位富有创造力的教育家是如何参与艺术实践和沉思探究的。作为一名诗人,在家里,用文字来说,摄影代表着一种创造性的风险。在通过(重新)搜索的视角分享作品时,可以感受到这种脆弱性。因此,我问:它有翅膀吗?通过深入研究表达形式来帮助理解我的个人和教学自我,创造性风险得到了深刻的回报。我发现我的艺术实践是由意图、直觉和想象力驱动的。因此,这是我在行动中的创造性教学法,阐明了通过图像进行探究是如何激发学习和教学的。诗歌和摄影都提供了敏锐的视觉——一种感知和观看光的方式。
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引用次数: 1
L’harmonie de la musique et l’identité linguistique : l’a/r/tographie avec des futurs enseignants 音乐与语言认同的和谐:与未来教师的a/r/ tography
IF 0.1 Q4 EDUCATION & EDUCATIONAL RESEARCH Pub Date : 2021-11-09 DOI: 10.7202/1083433ar
G. Cormier
By adopting an a/r/tography lens, this text will explore the relationship between music, linguistic identity and education. Through my experiences teaching high school French immersion classes and later my transition to teaching at the Faculty of Education, I will explore the risks and possibilities associated with this methodology. Bringing music into the classroom through a/r/tography can contribute to a heightened interest in the French language and a reinforcement of the francophone identity among students. My own identity journey shows the diversity of dynamic spaces in the field of education and presents the potential for positive exchanges within these spaces for the development of linguistic identity among future teachers and professors.
本文将采用a/r/地理学的视角,探讨音乐、语言认同和教育之间的关系。通过我在高中教授法语浸入式课程的经历,以及后来我在教育学院的教学经历,我将探索与这种方法相关的风险和可能性。通过a/r/tography将音乐带入课堂有助于提高学生对法语的兴趣,并加强学生对法语国家的认同。我自己的身份之旅展示了教育领域动态空间的多样性,并展示了在这些空间内积极交流的潜力,以促进未来教师和教授之间语言身份的发展。
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引用次数: 0
Embracing Ambiguity: The intersection of biology, music, and art in secondary school teaching for student creativity 拥抱歧义:生物、音乐和艺术在中学教学中对学生创造力的交叉
IF 0.1 Q4 EDUCATION & EDUCATIONAL RESEARCH Pub Date : 2021-11-09 DOI: 10.7202/1083434ar
Tasha Ausman, Travis Mandel
In these conversational field notes, two teachers reveal their experiences with creativity in contexts where students are encouraged to dwell in spaces of ambiguity and vulnerability in learning.  Using anatomy to inform music pedagogy empowers students to work through metaphor-rich instruction in order to develop a grounded approach to artistic interpretation, while using fine art in the science classroom allows students of anatomy to explore the artistic possibilities of imagination in relation to the human body. In both cases, the crisscrossing of pedagogical lines from biology into music and music into art helped to transform students’ relationships with ambiguity from being negative and closed-off, to positive and constructive.
在这些对话现场笔记中,两位老师揭示了他们在鼓励学生在学习中陷入模糊和脆弱的环境中的创造力体验。利用解剖学为音乐教学法提供信息,使学生能够通过隐喻丰富的教学来发展一种有根据的艺术解释方法,而在科学课堂上使用美术则使解剖学学生能够探索想象与人体相关的艺术可能性。在这两种情况下,从生物学到音乐,从音乐到艺术,教学线的交叉有助于将学生与模糊的关系从消极和封闭转变为积极和建设性。
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引用次数: 0
Étude de la littérature sur la créativité en sciences de l’éducation dans les pays francophones 法语国家教育科学创造力文献研究
IF 0.1 Q4 EDUCATION & EDUCATIONAL RESEARCH Pub Date : 2021-11-09 DOI: 10.7202/1083424ar
Cindy De Smet, Mary-Beatrice Raileanu, M. Romero
The term “creativity” is used in a wide variety of ways in professional, technological, socio-economical and educational contexts. In this paper, an exploratory literature review of the French-language scientific literature in educational sciences was conducted, revealing the fields of knowledge that mobilize the creativity concept. Both a descriptive and a categorical content analysis were employed. The results of these analyses allowed us to situate the context of creativity and to identify five fields of knowledge: 1) teaching and personal development, 2) problem solving and computational thinking, 3) artistic approach, 4) training and/or educational programs, and 5) creativity development factors.
“创造力”一词在专业、技术、社会经济和教育环境中以各种方式被广泛使用。本文对法语教育科学文献进行了探索性的文献回顾,揭示了激发创造力概念的知识领域。采用描述性和分类性内容分析。这些分析的结果使我们能够定位创造力的背景,并确定五个知识领域:1)教学和个人发展,2)解决问题和计算思维,3)艺术方法,4)培训和/或教育计划,以及5)创造力发展因素。
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引用次数: 1
The Patch: An Artful Syn(aes)thetic Mapping of Linguistic Data through Collaborative Digital / Analogue Literacy Processes 补丁:通过协作数字/模拟识字过程对语言数据进行巧妙的合成映射
IF 0.1 Q4 EDUCATION & EDUCATIONAL RESEARCH Pub Date : 2021-11-09 DOI: 10.7202/1083426ar
Kedrick James, Rachel Horst, Yuya Takeda, Esteban Morales
The Patch workshop explores creative / critical analyses that can map the collectively relevant topoi of semiosis in linguistic texts according to the three ecologies as articulated by Félix Guattari. As creative pedagogues both in service and critical of creative economics, we valourize a generative practice, one that results in successive creative readings, writings, visualizations, sonifications and audiovisual artifacts. The Patch is a human-computer procedural algorithm, engaging a series of recursive and recombinant processes that utilize several software programs, collaborative writing and performance practices to bridge analogue and digital literacies. A total of 80 teacher education students, graduate students and faculty, working with a single input text, provided the data reported in this paper.
Patch研讨会探讨了创造性/批判性分析,这些分析可以根据Félix Guattari所阐述的三种生态来绘制语言文本中符号学的集体相关拓扑。作为服务于创造性经济学和批评创造性经济学的创造性教育家,我们珍视生成性实践,这种实践会产生连续的创造性阅读、写作、可视化、声音化和视听制品。Patch是一种人机程序算法,涉及一系列递归和重组过程,利用几个软件程序、协作编写和性能实践来桥接模拟和数字文字。共有80名师范生、研究生和教职员工使用单一输入文本提供了本文报告的数据。
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引用次数: 0
Henry Clerval Scolding Victor Frankenstein: An autoethnographic poem about graduate students and their daemons 亨利·克莱沃责骂维克多·弗兰肯斯坦:一首关于研究生和他们的守护神的自传体诗歌
IF 0.1 Q4 EDUCATION & EDUCATIONAL RESEARCH Pub Date : 2021-11-09 DOI: 10.7202/1083429ar
Adam D. Henze
This article explores the “daemons” that many university students face by exploring Mary Shelley’s Frankenstein in a creative way. Using a poetic method called “erasure,” the author of this article cut fragmented descriptions of Victor Frankenstein, and stitched them together to craft a poem about the need for self-care in the university setting. The poem includes a preface to provide some theoretical context and background information on Frankenstein.
本文通过对玛丽·雪莱小说《弗兰肯斯坦》的创造性解读,探讨了许多大学生所面临的“恶魔”。这篇文章的作者使用了一种叫做“擦除”的诗歌方法,将维克多·弗兰肯斯坦(Victor Frankenstein)支离破碎的描述剪切下来,并将它们拼接在一起,创作了一首关于大学环境中自我照顾需求的诗。这首诗包括一个序言,提供一些理论背景和背景信息的弗兰肯斯坦。
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引用次数: 0
In Praise of Uncertainty, Ambiguity and Wonder 赞美不确定性、歧义和奇迹
IF 0.1 Q4 EDUCATION & EDUCATIONAL RESEARCH Pub Date : 2021-11-09 DOI: 10.7202/1083427ar
Boyd White
This article takes its direction from notable educators such as John Dewey and Elliot Eisner who argue in favour of endorsing uncertainty and related responses within educational practice. The argument is a push-back against current emphasis on standardization, with its accompanying focus on single right answers that don’t do justice to the complexities inherent in our daily lives. The dual nature of uncertainty is exemplified in the depiction of one person’s interactions with two famous paintings. To provide the reader with a parallel encounter with uncertainty, the article includes a short video and concludes with an ekphrastic poem in response to the video, to illustrate the points being made.
这篇文章的方向来自著名的教育家,如约翰·杜威和埃利奥特·艾斯纳,他们主张支持教育实践中的不确定性和相关反应。这一论点反驳了目前对标准化的强调,同时也强调了单一的正确答案,而这些答案并不能公正地反映我们日常生活中固有的复杂性。不确定性的双重性质体现在一个人与两幅著名画作的互动中。为了给读者提供一个与不确定性平行的遭遇,这篇文章包括一个短视频,并以一首针对视频的ekphrastic诗作为结尾,以说明所提出的观点。
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引用次数: 0
Enacted Agency in a Cross-Border, Online Biliteracy Curriculum Making: Creativity and bilingual digital storytelling 跨国界在线双语课程制作中的制定代理:创造力与双语数字故事
IF 0.1 Q4 EDUCATION & EDUCATIONAL RESEARCH Pub Date : 2021-11-09 DOI: 10.7202/1083422ar
Zheng Zhang, Wanjing Li
This research investigated potentials of bilingual digital story making to engage the creativity of 13 Canadian and Chinese biliteracy learners aged 11–15. Findings in this paper draw on six focal participants and their digital story creation. Informed by asset-oriented multiliteracies, new media literacies, and new materialism, this research adopted a netnography methodology to explore the communal and sociomaterial practices embedded in the intra-actions of human, matter, and virtual spaces of Seesaw and Skype. Drawing on data from six focal students, findings relate how intra-actions among researchers, teachers, students, matters, and spaces shaped participants’ creative acts. This research adds to the knowledge of developing and applying material-informed pedagogies which attend to the enacted agency among teachers, students, materials, and spaces.
本研究调查了13名11-15岁的加拿大和中国双语学习者的数字双语故事创作潜力。本文的研究结果借鉴了六位重点参与者及其数字故事创作。在以资产为导向的多元文化、新媒体文化和新唯物主义的影响下,本研究采用了网络学方法来探索嵌入在跷跷板和Skype的人、物和虚拟空间的内部行动中的公共和社会物质实践。根据六位重点学生的数据,研究结果涉及研究人员、教师、学生、事务和空间之间的相互作用如何影响参与者的创造性行为。这项研究增加了开发和应用材料知情教学法的知识,这些教学法涉及教师,学生,材料和空间之间的制定机构。
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引用次数: 2
期刊
McGill Journal of Education
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