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Rocking the Closet最新文献

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Conclusion: 结论:
Pub Date : 2019-10-16 DOI: 10.5406/j.ctvswx82r.11
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引用次数: 0
Visibly Hidden: 明显隐藏:
Pub Date : 2019-10-16 DOI: 10.5406/j.ctvswx82r.6
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引用次数: 0
Building an Empire of Illusion: 建立幻觉帝国:
Pub Date : 2019-10-16 DOI: 10.5406/j.ctvswx82r.10
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引用次数: 0
Back Matter 回到问题
Pub Date : 2019-10-16 DOI: 10.5406/j.ctvswx82r.16
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引用次数: 0
A Freak Deferred: 被推迟的怪物:
Pub Date : 2019-10-16 DOI: 10.5406/j.ctvswx82r.7
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引用次数: 0
Spectacular Vacillations: 壮观的摇摆不定:
Pub Date : 2019-10-16 DOI: 10.5406/j.ctvswx82r.8
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引用次数: 0
Acknowledgments 致谢
Pub Date : 2019-10-16 DOI: 10.5406/j.ctvswx82r.4
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引用次数: 0
Index 指数
Pub Date : 2019-10-16 DOI: 10.5406/j.ctvswx82r.15
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引用次数: 0
Introduction: 作品简介:
Pub Date : 2019-10-16 DOI: 10.5406/j.ctvswx82r.5
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引用次数: 0
Fine and Dandy 好极了
Pub Date : 2019-10-01 DOI: 10.5622/illinois/9780252042805.003.0005
Vincent L. Stephens
This chapter explores how Johnny Mathis launched his career successfully by maneuvering the racial and gender norms of the 1950s. Through projecting a culturally respectable, sexually neutral, and musically inoffensive persona, marked by visual dandyism, he was appealingly ambiguous. Vocally, Mathis’s sweet tenor sound was somewhat unconventional yet soothing enough to make him a premier interpreter of love songs. Similarly, though jazz, R&B and pop crooning influenced him, his “raceless” sound helped him appeal across races and ages. Culturally, Mathis adheres to the “race man” persona prominent among postwar black male celebrities, but his muted politics and lack of a romantic relationship helped him avoid scandals. His queer black dandy persona has parallels among other performers including Bobby Short and Luther Vandross.
本章探讨了约翰尼·马西斯如何通过操纵20世纪50年代的种族和性别规范而成功地开始了他的职业生涯。通过塑造一个文化上受人尊敬、性取向中立、音乐上不令人反感的形象,加上视觉上的纨绔子弟,他表现出了迷人的暧昧。在声音上,马西斯甜美的男高音有点不寻常,但又足够舒缓,使他成为情歌的首要翻译。同样,尽管爵士乐、节奏布鲁斯和流行歌曲影响了他,但他的“无种族”声音帮助他吸引了不同种族和年龄的人。在文化上,马西斯坚持战后黑人男性名人中突出的“种族人”形象,但他的低调政治和缺乏浪漫关系帮助他避免了丑闻。他的酷儿黑人花花公子形象与鲍比·肖特和路德·范德罗斯等其他表演者相似。
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引用次数: 0
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Rocking the Closet
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