ABSTRACT Building on recent musicological research that emphasizes the mobility of songs, this article investigates Marseille as a site of cultural encounter and highlights the musical presence of enslaved galley rowers and translators in the city. It focuses on several descriptions of music-making in southern France by the French antiquarian Nicolas-Claude Fabri de Peiresc and his efforts to find materials on Ottoman and Persian music for the music theorist Marin Mersenne. Utilizing the constant influx of goods and people into the city, Peiresc relied on mercantile networks to obtain transcriptions of songs and music theoretical texts, engaging various informers and translators from the eastern Mediterranean. Focusing on a transcription of a single song that has been lost, the article traces the song’s connections to cultures of collection, cultural translation, and transcription, with singing constituting a central site in which to negotiate and perform otherness.
摘要:基于最近强调歌曲流动性的音乐学研究，本文将马赛作为一个文化相遇的地点进行调查，并强调了这座城市中被奴役的桨手和翻译的音乐存在。它的重点是法国古物学家Nicolas-Claude Fabri de Peiresc对法国南部音乐制作的一些描述，以及他为音乐理论家Marin Mersenne寻找奥斯曼和波斯音乐材料的努力。利用不断涌入城市的货物和人员，佩雷斯克依靠商业网络获得歌曲和音乐理论文本的转录，并聘请了来自地中海东部的各种线人和翻译。本文聚焦于一首失传歌曲的抄写，追溯了这首歌与收集、文化翻译和抄写文化的联系，其中歌唱构成了协商和表现差异性的中心场所。
{"title":"Songs at the Docks: Nicolas-Claude Fabri de Peiresc and Musical Entanglements in Seventeenth-Century Marseille","authors":"Leendert Van der Miesen","doi":"10.1093/ml/gcad068","DOIUrl":"https://doi.org/10.1093/ml/gcad068","url":null,"abstract":"ABSTRACT Building on recent musicological research that emphasizes the mobility of songs, this article investigates Marseille as a site of cultural encounter and highlights the musical presence of enslaved galley rowers and translators in the city. It focuses on several descriptions of music-making in southern France by the French antiquarian Nicolas-Claude Fabri de Peiresc and his efforts to find materials on Ottoman and Persian music for the music theorist Marin Mersenne. Utilizing the constant influx of goods and people into the city, Peiresc relied on mercantile networks to obtain transcriptions of songs and music theoretical texts, engaging various informers and translators from the eastern Mediterranean. Focusing on a transcription of a single song that has been lost, the article traces the song’s connections to cultures of collection, cultural translation, and transcription, with singing constituting a central site in which to negotiate and perform otherness.","PeriodicalId":44448,"journal":{"name":"MUSIC & LETTERS","volume":"54 7","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-11-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135775852","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Authors of articles in this Issue","authors":"","doi":"10.1093/ml/gcad069","DOIUrl":"https://doi.org/10.1093/ml/gcad069","url":null,"abstract":"","PeriodicalId":44448,"journal":{"name":"MUSIC & LETTERS","volume":"7 9","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135664150","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
ABSTRACT Postage stamps have in recent years been positioned as token purveyors of nation, with countries disseminating carefully curated ideas of national identity to their own citizens and international audiences. This article complements existing research by using South African music-themed postage stamps to read the changing narratives of the nation, or ‘music nationalism’ in philately. The article analyses music-themed postage stamps issued in South Africa between 1961 and 2015. It confirms that the representation of music nationalism in apartheid philately aligned with Afrikaner nationalist politics, with clear divides between ‘White’ and ‘Black’ genres. Post-apartheid music-themed stamps draw attention to forgotten music histories previously overshadowed by apartheid ideology while still engaging with musical threads of the apartheid past. Most significantly, the article illuminates the other forces at play behind what many accept to be a process solely steered and controlled by the state, revealing much about South Africa’s democracy.
{"title":"Changing Tunes: Narratives of Nation in South African Music-Themed Postage Stamps (1961–2015)","authors":"MELISSA GERBER","doi":"10.1093/ml/gcad061","DOIUrl":"https://doi.org/10.1093/ml/gcad061","url":null,"abstract":"ABSTRACT Postage stamps have in recent years been positioned as token purveyors of nation, with countries disseminating carefully curated ideas of national identity to their own citizens and international audiences. This article complements existing research by using South African music-themed postage stamps to read the changing narratives of the nation, or ‘music nationalism’ in philately. The article analyses music-themed postage stamps issued in South Africa between 1961 and 2015. It confirms that the representation of music nationalism in apartheid philately aligned with Afrikaner nationalist politics, with clear divides between ‘White’ and ‘Black’ genres. Post-apartheid music-themed stamps draw attention to forgotten music histories previously overshadowed by apartheid ideology while still engaging with musical threads of the apartheid past. Most significantly, the article illuminates the other forces at play behind what many accept to be a process solely steered and controlled by the state, revealing much about South Africa’s democracy.","PeriodicalId":44448,"journal":{"name":"MUSIC & LETTERS","volume":"17 6","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"136158460","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Journal Article Music’s Monisms: Disarticulating Modernism. Daniel Albright Get access Music’s Monisms: Disarticulating Modernism. By Daniel Albright, with a Foreword by Alexander Rehding. Pp. xiv + 298. ( University of Chicago Press, Chicago and London, 2022. ISBN 978-0-226-79122-7, £45.) James Davis James Davis Bromley by Bow, London Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, gcad059, https://doi.org/10.1093/ml/gcad059 Published: 20 October 2023 Article history Received: 20 May 2023 Editorial decision: 22 September 2023 Accepted: 26 September 2023 Corrected and typeset: 20 October 2023 Published: 20 October 2023
{"title":"<i>Music’s Monisms: Disarticulating Modernism</i>. Daniel Albright","authors":"James Davis","doi":"10.1093/ml/gcad059","DOIUrl":"https://doi.org/10.1093/ml/gcad059","url":null,"abstract":"Journal Article Music’s Monisms: Disarticulating Modernism. Daniel Albright Get access Music’s Monisms: Disarticulating Modernism. By Daniel Albright, with a Foreword by Alexander Rehding. Pp. xiv + 298. ( University of Chicago Press, Chicago and London, 2022. ISBN 978-0-226-79122-7, £45.) James Davis James Davis Bromley by Bow, London Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, gcad059, https://doi.org/10.1093/ml/gcad059 Published: 20 October 2023 Article history Received: 20 May 2023 Editorial decision: 22 September 2023 Accepted: 26 September 2023 Corrected and typeset: 20 October 2023 Published: 20 October 2023","PeriodicalId":44448,"journal":{"name":"MUSIC & LETTERS","volume":"7 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135618569","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Journal Article Luigi Cherubini: A Multifaceted Composer at the Turn of the 19th Century. Massimiliano Sala Get access Luigi Cherubini: A Multifaceted Composer at the Turn of the 19th Century. Ed. by Massimiliano Sala. Pp. x + 493. ( Brepols Publishers, Turnhout, 2021. ISBN 978-2-503-59100-1. €120.00.) Michael Fend Michael Fend King’s College, London Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, gcad060, https://doi.org/10.1093/ml/gcad060 Published: 19 October 2023 Article history Editorial decision: 22 September 2023 Received: 22 September 2023 Accepted: 17 October 2023 Corrected and typeset: 19 October 2023 Published: 19 October 2023
期刊文章路易吉·切鲁比尼:一个多面作曲家在19世纪之交。路易吉·凯鲁比尼:19世纪之交的一位多面作曲家。作者:Massimiliano Sala。Pp. x + 493。(Brepols Publishers, Turnhout, 2021年)ISBN 978-2-503-59100-1。€120.00。)迈克尔·芬德迈克尔·芬德伦敦国王学院搜索作者的其他作品:牛津学术b谷歌学者音乐和信件，gcad060, https://doi.org/10.1093/ml/gcad060发布:2023年10月19日文章历史编辑决定:2023年9月22日接收:2023年9月22日接受:2023年10月17日校正和排版:2023年10月19日发布:2023年10月19日
{"title":"<i>Luigi Cherubini: A Multifaceted Composer at the Turn of the 19th Century</i>. Massimiliano Sala","authors":"Michael Fend","doi":"10.1093/ml/gcad060","DOIUrl":"https://doi.org/10.1093/ml/gcad060","url":null,"abstract":"Journal Article Luigi Cherubini: A Multifaceted Composer at the Turn of the 19th Century. Massimiliano Sala Get access Luigi Cherubini: A Multifaceted Composer at the Turn of the 19th Century. Ed. by Massimiliano Sala. Pp. x + 493. ( Brepols Publishers, Turnhout, 2021. ISBN 978-2-503-59100-1. €120.00.) Michael Fend Michael Fend King’s College, London Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, gcad060, https://doi.org/10.1093/ml/gcad060 Published: 19 October 2023 Article history Editorial decision: 22 September 2023 Received: 22 September 2023 Accepted: 17 October 2023 Corrected and typeset: 19 October 2023 Published: 19 October 2023","PeriodicalId":44448,"journal":{"name":"MUSIC & LETTERS","volume":"19 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135823114","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Journal Article French Musical Life: Local Dynamics in the Century to World War II. Katharine Ellis Get access French Musical Life: Local Dynamics in the Century to World War II. By Katharine Ellis. Pp. 440. AMS Studies in Music. ( Oxford University Press, New York, 2022. ISBN 978-0-19-760016-0, £56.) Fanny Gribenski Fanny Gribenski New York University Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, gcad067, https://doi.org/10.1093/ml/gcad067 Published: 19 October 2023 Article history Editorial decision: 02 October 2023 Received: 02 October 2023 Accepted: 05 October 2023 Corrected and typeset: 19 October 2023 Published: 19 October 2023
{"title":"<i>French Musical Life: Local Dynamics in the Century to World War II</i>. Katharine Ellis","authors":"Fanny Gribenski","doi":"10.1093/ml/gcad067","DOIUrl":"https://doi.org/10.1093/ml/gcad067","url":null,"abstract":"Journal Article French Musical Life: Local Dynamics in the Century to World War II. Katharine Ellis Get access French Musical Life: Local Dynamics in the Century to World War II. By Katharine Ellis. Pp. 440. AMS Studies in Music. ( Oxford University Press, New York, 2022. ISBN 978-0-19-760016-0, £56.) Fanny Gribenski Fanny Gribenski New York University Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, gcad067, https://doi.org/10.1093/ml/gcad067 Published: 19 October 2023 Article history Editorial decision: 02 October 2023 Received: 02 October 2023 Accepted: 05 October 2023 Corrected and typeset: 19 October 2023 Published: 19 October 2023","PeriodicalId":44448,"journal":{"name":"MUSIC & LETTERS","volume":"21 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135728575","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Journal Article From Servant to Savant: Musical Privilege, Property, and the French Revolution. Rebecca Dowd Geoffroy-Schwinden Get access From Servant to Savant: Musical Privilege, Property, and the French Revolution. By Rebecca Dowd Geoffroy-Schwinden. Pp. 336. ( Oxford University Press, New York and Oxford, 2022. ISBN 978-0-19-751151-0, $74.) Shaena B Weitz Shaena B Weitz University of Bristol Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, gcad066, https://doi.org/10.1093/ml/gcad066 Published: 16 October 2023 Article history Editorial decision: 25 September 2023 Received: 25 September 2023 Accepted: 25 September 2023 Corrected and typeset: 16 October 2023 Published: 16 October 2023
从仆人到学者:音乐特权、财产和法国大革命。《从仆人到学者:音乐特权、财产和法国大革命》。作者:Rebecca Dowd Geoffroy-Schwinden336页。(牛津大学出版社，纽约和牛津，2022年)Isbn 978-0-19-751151-0, 74美元。)Shaena B Weitz Shaena B Weitz布里斯托尔大学搜索作者的其他作品:牛津学术谷歌学者音乐和信件，gcad066, https://doi.org/10.1093/ml/gcad066发布:2023年10月16日文章历史编辑决定:2023年9月25日收到:2023年9月25日接受:2023年9月25日校正和排版:2023年10月16日发布:2023年10月16日
{"title":"<i>From Servant to Savant: Musical Privilege, Property, and the French Revolution</i>. Rebecca Dowd Geoffroy-Schwinden","authors":"Shaena B Weitz","doi":"10.1093/ml/gcad066","DOIUrl":"https://doi.org/10.1093/ml/gcad066","url":null,"abstract":"Journal Article From Servant to Savant: Musical Privilege, Property, and the French Revolution. Rebecca Dowd Geoffroy-Schwinden Get access From Servant to Savant: Musical Privilege, Property, and the French Revolution. By Rebecca Dowd Geoffroy-Schwinden. Pp. 336. ( Oxford University Press, New York and Oxford, 2022. ISBN 978-0-19-751151-0, $74.) Shaena B Weitz Shaena B Weitz University of Bristol Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, gcad066, https://doi.org/10.1093/ml/gcad066 Published: 16 October 2023 Article history Editorial decision: 25 September 2023 Received: 25 September 2023 Accepted: 25 September 2023 Corrected and typeset: 16 October 2023 Published: 16 October 2023","PeriodicalId":44448,"journal":{"name":"MUSIC & LETTERS","volume":"77 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"136142829","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Journal Article What the Ballad Knows: The Ballad Genre, Memory Culture, and German NationalismAdrian Daub Get access What the Ballad Knows: The Ballad Genre, Memory Culture, and German Nationalism. By Adrian Daub. New Cultural History of Music. Pp. viii + 286. (New York: Oxford University Press, 2022, ISBN 978-0-19-088550-2, £56.00.) Philip Ross Bullock Philip Ross Bullock Wadham College, University of Oxford Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, gcad058, https://doi.org/10.1093/ml/gcad058 Published: 12 October 2023 Article history Editorial decision: 22 September 2023 Received: 22 September 2023 Accepted: 27 September 2023 Corrected and typeset: 12 October 2023 Published: 12 October 2023
期刊文章民谣知道什么:民谣流派，记忆文化，和德国民族主义马德里Daub获得什么民谣知道:民谣流派，记忆文化，和德国民族主义。作者:Adrian Daub。新文化音乐史。Pp. viii + 286(纽约:牛津大学出版社，2022,ISBN 978-0-19-088550-2, 56.00英镑。)菲利普罗斯布洛克菲利普罗斯布洛克牛津大学瓦德姆学院搜索作者的其他作品:牛津学术谷歌学者音乐和信件，gcad058, https://doi.org/10.1093/ml/gcad058发布:2023年10月12日文章历史编辑决定:2023年9月22日收到:2023年9月22日接受:2023年9月27日校正和排版:2023年10月12日发布:2023年10月12日
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