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JOURNAL OF MUSIC THEORY最新文献

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Beating Time and Measuring Music in the Early Modern Era by Roger Mathew Grant 罗杰·马修·格兰特的《现代早期的节拍与测量音乐》
IF 1.4 1区 艺术学 0 MUSIC
JOURNAL OF MUSIC THEORY
Pub Date : 2017-10-01 DOI: 10.1215/00222909-4149616
Ruth I. Deford
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引用次数: 0
Between Freedom and ControlComposing Out, Compositional Process, and Structure in the Music of Boulez 在自由与控制之间——布列兹音乐中的作曲、创作过程与结构
IF 1.4 1区 艺术学 0 MUSIC
JOURNAL OF MUSIC THEORY
Pub Date : 2017-10-01 DOI: 10.1215/00222909-4149596
C. Losada
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引用次数: 3
Alfred Schnittke’s Triadic Practice Alfred Schnittke的三合一实践
IF 1.4 1区 艺术学 0 MUSIC
JOURNAL OF MUSIC THEORY
Pub Date : 2017-10-01 DOI: 10.1215/00222909-4149606
Christopher Segall
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引用次数: 6
Interactions between Harmony and Form in a Corpus of Rock Music 摇滚乐语料库中和声与曲式的相互作用
IF 1.4 1区 艺术学 0 MUSIC
JOURNAL OF MUSIC THEORY
Pub Date : 2017-10-01 DOI: 10.1215/00222909-4149525
Trevor de Clercq
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引用次数: 9
Of Beginnings and EndsA Corpus-Based Inquiry into the Rise of the Recapitulation 《始与终》——基于语料库的重述文体兴起探究
IF 1.4 1区 艺术学 0 MUSIC
JOURNAL OF MUSIC THEORY
Pub Date : 2017-10-01 DOI: 10.1215/00222909-4149546
Yoel Greenberg
This article investigates the sources of the recapitulation using statistical methods. The recapitulation has traditionally been viewed as an expansion of small ternary forms, resulting in a top-down approach, whereby the repeat of expositional material is explained in rotational terms. Here I present a bottom-up approach, demonstrating that the recapitulation arose as a concatenation between two previously independent practices: the double return of the opening theme in the tonic in the middle of the second half of a two-part form, and the thematic matching between the ends of the two halves of two-part form. Drawing on a corpus of more than seven hundred instrumental works dated 1650–1770, I demonstrate that these two practices arose and functioned independently from each other, increasing in frequency and in length, before being subsumed into an overarching rotational practice.
本文用统计方法调查了重述的来源。传统上，重述被视为小型三元形式的扩展，导致自上而下的方法，从而以旋转术语解释说明性材料的重复。在这里，我提出了一种自下而上的方法，证明重唱是作为两个先前独立的练习之间的连接而出现的:在两部分形式的后半段中间，主音中的开场主题的双重回归，以及两部分形式的两部分结尾之间的主题匹配。根据1650年至1770年的700多部器乐作品的语料库，我证明了这两种练习是相互独立产生和运作的，在被纳入一个总体的旋转练习之前，频率和长度都在增加。
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引用次数: 7
Béla Bartók's Evolution of Tonal Resources bsamla Bartók音调资源的演变
IF 1.4 1区 艺术学 0 MUSIC
JOURNAL OF MUSIC THEORY
Pub Date : 2017-04-01 DOI: 10.1215/00222909-3855732
James N. Bennett
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引用次数: 0
Downward Arpeggiations Prolongational Issues and Their Expressive Implications 下翘词缀、延续性问题及其表达意义
IF 1.4 1区 艺术学 0 MUSIC
JOURNAL OF MUSIC THEORY
Pub Date : 2017-04-01 DOI: 10.1215/00222909-3855712
Diego Cubero
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引用次数: 1
“As Forming Becomes Form” Listening, Analogizing, and Analysis in Kurth's Bruckner and Musikpsychologie “当形成变成形式”——库尔斯的布鲁克纳与音乐心理学中的倾听、类比与分析
IF 1.4 1区 艺术学 0 MUSIC
JOURNAL OF MUSIC THEORY
Pub Date : 2017-04-01 DOI: 10.1215/00222909-3855702
Daphne Tan
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引用次数: 1
Making a Virtue of Necessity Schenker and Kantian Teleology 论必然性的美德。申克与康德的目的论
IF 1.4 1区 艺术学 0 MUSIC
JOURNAL OF MUSIC THEORY
Pub Date : 2017-04-01 DOI: 10.1215/00222909-3855722
Bryan J. Parkhurst
The financial crisis has deeply affected European defence budgets and, as a consequence, the EU’s capability to act as a provider of global security. This paper assesses the extent to which pooling & sharing (P&S) of military capabilities is a viable plan to boost collective capacity-building and offset the heavy budget cut-backs, drawing impetus from the NATO ‘smart defence’ agenda. Although multilateral cooperation is proven more efficient than the status quo through the lens of economics, and a set of external stimuli would facilitate deeper military integration, the paper acknowledges that a fully-fledged EU defence market remains difficult to attain due to short-term political and strategic considerations. However, piecemeal progress in specific areas is possible and viable, if political conditions are met. The last section of the paper offers some policy recommendations towards a pragmatic and feasible roadmap for P&S. * Giovanni Faleg is a Visiting Researcher at CEPS and Ph.D. Candidate at the London School of Economics and Political Science. Alessandro Giovannini is a Research Assistant at CEPS. They are particularly grateful to Frédéric Mérand and Daniel Gros for their valuable comments on earlier drafts of this paper. Unless otherwise indicated, the views expressed are attributable only to the authors in a personal capacity and not to any institution with which they are associated. ISBN 978-94-6138-270-0 © Copyright 2012, Centre for European Policy Studies. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means – electronic, mechanical, photocopying, recording or otherwise – without the prior permission of CEPS. Centre for European Policy Studies ▪ Place du Congrès 1 ▪ B-1000 Brussels ▪ Tel: (32.2) 229.39.11 ▪ www.ceps.eu
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引用次数: 0
Schoenberg's Twelve-Tone Music: Symmetry and the Musical Idea 勋伯格的十二音音乐:对称与音乐理念
IF 1.4 1区 艺术学 0 MUSIC
JOURNAL OF MUSIC THEORY
Pub Date : 2016-10-01 DOI: 10.1215/00222909-3651900
Zachary Bernstein
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引用次数: 6
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