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Review: At Home in the World: California Women and the Postwar Environmental Movement, by Kathleen A. Cairns 书评:《世界上的家:加州妇女与战后环境运动》,凯瑟琳·a·凯恩斯著
IF 0.2 4区 历史学 Q2 Arts and Humanities Pub Date : 2022-01-01 DOI: 10.1525/phr.2022.91.2.288
M. Berry
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引用次数: 0
Review: We Are the Land: A History of Native California, by Damon B. Akins and William J. Bauer Jr. 书评:《我们是土地:加州原住民的历史》,作者:达蒙·b·阿金斯和小威廉·j·鲍尔
IF 0.2 4区 历史学 Q2 Arts and Humanities Pub Date : 2022-01-01 DOI: 10.1525/phr.2022.91.1.148
Katrine Barber
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引用次数: 0
Review: West of Slavery: The Southern Dream of a Transcontinental Empire, by Kevin Waite 书评:《奴隶制的西部:跨大陆帝国的南方梦》,凯文·怀特著
IF 0.2 4区 历史学 Q2 Arts and Humanities Pub Date : 2022-01-01 DOI: 10.1525/phr.2022.91.1.152
Kenneth R. Coleman
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引用次数: 0
Review: Guarding the Golden Gate: A History of the U.S. Quarantine Station in San Francisco Bay, by J. Gordon Frierson 书评:《守卫金门:旧金山湾美国检疫站的历史》,作者:j·戈登·弗莱尔森
IF 0.2 4区 历史学 Q2 Arts and Humanities Pub Date : 2022-01-01 DOI: 10.1525/phr.2022.91.4.571
S. Smallman
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引用次数: 0
The Central Avenue Borderscape 中央大道边界景观
IF 0.2 4区 历史学 Q2 Arts and Humanities Pub Date : 2022-01-01 DOI: 10.1525/phr.2022.91.4.492
K. Marcus
Since the early twentieth century, African Americans in Los Angeles confronted a variety of borders—racial, cultural, economic, and social—in an environment of Jim Crow restrictions. In this article I apply the concept of the borderscape to the multiethnic community of Central Avenue in Los Angeles to consider how musicians encountered borders in the city during the Great Migration. In the fields of jazz (Clora Bryant, Howard McGhee, Dexter Gordon), education (William Wilkins, John Gray, Sam Browne, Alma Hightower), and composition (William Grant Still, Harold Bruce Forsythe), many African Americans used music both to transcend borders and to resist Jim Crow restrictions within the Central Avenue borderscape.
自20世纪初以来,洛杉矶的非裔美国人在种族、文化、经济和社会等方面面临着各种各样的边界——在吉姆·克劳法的限制下。在本文中,我将边界景观的概念应用于洛杉矶中央大道的多民族社区,以考虑音乐家在大迁徙期间如何在城市中遇到边界。在爵士乐(克罗拉·布莱恩特、霍华德·麦吉、德克斯特·戈登)、教育(威廉·威尔金斯、约翰·格雷、山姆·布朗、阿尔玛·海托华)和作曲(威廉·格兰特·斯蒂尔、哈罗德·布鲁斯·福赛斯)等领域,许多非裔美国人用音乐来超越边界,并在中央大道边界内抵制吉姆·克劳的限制。
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引用次数: 0
Review: In Pursuit of Utopia: Los Angeles in the Great Depression, by Errol Wayne Stevens 书评:《追求乌托邦:大萧条时期的洛杉矶》,埃罗尔·韦恩·史蒂文斯著
IF 0.2 4区 历史学 Q2 Arts and Humanities Pub Date : 2022-01-01 DOI: 10.1525/phr.2022.91.4.564
Jessica Kim
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引用次数: 0
Review: Reading, Writing, and Revolution: Escuelitas and the Emergence of a Mexican American Identity in Texas, by Philis M. Barragán Goetz 《阅读、写作与革命:墨西哥裔美国人身份在德克萨斯州的出现》,菲利斯M. Barragán Goetz著
IF 0.2 4区 历史学 Q2 Arts and Humanities Pub Date : 2022-01-01 DOI: 10.1525/phr.2022.91.1.145
Luis Urrieta
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引用次数: 0
Review: Giving Back: Filipino America and the Politics of Diaspora Giving, by L. Joyce Zapanta Mariano 书评:《回馈:菲律宾裔美国人与侨民捐赠政治》,作者:L. Joyce Zapanta Mariano
IF 0.2 4区 历史学 Q2 Arts and Humanities Pub Date : 2022-01-01 DOI: 10.1525/phr.2022.91.1.150
G. Bonifacio
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引用次数: 0
Mapping the Good Neighbor 映射好邻居
IF 0.2 4区 历史学 Q2 Arts and Humanities Pub Date : 2022-01-01 DOI: 10.1525/phr.2022.91.1.104
Mette Flynt
American tourism in Mexico increased significantly during the Good Neighbor era. By creating tourist maps, cartographers on both sides of the border participated in an intentional, ideological process of reshaping these tourists’ views of Mexico. They sought to transform Americans’ perceptions not only of Mexicans and their history but also of the physical environment. Their Mexico was a place of contrast, suspended in the romantic past and engaged in modernity. Although cartographers constructed a new Mexico through their maps, they did not challenge perceptions of an asymmetrical power dynamic that had defined U.S.-Mexico relations and the tourism industry at large. Instead, their maps reinforced, reproduced, and contributed to it. Cartographers, like the maps they created, were not passive or inconsequential actors. Analyzing the ideas, relationships, and myths embedded in their maps expands our understanding of transnational tourism, environmental change, selective history, and imagined communities in the twentieth century.
在“好邻居”时期,美国到墨西哥旅游的人数显著增加。通过制作旅游地图,两国边境的制图师参与了一个有意的、意识形态的过程,重塑了这些游客对墨西哥的看法。他们不仅试图改变美国人对墨西哥人及其历史的看法,还试图改变美国人对墨西哥自然环境的看法。他们的墨西哥是一个对比鲜明的地方,停留在浪漫的过去,投身于现代。尽管地图绘制者通过他们的地图构建了一个新的墨西哥,但他们并没有挑战那种定义美墨关系和整个旅游业的不对称权力动态的看法。相反,他们的地图强化、复制并为之做出了贡献。制图师,就像他们创造的地图一样,不是被动或无足轻重的角色。分析他们的地图中的思想、关系和神话扩展了我们对20世纪跨国旅游、环境变化、选择性历史和想象社区的理解。
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引用次数: 1
Review: Where the Red-Winged Blackbirds Sing: The Akimel O’odham and Cycles of Agricultural Transformation in the Phoenix Basin, by Jennifer Bess 书评:《红翼黑鸟歌唱的地方:凤凰盆地的阿基梅尔·奥哈姆和农业转型周期》,詹妮弗·贝斯著
IF 0.2 4区 历史学 Q2 Arts and Humanities Pub Date : 2022-01-01 DOI: 10.1525/phr.2022.91.4.569
D. Powell
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引用次数: 0
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