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Fire's habit: Elemental media and the politics of apprehension 火的习惯:元素媒体与忧虑政治
IF 0.5 3区 社会学 Q3 ANTHROPOLOGY Pub Date : 2024-09-18 DOI: 10.1111/taja.12504
Daniel Fisher

This article weaves together text, photography, and audio recordings drawn from long-term ethnographic research in northern Australia to ask what fire is becoming as its everyday, urban manifestations are tethered to the diacritics of catastrophic bushfire, on the one hand, and Indigenous expertise and cultural fire, on the other. In exploring both menacing and mundane facets of urban fire in northern Australia, the article and accompanying exegesis offer ways to see and hear fire's capacities spilling beyond these enduring axes of public concern to differently animate and illuminate a city's eco-acoustic vitality, complexity, and Indigeneity.

这篇文章将澳大利亚北部长期人种学研究中的文字、摄影和录音结合在一起,探讨了火的日常城市表现形式与灾难性丛林火灾以及土著专业技术和文化之火之间的关系。通过探讨澳大利亚北部城市火灾的危险性和平凡性,文章和随附的注释提供了一些方法,让我们看到和听到火的能力超越了这些公众关注的持久轴心,以不同的方式激活和照亮了城市的生态声学活力、复杂性和土著性。
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引用次数: 0
Filming jilba: Sensing beyond the exclusionary fictions of climate science 拍摄吉尔巴:超越气候科学排他性虚构的感知
IF 0.5 3区 社会学 Q3 ANTHROPOLOGY Pub Date : 2024-09-18 DOI: 10.1111/taja.12505
Citt Williams, Jarramali Kulka

‘Filming jilba’ makes up part of a larger practice-based research project focusing on the body as a site of climate sensitivity and perception. Investigated in collaboration with Bama colleague, Jarramali Kulka (a Kuku Yalanji-Nyungkal man from Australia's tropical Far North Queensland), and his custodial practice jilba (pronounced jil-ba), the article describes the embryotic growth of a performative practice-based methodology that leads with intimate sensing—a generative counter position to remote sensing—and grows it phenomenologically through the field work of a documentary media practice. In attempting to speak across epistemic divides, the project process addresses the exclusionary fictions that conventional climate sensing performs by attuning to ‘a world that already has its own stories’.

拍摄吉尔巴 "是以实践为基础的大型研究项目的一部分,该项目重点关注作为气候敏感性和感知场所的身体。文章与巴马的同事贾拉玛利-库尔卡(来自澳大利亚热带昆士兰极北地区的库库-雅兰吉-宁卡尔人)及其监护实践 "jilba"(读作 "jil-ba")合作进行调查,描述了一种基于实践的表演性方法论的萌芽成长过程,这种方法论以亲密感知为先导--一种与遥感相对立的生成性立场--并通过纪录片媒体实践的实地工作从现象学角度加以发展。在试图跨越认识论鸿沟的过程中,项目进程通过适应 "一个已经有了自己故事的世界",解决了传统气候传感的排斥性虚构问题。
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引用次数: 0
Hearing Heat: An Anthropocene acoustemology 听热:人类世声学
IF 0.5 3区 社会学 Q3 ANTHROPOLOGY Pub Date : 2024-09-18 DOI: 10.1111/taja.12493
Steven Feld

‘Hearing Heat: An Anthropocene acoustemology’ is an intermedia composition that meditates on the climate of history, listening to histories of listening from the Papua New Guinea rainforest to nuclear Japan to ancient and contemporary Greece. It proceeds through continual recombinations of visual and sonic media, with photographs, graphics, animation, and cinema dialoguing with ethnographic field recording of Indigenous song, ambient environmental sound, cinema soundtracks, electroacoustic and radio composition, and vocally performed text.

听热:人类世音响系统学 "是一个跨媒体作品,它沉思历史的气候,聆听从巴布亚新几内亚热带雨林到日本核电再到古希腊和当代希腊的聆听历史。它通过视觉和声音媒体的不断重组,将照片、图形、动画和电影与土著歌曲的人种学实地录音、环境音效、电影原声带、电声和无线电作品以及声乐文本进行对话。
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引用次数: 0
Cult, cosmos, and craft at a Thai art academy 泰国艺术学院的崇拜、宇宙和工艺
IF 0.5 3区 社会学 Q3 ANTHROPOLOGY Pub Date : 2024-09-18 DOI: 10.1111/taja.12502
Anthony Lovenheim Irwin, Kenneth M. George, Kirin Narayan
<p>‘Cult, cosmos, and craft at a Thai art academy’ is part of a collective experiment in digital composition published within this double special issue of <i>TAJA</i>. Our aim has been to ignite and enable novel forms of social analysis. We invited contributors to creatively rethink the form of the academic article with us and built a custom-designed website to host the results. All original research contributions in this collection are made up of two parts: a digital article and its author/s' exegetical commentary. They have been peer reviewed as a pair. (See our introduction, ‘Epistemic attunements: Experiments in intermedial anthropology’, for an extended discussion of the rationale behind this adventure in ‘off-grid’ scholarship and why the digital article on the Curatorium website is not available as a pdf.)</p><p>Access the digital article here: https://curatorium.au/taja-journal/form-content/cult-cosmos-craft. Or by clicking the link in this note.<sup>1</sup></p><p>Read the authors' commentary below.</p><p>[To experience Curatorium as intended please ensure the following browsers are used: Chrome version 121.0.6167.139 or later OR Safari version 16.6.1 or later.]</p><p>We should begin by saying what has led us to compose our multimedia web article on <i>khrop khru</i> (‘covered by the guru’), an annual rite in Thailand's craft and vocational academies. Kirin Narayan and Ken George have been pursuing an ethnographic and historical study of Vishwakarma worship in India and beyond since 2017 and teamed up that year with Anthony Lovenheim Irwin—a specialist on Theravada Buddhism and material culture—to lead research into Thailand, where the Hindu-Buddhist deity Vishwakarma is known as Phra Witsanukam. No matter where research has taken us, Vishwakarma is celebrated as the patron deity of artisans, technicians, architects, engineers, and others whose livelihood relies on tools, machines, and fabrication—like the graduates of Thailand's vocational academies. Beyond its obvious relevance to regional studies, the broader aim of our ethnographic and comparative work on Vishwakarma worship has been to recuperate the role of technē and material culture in lived religion and lived cosmology. Our multimedia article, ‘Cult, cosmos, and craft at a Thai art academy’, is in keeping with that aim. For the purposes of this special issue of <i>TAJA</i> on ‘Epistemic attunements’, we also have taken steps to align and shape the article's collaborative design process with the cosmo-technical dispositions of Phra Witsanukam's devotees.</p><p>In contrast to more-than-human approaches in multispecies ethnography, environmental anthropology, sensory ethnography, and affect theory—where ‘attunement’ has gained such methodological and analytic traction—we attune to the numinous, the luminous, the machine, and the tool, and the way devotees dwell, and indeed, attune with them and with each other. For this reason, in this essay, we have been drawn especially to the hap
我们为'认识调适'策展所做的贡献,目标是通过特刊网络数字平台的视觉性和移动性,向读者-观众传达克洛普克鲁仪式的触觉、社会和美学方面。我们与詹妮弗-德格(Jennifer Deger)、维多利亚-巴斯金-科菲(Victoria Baskin Coffey)和凯莱布-金斯顿(Caleb Kingston)在多次 "放大"(Zoom)会议上构思了这篇文章的数字元素,思考如何通过复制克鲁普克鲁族仪式中以触摸为基础的工艺知识、处置和血统传承,来活跃互联网这种以滚动和触摸屏为基础的相对被动的触摸媒介。我们决定使用曼谷波昌艺术学院泰国绘画系的 khrop khru 仪式残留物作为动画视觉指南,当读者的手指滚动浏览我们作品的各个部分时,可以增强他们的阅读体验。在波昌艺术学院每年举行的 khrop khru 仪式中,泰国绘画系的新生在老师的指导下,轮流用铅笔描画 Phra Sayamphuwanat 神的面部轮廓。这些铅笔线条在仪式过程中慢慢积累,最终形成数十条深银色的线条,覆盖了神的面部形象。这些线条同时遮蔽和照亮了手稿页面上的图像,在光线的照射下更显质感和光泽。我们发现这个图像不仅具有视觉冲击力,而且是对 khrop khru 社会的一种迷人的物质提炼,因此我们希望在数字文章中复制整个仪式过程中铅笔线条的缓慢累积。我们请求波昌大学泰国绘画系的教授允许我们使用 Phra Sayamphuwanat 的脸部,因为它在 khrop khru 过程中被闪闪发光的铅笔线条反复描绘。他们很高兴地同意了,并从他们的仪式手稿中发来了一些萨雅普瓦纳大师的图像,以确保我们有高质量的文件可供使用。人种学研究通常是从田野到办公室。田野笔记、记忆、照片和文字资料都是在现场收集的,然后在学者的办公桌或屏幕上进行整理、归纳和分析。艺术家兼设计师阿米莉亚-托尔克(Amelia Toelke)在 Adobe Photoshop 中清理了仪式手稿中的 Phra Sayamphuwanat 形象,以便将其转移到丝网上进行印刷。然后,她制作了丝网,并在纽约罗森代尔的妇女工作室花了一天时间制作大幅丝网版画。安东尼-洛文海姆-欧文(Anthony Lovenheim Irwin)作为工作室助理加入了托尔克的版画工作室,他们在那里制作了两套不同的版画--第一套是在米白色纸张上用深灰色墨水印制的,另一套是在黑色纸张上用黄色墨水印制的,试图模仿浦项克鲁仪式中使用的不同仪式手稿的外观。Irwin 通过社交媒体向浦昌大学的教授们发送了丝网印刷的照片。"印刷完成后,我们必须复制图像上的铅笔线条,并以数字方式捕捉每一层,以便在网络上发布。为此,我们与纽约菲尔蒙特 Purpose Makerspace 的摄影师兼电影制作人希斯-艾弗森(Heath Iverson)进行了合作。随后,Toelke、Iverson 和 Irwin 花了一整天的时间,按照波昌大师指定的顺序仔细描摹和回溯 Phra Sayamphuwanat 版画的面部:面部轮廓、眼睛、鼻子、嘴巴,最后是 unalom--完美存在的标志--位于眼睛之间和上方以及神灵的灵盖上。我们在不同的版画上使用了不同粗细的铅笔,并对每张描摹图逐一拍照,以便日后将它们合成动画,用于数字文章。此时,数字视觉元素的具体美感尚未确定,因此我们制作了四套不同的描图。一天下来,我们拍了数百张照片,手都快抽筋了。最终,在与科菲和金斯顿商讨了什么最适合在线平台后,我们确定了与仪式中使用的图片和铅笔线条最相似的图片和铅笔线条--黑色纸张,黄色墨水,上面覆盖着 108 幅铅笔描图。
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引用次数: 0
REACH: Research as regeneration REACH:研究即再生
IF 0.5 3区 社会学 Q3 ANTHROPOLOGY Pub Date : 2024-09-18 DOI: 10.1111/taja.12491
Jennifer Deger, Victoria Baskin Coffey

The galvanising aim in curating ‘Epistemic attunements’ has been to reach beyond the infrastructural imaginaries of the corporate publishing regimes that so brutally standardise the form, production, and distribution of research. Yet rather than being wholly enamoured with the pursuit of new publics, or with the kind of reach and influence that our bespoke digital platform affords, we take the idea of ‘reach’ in a different direction. In short, what we propose here is that reaching beyond anthropology offers a way to return the discipline to its core commitments. REACH explores what happens when anthropology and its interlocutors come together to cultivate shared grounds of epistemic care and concerns. It asks, what happens when multiple histories show up in the process? It proposes that therein lies the grounds for a regenerative anthropology.

策划 "认识调适 "的激励目标是超越企业出版制度的基础设施想象,这些制度对研究的形式、生产和传播进行了粗暴的标准化。然而,我们并不完全迷恋于对新公众的追求,也不完全迷恋于我们定制的数字平台所带来的覆盖面和影响力,而是将 "覆盖面 "的概念引向了另一个方向。简而言之,我们在这里提出的是,超越人类学为人类学回归其核心承诺提供了一条途径。REACH探索的是,当人类学与其对话者走到一起,培养共同的认识论关怀和关注时,会发生什么。它问道:当多重历史出现在这一过程中时,会发生什么?它提出,这就是再生人类学的基础。
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引用次数: 0
Forecasts: A story of weather and finance at the edge of disaster By Caroline E. Schuster, illustrated by Enrique Bernardou, David Bueno (Eds.), Toronto: University of Toronto Press. 2023. pp. xvii + 212, CAN$28.95 (Pb.), CAN$70 (Hc.). ISBN: 9871487542238 《天气预报:灾难边缘的天气和金融故事》,卡罗琳·e·舒斯特著,恩里克·贝尔纳杜、大卫·布埃诺主编,多伦多:多伦多大学出版社,2023年。pp. 17 + 212, CAN$28.95 (Pb.), CAN$70 (Hc.)。ISBN: 9871487542238
IF 0.5 3区 社会学 Q3 ANTHROPOLOGY Pub Date : 2024-09-14 DOI: 10.1111/taja.12510
Mardi Reardon-Smith
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引用次数: 0
Netflix streaming Video algorithms, taste and corporate responsibility Netflix流媒体视频算法、品味和企业责任
IF 0.5 3区 社会学 Q3 ANTHROPOLOGY Pub Date : 2024-09-10 DOI: 10.1111/taja.12509
Muhammad Asad Latif
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引用次数: 0
Latour's swan songs: Grappling with the ecological crisis By Bruno Latour and Nikolaj Schulz. On the emergence of an ecological class: A memo. Translated by Julie Rose, London: Polity Press. 2022. pp. 92. US$12.99 (pbk). ISBN 9781509555062By Bruno Latour. How to inhabit the earth: Interviews with Nicolas Truong. Translated by Julie Rose, London: Polity Press. 2024. pp. 103. US$16.95 (pbk). ISBN 9781505559473 《拉图尔的绝唱:应对生态危机》布鲁诺·拉图尔和尼古拉·舒尔茨著。论生态阶级的出现:一份备忘录。朱莉·罗斯译,伦敦:政体出版社,2022。92页。12.99美元(pbk)。ISBN 9781509555062布鲁诺·拉图尔著。《如何在地球上生存:尼古拉斯·张的访谈》朱莉·罗斯译,伦敦:政体出版社,2024。103页。16.95美元(pbk)。ISBN 9781505559473
IF 0.5 3区 社会学 Q3 ANTHROPOLOGY Pub Date : 2024-09-10 DOI: 10.1111/taja.12508
Hans A. Baer
<p>Bruno Latour, a prolific philosopher, anthropologist, sociologist, and science and technology studies scholar, entered the debate on the global ecological crisis with the publication of <i>The Politics of Nature</i> (Harvard University Press, <span>2004</span>). He became a fellow at the ecomodernist Breakthrough Institute, penning a frequently cited 2011 article in its journal calling for humanity to love its technological monsters like we love our children instead of rejecting them. He called for management of the environment rather than seeking to keep it in a pristine state. In his Distinguished Lecture at the American Anthropological Association annual meeting in December 2014, he asserted that geologists had presented anthropologists with a gift by positioning the <i>anthropos</i> centre stage in the guise of the Anthropocene as the main geological force, thus superseding the Holocene. Latour went on to publish <i>Facing Gaia</i> (Polity, <span>2017</span>) and <i>Down to Earth</i> (Polity, <span>2018</span>), followed by <i>On the Emergence of an Ecological Class</i> (<span>2022</span>) (co-authored with Nikolaj Schultz), and <i>How to Inhabit the Earth</i> (<span>2024</span>), which is based on interviews that he had with Nicolas Truong. These last two books before his death in October 2022 are the subjects of my review essay.</p><p><i>On the Emergence of an Ecological Class</i> consists of 10 chapters; there is also a postface in the English edition. Latour and Schultz resist reliance on the notion of class struggle in seeking to delineate the role of a global <i>ecological class</i>, which they do not define as such. Instead, they seek to outline the tasks that the ecological class needs to undertake, noting that the ‘ecological class is still afraid of not knowing how to position itself in its relationship to the struggles of the past two centuries’ (p. 8), because it fears that it is not sufficiently left-wing. In seeking to provide guidance on which direction the ecological class should pursue, they delineate a broad and diffuse litany of recommendations. These include: (1) defining the direction of its own history (p. 10); defining itself in ‘relation to the material conditions of its existence’ (p. 11); furnishing ‘equipment to change direction’ (p. 19) in light of the grim reality that the Anthropocene and Great Acceleration that entailed the ‘rapid acceleration of systems of production destabilised Earth systems and climate systems’ (p. 13); adding to the ‘relations of production engendering practices that have always defined the exterior of human activity’ (p. 23); persuading sectors of old classes, including the working class, to ‘form alliances with it in a bid to find other ways of promoting their interests’ (p. 28); and critically examining the role of the state in supporting an ‘international order based on development and globalisation’ (p. 69).</p><p>Contrasting it with a declining union movement, Latour and Schultz ma
导致病毒传播的其他因素是社会不平等和城市化,在城市化中,人们发现大量穷人,特别是在全球南方,居住在狭窄的地方。在关于“现代性的终结”的采访中,拉图尔观察到,尽管世界体系在第二次世界大战后加速发展,但在1989年柏林墙倒塌后,它进入了一个“最大加速、最大榨取和最大否认的时刻”(第29页),财富的日益集中、2023年是全球有记录以来最热的一年的严峻现实,以及乌克兰和加沙的战争,都在继续并突出了这一进程。拉图尔坚持认为,1989年标志着“所有在东京召开的生态学大型会议的开始”(第29页)。然而,需要补充的是,尽管联合国已经召开了28次缔约方会议,但温室气体排放和全球气温仍在持续上升。在关于“盖亚让我们注意到”的采访中,拉图尔观察到,盖亚概念最初是由詹姆斯·洛夫洛克和林恩·马古利斯提出的,它让我们明白“环境是由生物创造的,而不是像我们以前认为的那样,生物占据和适应环境”(第39页)。他赞同“人类世的概念,它使我们的朋友们能够计算工业化人类对地球其他地区的影响”(第38页)。然而,越来越多的持批判态度的学者认为,人类世的概念并没有充分解释生态危机的总体差异责任,生态危机可能被更好地描述为社会生态危机,这促使他们提出了资本世的概念。在“我们在哪里着陆?”,拉图尔试图将领土重新定义为不是一个“地理坐标”的地点(第41页),而是一个人类赖以生存的地方。在他的早期著作《脚踏实地》中,拉图尔(Polity, 2018)采用了一种以欧洲为中心的观点,他在采访中没有强调这一点。他承认,欧洲之所以富有,部分原因是它殖民和剥削了世界其他地区,造成了巨大的生态破坏。拉图尔认为,欧洲需要通过去全球化和重新定义国家主权(大概是在欧盟范围内)来回归现实。他似乎在呼吁一种形式的欧洲自给自足,一种欧洲与美国保持距离的自给自足。然而,拉图尔忽视了欧洲跨国公司是资本主义世界体系参数中的主要参与者,并与其他国家进行贸易,不仅是美国,还有中国,这一趋势可能会通过中国的“一带一路”倡议进一步扩大。然而,在这次采访中,他间接暗示,欧洲自给自足的任何野心都是一种幻想,因为“Covid危机表明,这种很小的、飞溅的病毒在短短三周内就控制了整个地球”(第46页)。关于“新生态阶级”的采访基本上总结了拉图尔在《论生态阶级的出现》中所做的观察,因此不需要在这里重述。在关于“发明集体装置”的采访中,他讨论了一些跨学科的展览和项目,比如2002年在卡尔斯鲁厄艺术与媒体中心举办的“Iconoclash”,以及他参与的巴黎政治学院政治艺术学院。他坚持认为,大学需要超越洪堡的概念,即大学是基础研究的场所,并与“发现自己至少与研究人员一样混乱的公众”接触(第60页)。然而,拉图尔忽视了全球(尤其是英语国家)大学公司化对它们与公众接触有限的深刻影响。它们往往主要充当培训中心,侧重于维持工业和商业活动,而不是批判性地面对社会生态危机,这阻碍了它们这样做的能力。在关于“宗教的真理”的采访中,拉图尔断言,“对于神学家来说,生态学运动无疑具有重新开放空间和参与解释的义务的影响”(第65页)。他感叹道,包括牧师和枢机主教在内的许多信徒都反对教宗方济各将地球称为“我们的姐妹,地球母亲”(第66页)。他坚持认为,人类随着现代性而变得文明化,尽管程度不高,但我们现在可以“通过生态问题重新文明化自己”(第67页)。然而,尽管用意是好的,但方济各监管的机构是一个经济强国,是全球资本主义的重要组成部分,是社会生态危机的总体驱动因素。 在“科学在行动”的采访中,以强调实验室和实地环境中科学的社会建构而闻名的拉图尔声称,气候科学家,特别是那些参与IPCC进程的气候科学家,最初预计气候行动将在20世纪80年代初关于二氧化碳对温度上升的影响的发现之后随之而来。然而,他们后来意识到,他们的发现要么被忽视,要么被最小化。鉴于IPCC所处的结构致力于全球范围内的持续经济增长,而且除了凯文·安德森(Kevin Anderson)等少数例外,很少有气候科学家敢于挑战联合国在其可持续发展目标(sdg)中基本接受的增长模式的基本前提,这一点不足为奇。具有讽刺意味的是,飞机一直是全球资本主义的关键,它在地球上运送人员和货物,在这个过程中排放废气,也是新冠病毒的主要传播者。在关于“政治圈”的采访中,拉图尔断言,“数字和在线社交网络”(第88页)一直在“摧毁或粉碎”其他交流模式(第88页),在这个过程中,在塑造政治话语方面发挥了重要作用,最好的例子可能是唐纳德·特朗普(Donald Trump)对推特的依赖,无论是在担任总统期间还是在努力重新夺回美国总统职位期间。他坚持认为,人类在火星或外太空其他地方寻找新世界的主张“最终被嘲笑了”(第90页)。然而,考虑到杰夫·贝佐斯(Jeff Bezos)和埃隆·马斯克(Elon Musk)等数字巨头日益突出的地位,他的预言可能还言之过早。他们鼓动富有的客户去外太空兜风的宣传就是例证。在关于“哲学是美丽的”的采访中,拉图尔认为哲学“在我们正在经历的时刻非常重要,至关重要,因为它将允许我们阻止各种模式相互破坏”(第97页)。在最后的采访中,拉图尔写了一封“给Lilo的信”,他的孙子当时才1岁。他认为,未来20年将被证明是人类的一个转折点,但他认为,“在那之后的20年里,我们将找到一种方法来恢复在我们现在所处的时期被中断的文明进程”(第101页)。我希望拉图尔是对的,但我个人感到遗憾的是,在他辉煌的职业生涯的最后几十年里,他与生态危机作斗争,他从未深入探索过生态社会主义、生态无政府主义、去增长和土著观点中对未来的替代愿景。虽然人们可能会对拉图尔和舒尔茨在《生态阶级的出现》一书中提出的许多论点,以及他在《如何居住在地球上》中对张謇的采访中提出的许多论点提出质疑,但他证明了自己是一位博学而神秘的学者,拥有超越学科界限的罕见能力。当翻译成英语时,他的许多思想似乎表达得很松散,但也许在翻译中丢失了一些东西。在政治上,拉图尔在一些问题上相当进步,但在另一些问题上,他是保守的,以欧洲为中心。与米歇尔·福柯(Michel Foucault)和皮埃尔·布迪厄(Pierre Bourdieu)等其他法国知识分子一样,拉图尔将继续成为世界各地人类学家和其他学者心目中具有挑衅性的跨学科思想家。
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引用次数: 0
Country, cattle and cooperation: On the potential of Kila in Warmun, Western Australia 国家、牛与合作:西澳大利亚沃蒙基拉的潜力
IF 0.5 3区 社会学 Q3 ANTHROPOLOGY Pub Date : 2024-09-10 DOI: 10.1111/taja.12511
Catherine Massola

Gija people in the East Kimberley community of Warmun (Western Australia) negotiate their engagement with pastoralism with varying degrees of primacy. Through ethnography and oral histories, I explore how Gija people manage pastoralism and its effects through acts of accommodation, adoption, refusal and innovation. I begin by outlining the development of the colonial pastoral industry in Western Australia, state and federal legislation that withheld and underpaid wages to Aboriginal pastoral workers and cattle-killing practices and protective measures. I use ‘Kila’, the bovine species killed for local consumption, as an entry point to explore intercultural relations and Gija relative autonomy within this context. Analysing Kila etymologically and through an ethnographic case study involving its procurement, dissection, and distribution, I find that cooperation is implemented to enable the Kila event. Kila emerges as both a nexus for intercultural mutuality and as a facilitator of distinct opportunities for Gija social and cultural maintenance and recreation.

西澳大利亚沃蒙东金伯利社区的吉贾人以不同程度的首要地位与畜牧业进行谈判。通过民族志和口述历史,我探索了Gija人如何管理畜牧业及其通过适应、采用、拒绝和创新的影响。我首先概述了西澳大利亚殖民地畜牧产业的发展,州和联邦立法扣留和克扣土著畜牧工人的工资,以及杀牛的做法和保护措施。我以“Kila”(为当地消费而宰杀的牛种)为切入点,探讨在这种背景下的跨文化关系和Gija的相对自主性。通过对Kila词源的分析,以及对其采购、解剖和分布的人种学案例研究,我发现合作是实现Kila事件的关键。Kila既是跨文化相互联系的纽带,也是Gija社会和文化维护和娱乐的独特机会的促进者。
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引用次数: 0
The privilege of being banal: Art, secularism, and Catholicism in Paris By Elayne Oliphant, Chicago, IL: Chicago University Press, 2021 《平庸的特权:巴黎的艺术、世俗主义和天主教》作者:Elayne Oliphant,芝加哥,伊利诺伊州:芝加哥大学出版社,2021年
IF 0.5 3区 社会学 Q3 ANTHROPOLOGY Pub Date : 2023-11-21 DOI: 10.1111/taja.12483
Elizabeth Reinhardt
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引用次数: 0
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Australian Journal of Anthropology
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