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La Pandémie en science-fiction ed. by Christophe Becker and Clémentine Hogue (review) 科幻小说中的大流行,克里斯托弗·贝克尔和克莱门汀·霍格编辑(评论)
IF 0.2 4区 文学 0 LITERATURE Pub Date : 2022-10-25 DOI: 10.1353/sfs.2022.0053
Amy J. Ransom
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引用次数: 0
Race in Young Adult Speculative Fiction ed. by Meghan Gilbert-Hickey and Miranda A. Green-Barteet (review) 《青少年投机小说中的种族》,梅根·吉尔伯特-希基、米兰达·a·格林-巴特尔主编(书评)
IF 0.2 4区 文学 0 LITERATURE Pub Date : 2022-06-24 DOI: 10.1353/sfs.2022.0037
Brittany Tomin
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引用次数: 0
Roundtable: SF in the Kitchen 圆桌会议:SF在厨房
IF 0.2 4区 文学 0 LITERATURE Pub Date : 2022-06-24 DOI: 10.1353/sfs.2022.0030
N. Castle, R. Dini, Tiff Graham, K. Heffner, Fitzhugh Shaw (Chickasaw), Sarah Stang
ABSTRACT:For this roundtable, we asked participants to respond critically to the topic of sf kitchens. How and why does the kitchen figure in sf? Why is it a significant site to think through the various concerns emanating around food futures? What can a focus on the kitchen as a key space in/of the future tell us about its historical organization of social and cultural relations? Might its future imagining afford the means to organize those differently?
摘要:在本次圆桌会议中,我们要求参与者对sf厨房的话题做出批判性的回应。厨房是如何以及为什么在sf中出现的?为什么它是一个重要的网站来思考围绕粮食期货产生的各种担忧?把厨房作为未来的关键空间,能告诉我们它的社会和文化关系的历史组织吗?它对未来的想象是否提供了以不同方式组织这些活动的手段?
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引用次数: 0
Cross-Infections of Vegetal-Human Bodies in Science Fiction 科幻小说中植物与人体的交叉感染
IF 0.2 4区 文学 0 LITERATURE Pub Date : 2022-06-24 DOI: 10.1353/sfs.2022.0029
Heather I. Sullivan
ABSTRACT:It is particularly disturbing when seemingly inert plants escape the category of nourishing food and instead become transmitters of vegetal diseases infecting our human bodies or transforming us into plant-human hybrids or even plant-infused zombies. This article analyzes the ecological and alimentary implications of three sf texts in which plants infect human bodies or use them as a kind of walking soil from which to sprout: Paolo Bacigalupi's novel The Windup Girl (2009), Olivia Vieweg's German-language graphic novel, EndZeit [EndTime, 2018], and Nnedi Okorafor's graphic novel LaGuardia (2019). Presenting plant-human relations as either utopian and kinship-based or as horrific cross-species disease vectors creating human-plant zombies, these texts reveal aspects of the ecological fact that human bodies are always monstrously chimerical. All living things are, in fact, composed of multispecies entanglements with other beings such as bacteria, viruses, and fungi, as well as the species they consume, as described by Anna Tsing et al. in Arts of Living on a Damaged Planet (2017). Bacigalupi, Vieweg, and Okorafor transform our ecological entanglements with and dependence on plants into both disturbing and celebratory sf visions of bodily invasion.
摘要:当看似惰性的植物逃脱了营养食物的范畴,反而成为植物疾病的传播者,感染我们的身体,或将我们变成植物-人类的混血儿,甚至是植物注入的僵尸时,这尤其令人不安。本文分析了三种科幻小说的生态和营养意义,其中植物感染人体或将其作为一种行走的土壤发芽:保罗·巴西加卢皮的小说《上气女孩》(2009年),奥利维亚·维维格的德语漫画小说《EndZeit》[EndTime, 2018年],以及Nnedi Okorafor的漫画小说《拉瓜迪亚》(2019年)。这些文本将植物与人类的关系呈现为乌托邦式的、基于亲属关系的关系,或者是可怕的跨物种疾病载体,创造了人类与植物的僵尸,揭示了人类身体总是可怕的虚幻这一生态事实的各个方面。事实上,正如安娜·青等人在《受损星球上的生活艺术》(2017)中所描述的那样,所有生物都是由与细菌、病毒、真菌等其他生物以及它们所消耗的物种的多物种纠缠组成的。Bacigalupi, Vieweg和Okorafor将我们与植物的生态纠缠和依赖转变为身体入侵的令人不安和庆祝的愿景。
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引用次数: 0
Manger demain: Food Futures in French Fiction 吃明天:法国小说中的食物未来
IF 0.2 4区 文学 0 LITERATURE Pub Date : 2022-06-24 DOI: 10.1353/sfs.2022.0024
J. Dutton
ABSTRACT:France's national identity has long been inseparable from its culinary culture. From Taillevent's Le Viandier (c.1300) to Escoffier's Le Guide culinaire (1903), French treatises and texts led the way in establishing France's central role in codifying western food discourses. Against this backdrop of gastronomic glory, futuristic food fictions in French are few and far between, but they serve to reveal contemporary preoccupations and predictions related to culinary concerns. In this article, I track food futures in notable selected texts of French writing spanning four centuries—from Louis-Sébastien Mercier's L'An 2440, rêve s'il en fut jamais (1771) to Chantal Pelletier's Nos derniers festins (2019)—outlining briefly the gastronomic context from which they emanate and how these projections perform a parallel or meta-interpretation of food cultures in France. I will thereby demonstrate that the utopian and dystopian extremes emerging in these examples of food futures in French speculative narratives relate to and/or challenge the historical and literary contexts of culinary cultures in France.
摘要:长期以来,法国的民族认同与其烹饪文化密不可分。从Tailevent的《维昂迪尔》(约1300年)到Escoffier的《库利奈尔指南》(1903年),法国的论文和文本引领了法国在编纂西方食物话语中的核心作用。在这种美食荣耀的背景下,法语的未来主义美食小说很少,但它们揭示了当代人对烹饪的关注和预测。在这篇文章中,我追踪了跨越四个世纪的著名法语写作选本中的食物未来——从路易·塞巴斯蒂安·梅西耶的《L’An 2440》、《rêve’il en fut jamais》(1771)到尚塔尔·佩莱蒂耶的《Nos derniers festins》(2019)——简要概述了它们产生的美食背景,以及这些预测如何对法国的食物文化进行平行或元解释。因此,我将证明,在法国投机叙事中,这些食物未来的例子中出现的乌托邦和反乌托邦极端与法国烹饪文化的历史和文学背景有关和/或挑战。
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引用次数: 0
The Modern and the Unknown: A Study of Science Fiction in the Late Qing Dynasty by Jia Liyuan (review) 《现代与未知:晚清科幻小说研究》贾丽媛(综述)
IF 0.2 4区 文学 0 LITERATURE Pub Date : 2022-06-24 DOI: 10.1353/sfs.2022.0039
Shaoming Duan
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引用次数: 0
Boldly Going Vegan? Star Trek, Synthetic Meat, and Animal Ethics 大胆成为素食主义者?《星际迷航》、合成肉与动物伦理
IF 0.2 4区 文学 0 LITERATURE Pub Date : 2022-06-24 DOI: 10.1353/sfs.2022.0028
Joshua Bulleid
ABSTRACT:This article examines the engagements with veganism, synthetic food, and animal ethics throughout Star Trek's seven live-action incarnations: The Original Series (TOS, 1966-1969), The Next Generation (TNG, 1987-1994), Deep Space Nine (DS9, 1993-1999), Voyager (1995-2001), Enterprise (2001-2005), Discovery (2017-), and Picard (2020-). I show how the separate Star Trek series maintain regular rhetorical gestures toward veganism as an ethically enlightened practice and philosophy in the framework of an influential engagement with synthetic food technology that allows for traditional, omnivorous meals without the need of nonhuman animal suffering. Star Trek's human characters, however, also frequently emphasize "real" food—especially meat—in connection with nostalgic Anglo-American values and supposedly superior "natural" living, so that meat-eating also often reflects notions of imperialism, colonization, and masculinity. Human meat-eating is also frequently represented as a sensible medium between violent, uncivilized carnism and an overly repressive veganism that is further exoticized by its associations with non-human and allegedly un-American cultures. Only the current series Discovery (2017–) takes veganism seriously as a core utopian value, due to the emphasis it places on interspecies relationships.
摘要:本文探讨了《星际迷航》的七个真人化身中素食主义、合成食品和动物伦理的参与:原版系列(TOS,1966-1969)、下一代(TNG,1987-1994)、深空九号(DS9191993-1999)、旅行者号(1995-2001)、企业号(2001-2005)、发现号(2017-)和皮卡德号(2020-)。我展示了《星际迷航》系列如何在与合成食品技术进行有影响力的合作的框架下,将素食主义作为一种道德启蒙的实践和哲学,保持常规的修辞姿态,这种技术可以在不需要非人类动物痛苦的情况下提供传统的杂食性食物。然而,《星际迷航》中的人类角色也经常强调“真实”的食物,尤其是肉,这与怀旧的英美价值观和所谓优越的“自然”生活有关,因此吃肉也经常反映帝国主义、殖民主义和男子气概的概念。人类吃肉也经常被视为暴力、不文明的狂欢主义和过度压抑的素食主义之间的一种合理媒介,这种素食主义因其与非人类和据称非美国文化的联系而进一步异国化。只有目前的系列《探索》(2017–)将素食主义视为乌托邦的核心价值观,因为它强调种间关系。
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引用次数: 0
The Dreamer and the Dream: Afrofuturism and Black Religious Thought by Roger A. Sneed (review) 罗杰·A·斯内德的《梦想家与梦:非洲主义与黑人宗教思想》(综述)
IF 0.2 4区 文学 0 LITERATURE Pub Date : 2022-06-24 DOI: 10.1353/sfs.2022.0040
Ruth Myers
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引用次数: 0
The Metabolist Imagination: Visions of the City in Postwar Japanese Architecture and Science Fiction by William O. Gardner (review) 新陈代谢者的想象:战后日本建筑和科幻小说中的城市愿景(综述)
IF 0.2 4区 文学 0 LITERATURE Pub Date : 2022-06-24 DOI: 10.1353/sfs.2022.0036
Mordecai Scheckter
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引用次数: 0
Food and Power: The Utopian City and Its Countryside 食物与权力:乌托邦城市及其乡村
IF 0.2 4区 文学 0 LITERATURE Pub Date : 2022-06-24 DOI: 10.1353/sfs.2022.0022
P. Parrinder
ABSTRACT:From More and Campanella to Gernsback's Ralph 124C 41+, utopian authors have imagined potential agricultural revolutions guaranteeing a secure and abundant supply of high-quality food. Since literary utopias are either based in or modeled on the institution of the city, their demand for food necessitates an increased exploitation of the countryside. Industrialized agriculture remains indispensable even in a future such as Gernsback's, where most foods are apparently synthetic. The "garden city" utopias from Cabet to Gilman equally rely on agricultural intensification, portraying an ideal of "perfect cultivation" that depends on systematic ecocide and environmental remodeling. Their utopian futures anticipate the historical development of global agriculture all too closely. Morris's News from Nowhere stands out for its opposition to industrial farming and to the subordination of the countryside to the rule of the city. Yet Morris's future London continues to import virtually all its food. Finally, consideration of Robinson's Pacific Edge suggests that the challenge of imagining a future for well-fed humanity no longer dependent on rural oppression and environmental destruction remains to be met.
摘要:从莫尔和坎帕内拉到根斯巴克的拉尔夫124C 41+,乌托邦作家们想象着潜在的农业革命,以保证高质量食物的安全和充足供应。由于文学乌托邦要么建立在城市制度的基础上,要么以城市制度为模型,它们对食物的需求使得对农村的剥削变得更加必要。工业化农业仍然是不可或缺的,即使在根斯巴克这样的未来,大多数食物显然都是人工合成的。从卡贝特到吉尔曼的“花园城市”乌托邦同样依赖于农业集约化,描绘了一种依赖于系统生态灭绝和环境重塑的“完美耕作”理想。他们乌托邦式的未来与全球农业的历史发展密切相关。莫里斯的《无处传来的新闻》以反对工业化农业和农村服从城市统治而著称。然而,莫里斯未来的伦敦仍将继续进口几乎所有的食物。最后,对鲁滨逊的《太平洋边缘》的思考表明,想象一个不再依赖农村压迫和环境破坏、食物充足的人类的未来,这一挑战仍有待解决。
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