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Shared Unshareability, Suicidality, and the Melodrama of Living on after Failure in Yiyun Li 分享的不可分享性、自杀倾向与李翊云失败后的生活情节
IF 0.3 3区 文学 Pub Date : 2023-09-01 DOI: 10.1353/mfs.2023.a905749
Irving Goh
Abstract:This essay addresses an aspect of failure that I call "shared unshareability," which brings us to a reckoning that—despite failure being an experience that can be commonly shared—there is always something of failure that never leaves the personal. Articulating failure's shared unshareability can thus help us understand why some of us cannot dissociate ourselves from our sense of failure. I elucidate failure's shared unshareability through a selection of Yiyun Li's texts that deal with the failure to want to live, and further show how melodrama and writing are implicated.
摘要:这篇文章讨论了失败的一个方面,我称之为“共享的不可分享性”,它使我们得出一个结论:尽管失败是一种可以共同分享的经历,但总有一些失败的东西永远不会离开个人。因此,阐明失败的共享性可以帮助我们理解为什么我们中的一些人无法将自己从失败感中解脱出来。我通过选取李翊云的文本来阐释失败的共同的不可共享性,这些文本处理了想要生存的失败,并进一步展示了情节剧和写作是如何牵连在一起的。
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引用次数: 0
Nonhuman Animals and Hope: Kazuo Ishiguro's Never Let Me Go and Philip K. Dick's Do Androids Dream of Electric Sheep 非人类动物和希望:石黑一雄的《别让我走》和菲利普·k·迪克的《机器人会梦见电子羊吗?
IF 0.3 3区 文学 Pub Date : 2023-09-01 DOI: 10.1353/mfs.2023.a905746
David P. Rando
Abstract:What can critical animal studies learn by temporarily directing attention away from representations of nonhuman animals in literature? Kazuo Ishiguro's Never Let Me Go and Philip K. Dick's Do Androids Dream of Electric Sheep? allow readers to experience the hopes of engineered or artificial nonhuman creatures. Without presuming to know the unknowable or to make the animal speak, these novels help to further animal liberation discourses by democratizing the ostensibly human concept of hope, opening new paths of empathy between nonhuman and human animals while making it harder to accept the instrumentalization of nonhuman animals under anthropocentric capitalism.
摘要:通过暂时将人们的注意力从文学作品中非人类动物的表现上转移开,批判性动物研究可以学到什么?石黑一雄的《别让我走》和菲利普·k·迪克的《机器人会梦见电子羊吗?》让读者体验工程或人造非人类生物的希望。这些小说没有假定知道不可知的事物,也没有让动物说话,而是通过使表面上人类的希望概念民主化,开辟了非人类和人类动物之间同情的新途径,同时使人们更难接受在人类中心主义的资本主义下非人类动物的工具化,从而有助于进一步推动动物解放的话语。
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引用次数: 0
Cather and Opera by David McKay Powell (review) 大卫·麦凯·鲍威尔《凯瑟与歌剧》(书评)
IF 0.3 3区 文学 Pub Date : 2023-09-01 DOI: 10.1353/mfs.2023.a905755
Julie Olin-Ammentorp
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引用次数: 0
Outside Literary Studies: Black Criticism and the University by Andy Hines (review) 文学研究之外:黑人批评与大学安迪·海恩斯(书评)
IF 0.3 3区 文学 Pub Date : 2023-09-01 DOI: 10.1353/mfs.2023.a905751
Garrett Bridger Gilmore
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引用次数: 0
"The New Economy and the Old Morality": Reimagining a Liberal Culture in Howards End “新经济与旧道德”:重新构想霍华德庄园的自由主义文化
IF 0.3 3区 文学 Pub Date : 2023-09-01 DOI: 10.1353/mfs.2023.a905743
Nan Zhang
Abstract:Attentive to the transmutation of British liberalism as a political philosophy in the early twentieth century, this essay examines how E. M. Forster's Howards End brings together multiple intellectual sources that trouble standard divisions between liberal and conservative affiliations in reimagining a liberal culture. From the root and branch image of the wych-elm to the "sweetness and light" (79) of the grass, and to the "little platoon" (136) of Howards End, the essay offers fresh interpretations of Forster's novel and reconnects his work with a group of thinkers as diverse as Edmund Burke, William Gladstone, Herbert Spencer, Matthew Arnold, Hobhouse, and John Maynard Keynes.
摘要:本文关注20世纪初英国自由主义作为一种政治哲学的嬗变,考察e·m·福斯特的《霍华德庄园》在重新构想自由主义文化的过程中,如何汇集了多种知识来源,这些知识来源困扰着自由主义和保守主义之间的标准划分。从魔鬼榆树的根与枝,到草地的“甜蜜与光明”(第79页),再到《霍华德庄园》的“小排”(第136页),这篇文章为福斯特的小说提供了新的诠释,并将他的作品与埃德蒙·伯克、威廉·格莱斯顿、赫伯特·斯宾塞、马修·阿诺德、霍布豪斯和约翰·梅纳德·凯恩斯等一批不同的思想家重新联系起来。
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引用次数: 0
Literature in Motion: Translating Multilingualism Across the Americas by Ellen Jones (review) 运动中的文学:在美洲翻译多语言
IF 0.3 3区 文学 Pub Date : 2023-09-01 DOI: 10.1353/mfs.2023.a905756
Cecilia Rossi
fiction must have been a result of her having needed “a break from the bleakness of her overcontemplated experienced reality” (163) of the mid-1920s. While readers new to Cather and Cather scholarship may find few problems here, others will be baffled by several areas of Powell’s analysis. In spite of its shortcomings, anyone writing about Cather and opera in the future will want to consult this volume. Cather and Opera is accessible both to readers new to Cather and to those who want to know more about opera in Cather’s fiction. Helpfully for future researchers, Powell includes two appendices, the first listing operas by composer and title, and the second listing Cather’s relevant works and the operas referenced in each. His work on the opera scene of Cather’s youth is lively, helping readers “understand the extent to which classical music would have permeated the frontier world” (8). He also reminds us, sometime eloquently, of the centrality of opera to Cather, making an excellent case that Cather’s “early introduction to opera helped give her a sense of artistic possibility and the aspiration to pursue it” (167). Perhaps even more importantly, Powell emphasizes the importance of the arts in Cather’s work, and in all our lives. Cather went to university to study medicine, he notes, but she quickly realized “that art was every bit as essential to human survival” (42).
小说一定是她在20世纪20年代中期需要“从她过度思考的经历现实的凄凉中解脱出来”(163)的结果。虽然不熟悉凯瑟和凯瑟学术的读者可能会发现这里没有什么问题,但其他人会被鲍威尔分析的几个领域所困惑。尽管它有缺点,将来写凯瑟和歌剧的人都会想参考这本书。《凯瑟与歌剧》既适合凯瑟的新手读者也适合那些想了解凯瑟小说中歌剧的读者。为了帮助未来的研究人员,鲍威尔包括了两个附录,第一个是按作曲家和标题列出的歌剧,第二个是凯瑟的相关作品和每个作品中引用的歌剧。他对凯瑟年轻时的歌剧场景的描写生动活泼,帮助读者“理解古典音乐在多大程度上渗透到边疆世界”(8)。他还提醒我们,有时雄辩地提醒我们,歌剧对凯瑟的中心地位,提出了一个极好的例子,凯瑟“早期对歌剧的介绍帮助她意识到艺术的可能性,并渴望追求它”(167)。也许更重要的是,鲍威尔强调了艺术在凯瑟作品中的重要性,以及在我们所有人生活中的重要性。他指出,凯瑟上了大学学习医学,但她很快意识到“艺术对人类的生存至关重要”(42)。
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引用次数: 0
Ecologies from the Cargo: Zora Neale Hurston and the Long Anthropocene 来自货物的生态学:佐拉·尼尔·赫斯顿和漫长的人类世
IF 0.3 3区 文学 Pub Date : 2023-09-01 DOI: 10.1353/mfs.2023.a905745
Henry Ivry
Abstract:This essay argues that Zora Neale Hurston's work reorients several key ideas central to contemporary Black studies and the environmental humanities. In particular, I examine how Hurston's understanding of the co-constitutional relationship between human and nonhuman worlds and her search for a narrative across temporal and geographical scales connects the Black diaspora and restructures our understanding of the Anthropocene. This essay claims that Hurston's work anticipates an incipient strand of contemporary Black studies that turns to ecology both to understand and imagine a world outside of anti-Black violence.
摘要:本文认为,佐拉·尼尔·赫斯顿的作品重新定位了当代黑人研究和环境人文学科的几个关键思想。特别是,我研究了赫斯顿对人类和非人类世界之间的共同构成关系的理解,以及她对跨越时间和地理尺度的叙事的探索,如何将黑人侨民联系起来,并重新构建了我们对人类世的理解。这篇文章声称,赫斯顿的作品预示着当代黑人研究的一个初期趋势,即转向生态学来理解和想象一个反黑人暴力之外的世界。
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引用次数: 0
Contributors 贡献者
3区 文学 Pub Date : 2023-09-01 DOI: 10.1353/mfs.2023.a905757
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引用次数: 0
The Music of the Prose Takes Place in Silence: Sound, Fury, and Faulkner's Negative Audition 散文的音乐发生在沉默中:声音、愤怒与福克纳的消极试镜
IF 0.3 3区 文学 Pub Date : 2023-09-01 DOI: 10.1353/mfs.2023.a905744
Yael Segalovitz
Abstract:The last decade witnessed a blooming interest in Faulkner's soundscapes, but his conceptualization of readerly listening has yet to be thoroughly discussed. This essay argues that, in The Sound and the Fury, Faulkner cultivates a specific phenomenology—a negative audition—in his reader that holds an ethical valence: an attunement to sonic stimuli, which one is socially and bodily taught to register as inaudible. These internal readerly guidelines paradoxically advance a reading of Faulkner's novel against its own racial bias.
摘要:近十年来,人们对福克纳的音景作品产生了浓厚的兴趣,但他对读者聆听的概念尚未得到深入的探讨。本文认为,在《喧哗与骚动》中,福克纳在他的读者身上培养了一种特殊的现象学——一种消极的试听——这种试听持有一种伦理价值:一种对声音刺激的调谐,人们被社会和身体教导为听不见。这些内在的读者指南矛盾地推动了福克纳小说的阅读,反对其自身的种族偏见。
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引用次数: 0
The Reading Self in Dinaw Mengestu's The Beautiful Things That Heaven Bears 孟格斯图《天堂承载的美好事物》中的阅读自我
IF 0.3 3区 文学 Pub Date : 2023-09-01 DOI: 10.1353/mfs.2023.a905748
Emad Mirmotahari
Abstract:This essay argues that Dinaw Mengestu's novel The Beautiful Things That Heaven Bears testifies to how reading and reading acts—broadly defined and of a variety of texts and text types—becomes an identity in and of itself for the novel's narrator, Sepha. The narrator is an Ethiopian immigrant-exile who settles in Washington DC and is unable to forge identifications with white or Black Americans, or with other Ethiopians and Africans. Reading constitutes the narrator's way to make sense of his conditions and reconcile himself with his unbelonging to any human collective.
摘要:本文认为,迪诺·孟格斯图的小说《天堂承载的美好事物》证明了阅读和阅读行为——广义的、多种文本和文本类型——如何成为小说叙述者塞法的一种身份认同。叙述者是一名埃塞俄比亚移民流亡者,定居在华盛顿特区,无法与白人或黑人美国人或其他埃塞俄比亚人和非洲人伪造身份。阅读构成了叙述者理解自己处境的方式,并使自己与不属于任何人类集体的自我和解。
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引用次数: 0
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MFS-Modern Fiction Studies
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