{"title":"Michael Ra-Shon Hall, Freedom Beyond Confinement: Travel and the Imagination in African American Cultural History and Letters","authors":"Sandra Gunning","doi":"10.1093/alh/ajae002","DOIUrl":"https://doi.org/10.1093/alh/ajae002","url":null,"abstract":"","PeriodicalId":45821,"journal":{"name":"AMERICAN LITERARY HISTORY","volume":null,"pages":null},"PeriodicalIF":0.4,"publicationDate":"2024-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141056020","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Max Shulman, The American Pipe Dream: Performance of Drug Addiction, 1890 – 1940","authors":"Erik Kline","doi":"10.1093/alh/ajae027","DOIUrl":"https://doi.org/10.1093/alh/ajae027","url":null,"abstract":"","PeriodicalId":45821,"journal":{"name":"AMERICAN LITERARY HISTORY","volume":null,"pages":null},"PeriodicalIF":0.4,"publicationDate":"2024-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141046609","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
[P]oetry itself is, in one way or another, a statement and a true one.
[诗歌本身在某种程度上就是一种陈述，而且是一种真实的陈述。
{"title":"Eliot’s Statements","authors":"C D Blanton","doi":"10.1093/alh/ajae035","DOIUrl":"https://doi.org/10.1093/alh/ajae035","url":null,"abstract":"\u0000 [P]oetry itself is, in one way or another, a statement and a true one.","PeriodicalId":45821,"journal":{"name":"AMERICAN LITERARY HISTORY","volume":null,"pages":null},"PeriodicalIF":0.4,"publicationDate":"2024-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141049552","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Jessica E. Teague. Sound Recording Technology & American Literature: From the Phonograph to the Remix","authors":"Matthew Kilbane","doi":"10.1093/alh/ajae028","DOIUrl":"https://doi.org/10.1093/alh/ajae028","url":null,"abstract":"","PeriodicalId":45821,"journal":{"name":"AMERICAN LITERARY HISTORY","volume":null,"pages":null},"PeriodicalIF":0.4,"publicationDate":"2024-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141043615","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Kathryn Walkiewicz, Reading Territory: Indigenous and Black Freedom, Removal, and the Nineteenth-Century State","authors":"Sabine N Meyer","doi":"10.1093/alh/ajae005","DOIUrl":"https://doi.org/10.1093/alh/ajae005","url":null,"abstract":"","PeriodicalId":45821,"journal":{"name":"AMERICAN LITERARY HISTORY","volume":null,"pages":null},"PeriodicalIF":0.4,"publicationDate":"2024-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141030964","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Work of Literature in the Age of the Refugee","authors":"Yogita Goyal","doi":"10.1093/alh/ajae040","DOIUrl":"https://doi.org/10.1093/alh/ajae040","url":null,"abstract":"","PeriodicalId":45821,"journal":{"name":"AMERICAN LITERARY HISTORY","volume":null,"pages":null},"PeriodicalIF":0.4,"publicationDate":"2024-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141042941","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Marcia Noe, Three Midwestern Playwrights: How Floyd Dell, George Cram Cook, and Susan Glaspell Transformed American Theatre","authors":"Lisa Long","doi":"10.1093/alh/ajae003","DOIUrl":"https://doi.org/10.1093/alh/ajae003","url":null,"abstract":"","PeriodicalId":45821,"journal":{"name":"AMERICAN LITERARY HISTORY","volume":null,"pages":null},"PeriodicalIF":0.4,"publicationDate":"2024-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141050783","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Alex Harvey, Song Noir: Tom Waits and the Spirit of Los Angeles","authors":"Adriano Tedde","doi":"10.1093/alh/ajae016","DOIUrl":"https://doi.org/10.1093/alh/ajae016","url":null,"abstract":"","PeriodicalId":45821,"journal":{"name":"AMERICAN LITERARY HISTORY","volume":null,"pages":null},"PeriodicalIF":0.4,"publicationDate":"2024-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141050648","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This essay examines two peculiar examples of the unpublished from two eccentric authors: Joe Gould’s fragmentary Oral History (probably commenced in the 1910s) and Arthur Inman’s Diary (the 17 million words of which run from the 1920s to Inman’s death in 1963). Neither of these works can be fully published in any conventional way, and the essay examines the reasons why, looking at the history and myths surrounding Gould’s supposedly multimillion-word narrative, the paucity of extant parts of it, and how its nature and nonappearance have been interpreted by Joseph Mitchell and Jill Lepore, amongst others. This contrasts with the all-too-abundant size of the Diary of Inman, a wealthy valetudinarian whose voluminous writings describe in minute detail his prejudices and absurdities, as well as the stories of the many people he paid to be part of his dysfunctional household and to entertain him. The difficulties raised by trying to publish this strange, vast document are discussed through the example of the substantial selection of it, edited by Daniel Aaron (1985). Concluding considerations include the wider questions raised by these sui generis works, particularly the ways in which they resist traditional critical and editorial categorization.Both texts are impossible to publish in full . . . and possess an odd, fragmentary, but delusive allure as a result: the larger idea of their unpublished works is more interesting than the reality of reading them.
{"title":"Missing and All Too Present: The Limits of the Unpublished","authors":"Adam Rounce","doi":"10.1093/alh/ajad228","DOIUrl":"https://doi.org/10.1093/alh/ajad228","url":null,"abstract":"This essay examines two peculiar examples of the unpublished from two eccentric authors: Joe Gould’s fragmentary Oral History (probably commenced in the 1910s) and Arthur Inman’s Diary (the 17 million words of which run from the 1920s to Inman’s death in 1963). Neither of these works can be fully published in any conventional way, and the essay examines the reasons why, looking at the history and myths surrounding Gould’s supposedly multimillion-word narrative, the paucity of extant parts of it, and how its nature and nonappearance have been interpreted by Joseph Mitchell and Jill Lepore, amongst others. This contrasts with the all-too-abundant size of the Diary of Inman, a wealthy valetudinarian whose voluminous writings describe in minute detail his prejudices and absurdities, as well as the stories of the many people he paid to be part of his dysfunctional household and to entertain him. The difficulties raised by trying to publish this strange, vast document are discussed through the example of the substantial selection of it, edited by Daniel Aaron (1985). Concluding considerations include the wider questions raised by these sui generis works, particularly the ways in which they resist traditional critical and editorial categorization.Both texts are impossible to publish in full . . . and possess an odd, fragmentary, but delusive allure as a result: the larger idea of their unpublished works is more interesting than the reality of reading them.","PeriodicalId":45821,"journal":{"name":"AMERICAN LITERARY HISTORY","volume":null,"pages":null},"PeriodicalIF":0.4,"publicationDate":"2024-02-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139926204","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This essay examines two recent books that each take up the vexed topic bodies of data in relation to literature and race in the US: Richard Jean So’s Redlining Culture: A Data History of Racial Inequality and Postwar Fiction and Elizabeth Rodrigues’s Collecting Lives: Critical Data Narrative as Modernist Aesthetic in Early Twentieth-Century U.S. Literatures. Each book, in its own way, asks literary scholars to take the data corpus seriously as both an object and a method of study. While acknowledging that the collection of bodies of data has long been used to efface, dehumanize, and racialize, So and Rodrigues ask readers not to dismiss reactively the data corpus’s potential to also be an unexpected tool for refuting those same naturalized and totalizing narratives. Contemplating, as they do, the unique temporality and spatiality of the accretion of singular points into a collective data, the books explore what a data corpus looks, feels, and sounds like and what it might tell us about the relationship between bodies, books in twentieth-century US literature, and the stories that have and could be told about both.Thinking in different ways about the vexed relationship between bodies of data, literature, and race in the US, Rodrigues and So each demonstrate that, while data cannot speak for itself, there are some stories we can neither hear, see, nor tell without its help.
这篇文章探讨了最近出版的两本书，这两本书分别探讨了与美国文学和种族有关的数据体这一棘手问题：Richard Jean So 的《Redlining Culture：和伊丽莎白-罗德里格斯（Elizabeth Rodrigues）的《收集生命》：二十世纪早期美国文学中作为现代主义美学的批判性数据叙事》。每本书都以自己的方式要求文学学者认真对待作为研究对象和研究方法的数据语料库。在承认数据体的收集长期以来一直被用来抹杀、非人化和种族化的同时，苏晓明和罗德里格斯要求读者不要被动地否定数据体的潜力，数据体也有可能成为一种意想不到的工具，用来驳斥那些同样的归化和全面化的叙述。这两本书思考了将单个点累积成集体数据的独特时间性和空间性，探讨了数据语料库的外观、感觉和声音，以及它可能告诉我们的关于身体、二十世纪美国文学中的书籍以及关于两者的故事之间的关系。罗德里格斯（Rodrigues）和索（So）以不同的方式思考了数据体、文学和美国种族之间的复杂关系，他们分别证明了，虽然数据不能为自己说话，但如果没有数据的帮助，有些故事我们既听不到、看不到，也说不出来。
{"title":"Data Bodies","authors":"Rebecca B Clark","doi":"10.1093/alh/ajad234","DOIUrl":"https://doi.org/10.1093/alh/ajad234","url":null,"abstract":"This essay examines two recent books that each take up the vexed topic bodies of data in relation to literature and race in the US: Richard Jean So’s Redlining Culture: A Data History of Racial Inequality and Postwar Fiction and Elizabeth Rodrigues’s Collecting Lives: Critical Data Narrative as Modernist Aesthetic in Early Twentieth-Century U.S. Literatures. Each book, in its own way, asks literary scholars to take the data corpus seriously as both an object and a method of study. While acknowledging that the collection of bodies of data has long been used to efface, dehumanize, and racialize, So and Rodrigues ask readers not to dismiss reactively the data corpus’s potential to also be an unexpected tool for refuting those same naturalized and totalizing narratives. Contemplating, as they do, the unique temporality and spatiality of the accretion of singular points into a collective data, the books explore what a data corpus looks, feels, and sounds like and what it might tell us about the relationship between bodies, books in twentieth-century US literature, and the stories that have and could be told about both.Thinking in different ways about the vexed relationship between bodies of data, literature, and race in the US, Rodrigues and So each demonstrate that, while data cannot speak for itself, there are some stories we can neither hear, see, nor tell without its help.","PeriodicalId":45821,"journal":{"name":"AMERICAN LITERARY HISTORY","volume":null,"pages":null},"PeriodicalIF":0.4,"publicationDate":"2024-02-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139926285","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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