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Teaching Francophone African literature in the American Academy 在美国学院教授法语非洲文学
IF 0.2 3区 文学 Pub Date : 2003-01-01 DOI: 10.2307/3182532
S. Gadjigo
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引用次数: 3
Teaching Francophone literature: Remarks from two continents 法语文学教学:来自两大洲的评论
IF 0.2 3区 文学 Pub Date : 2003-01-01 DOI: 10.2307/3182535
A. Koné
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引用次数: 2
What, if anything, is a Belgian? 比利时人是什么,如果有的话?
IF 0.2 3区 文学 Pub Date : 2002-01-01 DOI: 10.2307/3090590
P. V. D. Craen
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引用次数: 14
The silence of Belgium: Taboo and trauma in Belgian memory 比利时的沉默:比利时记忆中的禁忌与创伤
IF 0.2 3区 文学 Pub Date : 2002-01-01 DOI: 10.2307/3090591
A. V. D. Braembussche
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引用次数: 22
Colonial memories in Belgian and Congolese literature 比利时和刚果文学中的殖民记忆
IF 0.2 3区 文学 Pub Date : 2002-01-01 DOI: 10.2307/3090594
Antoine Tshitungu Kongolo, Catherine Labio
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引用次数: 5
Landscapes for Whom? The Twentieth-Century Remaking of Brussels 谁的风景?二十世纪布鲁塞尔的重塑
IF 0.2 3区 文学 Pub Date : 2002-01-01 DOI: 10.2307/3090600
A. B. Murphy
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引用次数: 9
Death Is Elsewhere: The Shifting Locus of Tragedy in Belgian Great War Literature 死亡在别处:比利时一战文学中悲剧的转移
IF 0.2 3区 文学 Pub Date : 2002-01-01 DOI: 10.2307/3090595
S. D. Schaepdrijver
Belgian First World War literature (whether fiction or semifiction, memoirs, poetry, or drama) was, in its early phase, and like much of European war literature, overwhelmingly written in the heroic mode. This heroic mode represented the war as meaningful (if terrible), a crusade for civilization in which Belgium's role was an emblematically valorous one, that of civilization's first champion and martyr in 1914. But the heroic momentum proved hard to sustain over four years of attrition and mass death; and the end of the war proved a bitter anticlimax. The heroic mode gave way to a disillusioned mode of writing about the war, a mode that emphatically rejected the confident use of "1914" shibboleths (such as, precisely, civilization). The war-both trench warfare and life under military occupation-now came to be represented as a degrading experience. The disillusioned representation reached a peak around 1930. This was the time of the "war boom" in Western European literature generally, with disenchantment the dominant mode everywhere. Other Western European literatures however, replacing the heroic with the tragic, were able to persuasively recrystallize around the theme of the condemned generation. Belgian war literature was not. It never quite succeeded in formulating a lasting, compelling vision of doomed Belgian youth. Two factors-one international, one domestic in nature-may account for this elusiveness. The international element is Belgium's loss of status in postwar Europe. Belgium's relatively low death toll provided a jarring contrast to the argument of Belgian victimization that had bolstered the European mobilization rhetoric of 1914-a rhetoric that was now hotly repudiated. Belgium, as a result, utterly lost its tragic aura. The domestic factor is language. In postwar Flemish representation, the "war genera-
比利时第一次世界大战文学(无论是小说还是半虚构、回忆录、诗歌还是戏剧)在其早期阶段,就像许多欧洲战争文学一样,绝大多数是以英雄模式写作的。这种英勇的模式代表了这场战争是有意义的(即使是可怕的),是一场为文明而进行的十字军东征,比利时在其中扮演着具有象征意义的英勇角色,是1914年文明的第一个捍卫者和烈士。但事实证明,这种英勇的势头很难在四年的消耗和大规模死亡中维持下去;战争的结束被证明是一个苦涩的虎头蛇尾。英雄模式让位于一种幻灭的战争写作模式,这种模式断然拒绝自信地使用“1914年”的陈词滥调(确切地说,就是文明)。战争——无论是堑壕战还是军事占领下的生活——现在都被描绘成一种有辱人格的经历。这种幻想破灭的表现在1930年左右达到了顶峰。这是西欧文学普遍出现的“战争热潮”时期,到处都是幻灭的主流模式。然而,其他西欧文学,用悲剧代替英雄,能够令人信服地围绕被谴责的一代的主题重新结晶。比利时战争文学则不然。它从来没有成功地形成一个持久的、令人信服的关于注定要失败的比利时青年的愿景。两个因素——一个是国际的,一个是国内的——可以解释这种难以捉摸的现象。国际因素是比利时在战后欧洲地位的丧失。比利时相对较低的死亡人数与1914年支持欧洲动员言论的比利时受害论形成了鲜明对比——这种言论现在已被激烈驳斥。结果,比利时完全失去了悲剧的光环。国内因素是语言。在战后佛兰德语的代表中,“战争属”
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引用次数: 6
Ceci n'est pas la Belgique 这不是比利时
IF 0.2 3区 文学 Pub Date : 2002-01-01 DOI: 10.2307/3090589
L. D. Heusch
Belgium: sixty kilometers of dunes where the summers were mild and the sea was gray or green, never blue (horrid Mediterranean blue, light without imagination). We didn't travel abroad yet. Only rich children did that. We were children of the north, neither poor nor rich, keen on a North Sea that was welcoming and rowdy, cold and rebellious. We loved the great movement of its tides, with its strong smell of seaweed and mussels. Protected by the breakwaters, it surrendered and recaptured right at our feet vast expanses of dreams. How do you exile yourself from a happy childhood? Yes, when vacation time arrived, Flanders, with its sixty kilometers of beaches, was sweet for the Belgian children of the interior, who, drunk on salty green horizons, came-if they were children of the bourgeoisie-to build castles doomed to magnificent collapse. My homeland: a federation of fine sand castles, Flemish and Walloon fortresses, side by side, in a make-believe nation, confronting the gray and green sea that laughed at our shouts and our varied accents, covering them with its immense murmur. This was the time when the great Belgian champions-Romain and Sylvere Maes-were on their way to winning three Tours de France. So, all the Belgian children on vacation at the North Sea became Belgians against the French. I also remember the nails that were (allegedly) thrown somewhere in France under the tires of our champions with the same agitation as I do the Nazi flag I saw hoisted over the Royal Palace of Brussels, where a few moments earlier the black, yellow, and red flag had still waved in the cruel blue sky of the spring of 1940. To cure chauvinism, that childhood disease, and avert patriotism,
比利时:长达60公里的沙丘,夏季气候温和,海水呈灰色或绿色,从来不是蓝色(可怕的地中海蓝,没有想象力的光)。我们还没有出国旅行。只有有钱人家的孩子才会这么做。我们是北方的孩子,既不穷也不富,热爱热情而喧闹、冷漠而叛逆的北海。我们喜欢那里潮汐的剧烈运动,喜欢那里海带和贻贝的强烈气味。在防波堤的保护下,它投降了,重新夺回了我们脚下广阔的梦想。你是如何让自己远离快乐的童年的?是的,当假期到来的时候,对于比利时内陆的孩子们来说,拥有60公里海滩的佛兰德斯是甜蜜的,他们陶醉在咸绿的地平线上,如果他们是资产阶级的孩子,他们就会来建造注定要宏伟倒塌的城堡。我的祖国:一个由美丽的沙堡组成的联邦,佛兰德和瓦隆的堡垒,在一个虚构的国家里,并排在一起,面对着灰色和绿色的大海,大海嘲笑我们的呼喊和我们不同的口音,用它巨大的低语覆盖着我们。当时,伟大的比利时冠军罗曼·梅斯(romain maes)和西尔维尔·梅斯(Sylvere maes)正准备赢得三次环法自行车赛冠军。所以,所有在北海度假的比利时孩子都成了比利时人,反对法国人。我还记得在法国的某个地方,有人(据说)把钉子扔到我们的冠军的轮胎下面,他们的激动心情就像我看到悬挂在布鲁塞尔皇宫上空的纳粹旗帜一样,几分钟前,那面黑黄红三色的旗帜还在1940年春天残酷的蓝天上飘扬。为了治愈沙文主义这种儿童疾病,避免爱国主义,
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引用次数: 4
Victor Horta: Vicissitudes of a work 维克多·奥尔塔:作品的变迁
IF 0.2 3区 文学 Pub Date : 2002-01-01 DOI: 10.2307/3090599
F. Aubry, Barbara Harshav
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引用次数: 0
Perasma: A Novel 佩拉斯玛:一本小说
IF 0.2 3区 文学 Pub Date : 2002-01-01 DOI: 10.2307/3090593
Pierre Mertens, Barbara Harshav
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引用次数: 0
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YALE FRENCH STUDIES
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