Pub Date : 2023-12-18DOI: 10.30687/tol/2499-5975/2023/01/001
David Dabydeen
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Pub Date : 2023-12-18DOI: 10.30687/tol/2499-5975/2023/01/006
Alessandra Di Maio
{"title":"Afropean Journeys: A Conversation with E.C. Osondu","authors":"Alessandra Di Maio","doi":"10.30687/tol/2499-5975/2023/01/006","DOIUrl":"https://doi.org/10.30687/tol/2499-5975/2023/01/006","url":null,"abstract":"","PeriodicalId":502372,"journal":{"name":"25 | 2023","volume":"48 27","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-12-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139174129","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-12-18DOI: 10.30687/tol/2499-5975/2023/01/011
Nicola Biasio
Taking into consideration the recent emergence of Afrodescendant literature in Portugal and the ongoing literary criticism debate surrounding its delineations, this article engages in an analysis of its poetic production through the concept of ‘poetic memory’. Poetic memory constitutes a politically charged remembrance endeavour, seeking to elucidate the enduring ramifications of the colonial legacy through the act of composing poetry. The poetry collections by Yara Nakahanda Monteiro and raquellima, along with the collaborative project Djidiu – A herança do ouvido, notably awaken the ghosts of Afrodescendant postmemory. They establish a bridge between the timeless echoes of historical violence and the complexities of identity concerns. These texts underscore the potential for vulnerability and memory to evolve into both individual and collective healing practices through the medium of poetry and its vocalization. Through the invocation of the colonial past and its enduring spectral presence, this poetic production accentuates the urgency, for Portuguese society, to assume responsibility for this historical legacy.
考虑到葡萄牙最近出现的非洲后裔文学以及围绕其定义正在进行的文学批评辩论，本文通过 "诗歌记忆 "的概念对其诗歌创作进行了分析。诗歌记忆是一种带有政治色彩的纪念活动，旨在通过诗歌创作行为来阐明殖民遗产的持久影响。Yara Nakahanda Monteiro 和 raquellima 的诗集以及合作项目《Djidiu - A herança do ouvido》唤醒了非洲裔后记忆的幽灵。它们在历史暴力的永恒回响与身份问题的复杂性之间架起了一座桥梁。这些文本强调了脆弱性和记忆的潜力，通过诗歌媒介和诗歌的发声，演变成个人和集体的治疗实践。通过对殖民历史及其持久幽灵般的存在的唤醒，这部诗歌作品强调了葡萄牙社会对这一历史遗产承担责任的紧迫性。
{"title":"Vocalizar a ferida A ‘memória poética’ da comunidade afrodescendente portuguesa","authors":"Nicola Biasio","doi":"10.30687/tol/2499-5975/2023/01/011","DOIUrl":"https://doi.org/10.30687/tol/2499-5975/2023/01/011","url":null,"abstract":"Taking into consideration the recent emergence of Afrodescendant literature in Portugal and the ongoing literary criticism debate surrounding its delineations, this article engages in an analysis of its poetic production through the concept of ‘poetic memory’. Poetic memory constitutes a politically charged remembrance endeavour, seeking to elucidate the enduring ramifications of the colonial legacy through the act of composing poetry. The poetry collections by Yara Nakahanda Monteiro and raquellima, along with the collaborative project Djidiu – A herança do ouvido, notably awaken the ghosts of Afrodescendant postmemory. They establish a bridge between the timeless echoes of historical violence and the complexities of identity concerns. These texts underscore the potential for vulnerability and memory to evolve into both individual and collective healing practices through the medium of poetry and its vocalization. Through the invocation of the colonial past and its enduring spectral presence, this poetic production accentuates the urgency, for Portuguese society, to assume responsibility for this historical legacy.","PeriodicalId":502372,"journal":{"name":"25 | 2023","volume":"177 ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-12-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139174538","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-12-18DOI: 10.30687/tol/2499-5975/2023/01/007
Elisa Mariotti
Resenha de Boukari-Yabara, A. et al. (2021). Europa Oxalá: ensaios. Porto: Afrontamento, 125 pp.
评论 Boukari-Yabara、A. 等人（2021 年）。Europe Oxalá: essays.波尔图：Afrontamento, 125 pp.
{"title":"Amzat Boukari-Yabara et. al. Europa Oxalá: ensaios","authors":"Elisa Mariotti","doi":"10.30687/tol/2499-5975/2023/01/007","DOIUrl":"https://doi.org/10.30687/tol/2499-5975/2023/01/007","url":null,"abstract":"Resenha de Boukari-Yabara, A. et al. (2021). Europa Oxalá: ensaios. Porto: Afrontamento, 125 pp.","PeriodicalId":502372,"journal":{"name":"25 | 2023","volume":"90 ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-12-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139174714","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-12-18DOI: 10.30687/tol/2499-5975/2023/01/021
Silvia Boraso
Compte rendu de Del Rossi, S. (2022). Où va le ‘kont’ ? Dynamiques transculturelles de l’oraliture haïtienne. Paris : L’Harmattan, 234 pp.
评论 Del Rossi, S. (2022).Où va le 'kont' ?Dynamiques transculturelles de l'oraliture haïtienne.巴黎：L'Harmattan, 234 pp.
{"title":"Sara Del Rossi. Où va le ‘kont’? Dynamiques transculturelles de l’oraliture haïtienne","authors":"Silvia Boraso","doi":"10.30687/tol/2499-5975/2023/01/021","DOIUrl":"https://doi.org/10.30687/tol/2499-5975/2023/01/021","url":null,"abstract":"Compte rendu de Del Rossi, S. (2022). Où va le ‘kont’ ? Dynamiques transculturelles de l’oraliture haïtienne. Paris : L’Harmattan, 234 pp.","PeriodicalId":502372,"journal":{"name":"25 | 2023","volume":"169 ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-12-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139175635","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-12-18DOI: 10.30687/tol/2499-5975/2023/01/014
Silvia Pireddu
The Museum of London ‘Diversity Matters Programme’ was launched in 2018 and closed in 2021. The programme encouraged London’s small non-national museums to embrace the Arts Council England’s directions to stimulate participation across socio-economic barriers such as the Equality Act (2010) and the Equality Duty (2011) recommended. However, the project results indicate a top-down approach to the involvement of minorities that seems to clash with the idea of inclusiveness itself. The local museums aimed to establish a bottom-up local history experience where visitors were content creators. These two opposite perspectives share the same scope but use different methods to achieve inclusion. By discussing survey data, the article investigates the Diversity Matters Programme as realised by Redbridge Museum, London, revealing competing and conflicting power relations that underpin the engineering of diversity and inclusion.
{"title":"The Museum of London ‘Diversity Matters Programme’ and Redbridge Museum: Creating Equality, Exhibiting Ethnicity from a Local Perspective","authors":"Silvia Pireddu","doi":"10.30687/tol/2499-5975/2023/01/014","DOIUrl":"https://doi.org/10.30687/tol/2499-5975/2023/01/014","url":null,"abstract":"The Museum of London ‘Diversity Matters Programme’ was launched in 2018 and closed in 2021. The programme encouraged London’s small non-national museums to embrace the Arts Council England’s directions to stimulate participation across socio-economic barriers such as the Equality Act (2010) and the Equality Duty (2011) recommended. However, the project results indicate a top-down approach to the involvement of minorities that seems to clash with the idea of inclusiveness itself. The local museums aimed to establish a bottom-up local history experience where visitors were content creators. These two opposite perspectives share the same scope but use different methods to achieve inclusion. By discussing survey data, the article investigates the Diversity Matters Programme as realised by Redbridge Museum, London, revealing competing and conflicting power relations that underpin the engineering of diversity and inclusion.","PeriodicalId":502372,"journal":{"name":"25 | 2023","volume":"242 ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-12-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139175612","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-12-18DOI: 10.30687/tol/2499-5975/2023/01/026
F. Paraboschi
Compte rendu de Benoit, J. (2023). Le petit monsieur. Torino: Rosenberg & Sellier, 167 pp.
对 Benoit, J. (2023) 的评论。Le petit monsieur.都灵：Rosenberg & Sellier，167 页。
{"title":"Jacques Benoit. Le petit monsieur","authors":"F. Paraboschi","doi":"10.30687/tol/2499-5975/2023/01/026","DOIUrl":"https://doi.org/10.30687/tol/2499-5975/2023/01/026","url":null,"abstract":"Compte rendu de Benoit, J. (2023). Le petit monsieur. Torino: Rosenberg & Sellier, 167 pp.","PeriodicalId":502372,"journal":{"name":"25 | 2023","volume":"28 ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-12-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139175660","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-12-18DOI: 10.30687/tol/2499-5975/2023/01/004
Alice Girotto
The angles from which the contributions in this section look at the issue and the theoretical approaches they propose are quite diverse. There is first of all a terminological concern: what, specifically, does ‘Afro-European’ mean? Which people, and therefore which writers, fall into this category?
{"title":"Editorial Notes Afro-European Identity and Literature. A Transnational Perspective","authors":"Alice Girotto","doi":"10.30687/tol/2499-5975/2023/01/004","DOIUrl":"https://doi.org/10.30687/tol/2499-5975/2023/01/004","url":null,"abstract":"The angles from which the contributions in this section look at the issue and the theoretical approaches they propose are quite diverse. There is first of all a terminological concern: what, specifically, does ‘Afro-European’ mean? Which people, and therefore which writers, fall into this category?","PeriodicalId":502372,"journal":{"name":"25 | 2023","volume":"230 ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-12-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139173961","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-12-18DOI: 10.30687/tol/2499-5975/2023/01/020
Silvia Boraso
Compte rendu de Vignoli, A. (2022). La catastrophe naturelle en littérature. Écritures franco-caribéennes. Paris : L’Harmattan, 253 pp.
Review of Vignoli, A. (2022).La catastrophe naturelle en littérature.Écritures franco-caribéennes.Paris: L'Harmattan, 253 pp.
{"title":"Alessia Vignoli. La catastrophe naturelle en littérature. Écritures franco-caribéennes","authors":"Silvia Boraso","doi":"10.30687/tol/2499-5975/2023/01/020","DOIUrl":"https://doi.org/10.30687/tol/2499-5975/2023/01/020","url":null,"abstract":"Compte rendu de Vignoli, A. (2022). La catastrophe naturelle en littérature. Écritures franco-caribéennes. Paris : L’Harmattan, 253 pp.","PeriodicalId":502372,"journal":{"name":"25 | 2023","volume":"100 ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-12-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139175687","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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