{"title":"Animal et animalité: stratégies de représentation dans les littératures d’expression française. By Sous la direction de Sara Buekens et Julien Defraeye","authors":"Thangam Ravindranathan","doi":"10.1093/fs/knad252","DOIUrl":"https://doi.org/10.1093/fs/knad252","url":null,"abstract":"","PeriodicalId":502750,"journal":{"name":"French Studies","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2024-01-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139619382","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Proust between Deleuze and Derrida: The Remains of Literature. By James Dutton","authors":"Patrick Bray","doi":"10.1093/fs/knad250","DOIUrl":"https://doi.org/10.1093/fs/knad250","url":null,"abstract":"","PeriodicalId":502750,"journal":{"name":"French Studies","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2024-01-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139620495","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Late-Colonial French Cinema: Filming the Algerian War of Independence. By Mani Sharpe","authors":"James S Williams","doi":"10.1093/fs/knad244","DOIUrl":"https://doi.org/10.1093/fs/knad244","url":null,"abstract":"","PeriodicalId":502750,"journal":{"name":"French Studies","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-12-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139143441","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Composition dramatique et liaison des scènes dans le théâtre français du xviie siècle. Par Marc Douguet","authors":"M. Hawcroft","doi":"10.1093/fs/knad245","DOIUrl":"https://doi.org/10.1093/fs/knad245","url":null,"abstract":"","PeriodicalId":502750,"journal":{"name":"French Studies","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-12-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139146724","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
François Cheng’s poetry is steeped in traditional Chinese aesthetics, which is inseparable from the cosmology that gives it meaning. This article investigates the genesis of Chinese pictorial art in Cheng’s poetry by focusing on three sets of recurring motifs, linked to the major themes of nature and landscape in Chinese painting: trees and rocks; flowers and birds; mountains and water. Trees and rocks portray the outer form of nature and the inner impulses of the poet, and embody the dichotomy between heaven and earth. The symbolism of flowers gives praise to femininity and to yin, while birdsong evokes the eternal echoes that set nature in vibration. Mountains and water, with the clouds as an intermediary void, add contrast, rhythm, and musicality to the landscape and embody a universe in the making. In this way, the themes and motifs reflect the aesthetic beliefs of the poet-artist, who draws inspiration from Taoism and classical Chinese painting while embracing modernism. Cheng’s poetic art thus becomes ‘un art de vie, un art de vivre’.
{"title":"Catégories de la peinture chinoise et motifs dans la poésie de François Cheng","authors":"Jing Chen","doi":"10.1093/fs/knad243","DOIUrl":"https://doi.org/10.1093/fs/knad243","url":null,"abstract":"François Cheng’s poetry is steeped in traditional Chinese aesthetics, which is inseparable from the cosmology that gives it meaning. This article investigates the genesis of Chinese pictorial art in Cheng’s poetry by focusing on three sets of recurring motifs, linked to the major themes of nature and landscape in Chinese painting: trees and rocks; flowers and birds; mountains and water. Trees and rocks portray the outer form of nature and the inner impulses of the poet, and embody the dichotomy between heaven and earth. The symbolism of flowers gives praise to femininity and to yin, while birdsong evokes the eternal echoes that set nature in vibration. Mountains and water, with the clouds as an intermediary void, add contrast, rhythm, and musicality to the landscape and embody a universe in the making. In this way, the themes and motifs reflect the aesthetic beliefs of the poet-artist, who draws inspiration from Taoism and classical Chinese painting while embracing modernism. Cheng’s poetic art thus becomes ‘un art de vie, un art de vivre’.","PeriodicalId":502750,"journal":{"name":"French Studies","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-12-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139160537","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Langues congolaises et littérature africaine: entretien avec Richard Ali A Mutu","authors":"P. Fraiture","doi":"10.1093/fs/knad235","DOIUrl":"https://doi.org/10.1093/fs/knad235","url":null,"abstract":"","PeriodicalId":502750,"journal":{"name":"French Studies","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-11-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139210542","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Germaine Dulac. By Maryann De Julio","authors":"Sandy Flitterman-Lewis","doi":"10.1093/fs/knad215","DOIUrl":"https://doi.org/10.1093/fs/knad215","url":null,"abstract":"","PeriodicalId":502750,"journal":{"name":"French Studies","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-11-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139222407","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Montesquieu and the Spirit of Rome. By Nathaniel K. Gilmore","authors":"C. P. Courtney","doi":"10.1093/fs/knad218","DOIUrl":"https://doi.org/10.1093/fs/knad218","url":null,"abstract":"","PeriodicalId":502750,"journal":{"name":"French Studies","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-11-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139240115","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Les Monstres de Rabelais. Par Philippe Simon","authors":"W. Williams","doi":"10.1093/fs/knad230","DOIUrl":"https://doi.org/10.1093/fs/knad230","url":null,"abstract":"","PeriodicalId":502750,"journal":{"name":"French Studies","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-11-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139282148","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
京公网安备 11010802042870号
京ICP备2023020795号-1
扫码关注我们
求助内容：
应助结果提醒方式：