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Zora Neale Hurston, Anthropometrist 佐拉-尼尔-赫斯顿,人体测量学家
Pub Date : 2023-12-01 DOI: 10.1353/mfs.2023.a915960
Steven Nathaniel
Abstract:Zora Neale Hurston's academic scholarship began in physical anthropology, measuring Black bodies and relating their statistical data to racial type. While Hurston's critics have understood her subsequent work in fiction and folklore as fleeing this troubling research, this essay reconsiders her work in anthropometry as well as the narratives of embodiment that she curated in Mules and Men. Employing what Frantz Fanon in Black Skin, White Masks theorizes as "a slow composition" (111) of "self as a body," this rereading presents Hurston as an acute critic of eugenic interpretive methods whose writings anticipate the racism built into contemporary facial recognition algorithms.
摘要:佐拉-尼尔-赫斯顿的学术研究始于体质人类学,她测量黑人的身体,并将其统计数据与种族类型联系起来。虽然赫斯顿的批评家们认为她后来的小说和民间传说作品是在逃避这一令人不安的研究,但本文重新审视了她在人体测量学方面的工作,以及她在《骡子和男人》一书中策划的体现叙事。弗朗茨-法农(Frantz Fanon)在《黑皮肤,白面具》(Black Skin, White Masks)一书中将 "自我作为身体 "理论称为 "一种缓慢的构成"(111),本文通过对这一理论的重读,展示了赫斯顿对优生学解释方法的尖锐批评,她的著作预示了当代面部识别算法中的种族主义。
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引用次数: 0
Art in Doubt: Tolstoy, Nabokov, and the Problem of Other Minds by Tatyana Gershkovich (review) 怀疑中的艺术:塔季扬娜-格什科维奇所著的《托尔斯泰、纳博科夫和其他思想的问题》(评论)
Pub Date : 2023-12-01 DOI: 10.1353/mfs.2023.a915966
Jacob Emery
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引用次数: 0
Queer African Cinemas by Lindsey B. Green-Simms (review) 非洲同性恋电影》,作者 Lindsey B. Green-Simms(评论)
Pub Date : 2023-12-01 DOI: 10.1353/mfs.2023.a915965
Nick Davis
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引用次数: 0
"I'm a girl. But now I'm a boy too": Dildonics and Prosthetic Gender in Ernest Hemingway's The Garden of Eden "我是一个女孩。但现在我也是个男孩":海明威《伊甸园》中的假阳具与假体性别
Pub Date : 2023-12-01 DOI: 10.1353/mfs.2023.a915962
Aaren Pastor
Abstract:This essay rereads Ernest Hemingway's The Garden of Eden as a dildonic text using Paul Preciado's theorization of dildonics and prosthetic gender. Catherine Bourne's (un)becoming(s) in the published and manuscript versions of the novel are a depiction of a body authoring itself, supplemented by numerous dildos or dildonic operations: fingers, hair, clothes, and visits to Hieronymus Bosch's The Garden of Earthly Delights. Rereading Hemingway in the aftermath of the nonidentitary grammar of Preciado's dildonics creates another field of play for the Hemingway industry and the Hemingway reader: Hemingway as theorist of prosthetic gender.
摘要:本文运用保罗-普雷西亚多(Paul Preciado)关于自慰和假性性别的理论,将海明威的《伊甸园》作为自慰文本进行重读。凯瑟琳-伯恩在小说的出版版本和手稿版本中的(非)成为,是对身体自我创作的描写,并辅以大量的假体或假体操作:手指、头发、衣服,以及对希罗尼穆斯-博什的《人间乐园》的参观。在普雷西亚多自慰的非同一语法之后重读海明威,为海明威产业和海明威读者创造了另一个游戏场地:海明威作为义体性别理论家。
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引用次数: 0
Lesbian Potentiality & Feminist Media in the 1970s by Rox Samer (review) 20 世纪 70 年代女同性恋的潜能与女权主义媒体》,罗克斯-萨默著(评论)
Pub Date : 2023-12-01 DOI: 10.1353/mfs.2023.a915964
Stephanie Andrea Allen
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引用次数: 0
What's the Time, Anna Wulf? Crisis, Temporality and Feminist Untimeliness in Doris Lessing's The Golden Notebook 几点了,安娜-伍尔夫?多丽丝-莱辛《金色笔记》中的危机、时间性和女权主义的 "非时间性
Pub Date : 2023-12-01 DOI: 10.1353/mfs.2023.a915958
Melanie Waters
Abstract:When Doris Lessing's The Golden Notebook was first published in 1962, it was instantly lauded as a timely novel. In this essay, I investigate what is timely about The Golden Notebook through an analysis of the novel's complex temporality. Taking the book's phenomenal critical legacy as a signal indication that its timeliness is yet to be exhausted, I explore how Lessing's provocative figurations of time illuminate the ideological and representational structures that confine Lessing and her characters. In doing so, I also gesture, speculatively, toward how these structures might be subverted in the future.
摘要:多丽丝-莱辛的《金色笔记》1962年首次出版时,立即被誉为一部及时的小说。在这篇文章中,我通过分析小说复杂的时间性,探究《金色笔记》的及时性。莱辛对时间的挑衅性描绘揭示了限制莱辛和她笔下人物的意识形态和表象结构。在此过程中,我还推测了这些结构在未来可能被颠覆的方式。
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引用次数: 0
Settler Garrison: Debt Imperialism, Militarism, and Transpacific Imaginaries by Jodi Kim (review) 定居者驻军:债务帝国主义、军国主义和跨太平洋意象》,Jodi Kim 著(评论)
Pub Date : 2023-12-01 DOI: 10.1353/mfs.2023.a915967
Katherine Funes
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引用次数: 0
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MFS Modern Fiction Studies
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