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Tydskrif vir Letterkunde最新文献

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Gebeente (Etienne van Heerden) Gebeente (Etienne van Heerden)
Pub Date : 2024-07-16 DOI: 10.17159/tl.v61i1.17976
Mariëtte Van Graan
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引用次数: 0
Leo (Deon Meyer) 里欧(迪恩-迈耶)
Pub Date : 2024-07-16 DOI: 10.17159/tl.v61i1.18493
N. Van Heerden
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引用次数: 0
Help, help (Nataniël) 救命,救命(纳坦尼尔)
Pub Date : 2024-07-16 DOI: 10.17159/tl.v61i1.17949
Hardus Ludick
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引用次数: 0
Die laaste kanariegeel notaboek (Anchien Troskie) 最后那本金丝雀黄色的笔记本 (Anchien Troskie)
Pub Date : 2024-07-16 DOI: 10.17159/tl.v61i1.17792
Elbie Adendorff
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引用次数: 0
Reinaard die vos. ’n Vrye vertaling van Van den vos Reynaerde (H. J. Pieterse) Reinaard die vos.Van den vos Reynaerde(H. J. Pieterse)的自由译本
Pub Date : 2024-07-16 DOI: 10.17159/tl.v61i1.18338
Phil Van Schalkwyk
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引用次数: 0
Spoke, liefde en geslagsgebaseerde geweld in “Die bouval op Wilgerdal” Die bouval op Wilgerdal "中的话语、爱情和性别暴力
Pub Date : 2024-07-04 DOI: 10.17159/tl.v61i1.16071
Mariëtte Van Graan
The portrayal of gender-based violence is present in all genres of prose, including the ghost story. There is currently a lack of research regarding gender-based violence portrayed in Afrikaans ghost stories in literature as well as in film and television. Alongside the acknowledged forms of gender-based violence (physical and non-physical abuse), I argue that an additional level of violence, namely psychic violence, is used in the ghost story to amplify the horror and impact of gender-based violence. To illustrate this psychic form of violence, I compare the portrayal of the character Emmie in the classic Afrikaans ghost story “Die bouval op Wilgerdal” (The Wilgerdal Ruins) by C. J. Langenhoven (1924) with her portrayal in the 2019 adaptation of Langenhoven’s short story for two episodes of the television series Die Spreeus (The Starlings). Emmie is haunted by both the ghost of her deceased beloved, Petrus, and the ghost of her stalker, Frans, who possessed Petrus’s body at the moment of his death. Where Emmie was moved to the background to deal with her trauma in silence and solitude in Langenhoven’s short story, she is put front and centre in Die Spreeus when her strange situation is investigated by the police as a case of domestic violence. The depiction of Emmie and this investigation casts a harsh light on the continuous plight of female victims of domestic violence, including revictimization, ongoing physical and emotional violence, victim blaming and gaslighting.
所有体裁的散文,包括鬼故事,都有对性别暴力的描写。目前,关于南非鬼故事文学以及电影和电视中描写的基于性别的暴力还缺乏研究。除了公认的性别暴力形式(身体虐待和非身体虐待),我认为鬼故事中还使用了另一种暴力形式,即精神暴力,以扩大性别暴力的恐怖和影响。为了说明这种精神暴力的形式,我比较了 C. J. Langenhoven(1924 年)在经典南非鬼故事《Die bouval op Wilgerdal》(《Wilgerdal 废墟》)中对艾米这一角色的描写,以及 2019 年将 Langenhoven 的短篇小说改编成两集电视连续剧《Die Spreeus》(《星人》)中对她的描写。艾米被她已故爱人佩特鲁斯的鬼魂和她的跟踪者弗兰斯的鬼魂所困扰,弗兰斯在佩特鲁斯死后附身在他的身上。在兰根霍文的短篇小说中,艾米被移到了幕后,以沉默和孤独的方式处理她的创伤,而在《蝶恋花》中,当警察将她的怪异处境作为家庭暴力案件进行调查时,她被置于了中心位置。对艾米的描写和这次调查揭示了家庭暴力女性受害者的持续困境,包括再次受害、持续的身体和精神暴力、对受害者的责备和心理暗示。
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引用次数: 0
Race, nation, translation (Zoë Wicomb) 种族、民族、翻译(Zoë Wicomb)
Pub Date : 2020-04-24 DOI: 10.17159/2309-9070/TVL.V.57I1.7850
S. Kumalo
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引用次数: 0
Race, nation, translation (Zoë Wicomb) 种族、民族、翻译(Zoë Wicomb)
Pub Date : 2020-04-24 DOI: 10.17159/2309-9070/TVL.V.57I1.7850
S. Kumalo
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引用次数: 0
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Tydskrif vir Letterkunde
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