{"title":"Lena Straßburger (2022). Humor and horror – different emotions, similar linguistic processing strategies. Berlin/Boston: De Gruyter Mouton.","authors":"K. Schwind","doi":"10.1515/humor-2023-0027","DOIUrl":"https://doi.org/10.1515/humor-2023-0027","url":null,"abstract":"","PeriodicalId":516216,"journal":{"name":"HUMOR","volume":"32 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-06-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141334784","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Jessica Milner Davis (Ed.) (2022). Humour in Asian cultures. Tradition and context. Routledge, 336 pp.","authors":"D. Brzozowska","doi":"10.1515/humor-2022-0109","DOIUrl":"https://doi.org/10.1515/humor-2022-0109","url":null,"abstract":"","PeriodicalId":516216,"journal":{"name":"HUMOR","volume":"24 6","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-06-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141334873","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract The counter-Versailles literature (counter-VL) is born out of the resistance to Versailles literature (VL). The latter is in essence the same as humblebrags. Authors of counter-VL pretend to post VL but are essentially making up jokes or expressing ironies and self-mockeries. Based on the samples gathered from Weibo, this study divides counter-VL into two types according to how their non-VL nature is revealed. By identifying the echoed VL strategies, we investigate how the irony of VL and self-mockery are incarnated in counter-VL and result in humorous effects. This study also highlights the social and psychological factors that influence the creation and effects of counter-VL.
{"title":"What is counter-Versailles literature? – At the intersection of humblebrag, irony, and humor","authors":"Baiyao Zuo","doi":"10.1515/humor-2024-0028","DOIUrl":"https://doi.org/10.1515/humor-2024-0028","url":null,"abstract":"Abstract The counter-Versailles literature (counter-VL) is born out of the resistance to Versailles literature (VL). The latter is in essence the same as humblebrags. Authors of counter-VL pretend to post VL but are essentially making up jokes or expressing ironies and self-mockeries. Based on the samples gathered from Weibo, this study divides counter-VL into two types according to how their non-VL nature is revealed. By identifying the echoed VL strategies, we investigate how the irony of VL and self-mockery are incarnated in counter-VL and result in humorous effects. This study also highlights the social and psychological factors that influence the creation and effects of counter-VL.","PeriodicalId":516216,"journal":{"name":"HUMOR","volume":"41 10","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-06-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141334721","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Esther Linares Bernabéu (2023). The pragmatics of humour in interactive contexts","authors":"Nicholas Hugman","doi":"10.1515/humor-2023-0154","DOIUrl":"https://doi.org/10.1515/humor-2023-0154","url":null,"abstract":"","PeriodicalId":516216,"journal":{"name":"HUMOR","volume":"12 44","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-06-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141335184","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Agnieszka Fanslau, Michał Olech, Piotr Kałowski, Katarzyna Branowska, Anna Zarazińska, Melanie Glenwright, Lauren McGuinness, N. Banasik-Jemielniak
Abstract People who have the histrionic self-presentation style (HSP) demonstrate certain As-If-behaviors, involving pretense and role play, in their daily interactions to seek attention and amuse others. Doing As-If may be closely related to humor behaviors, so we examined this relationship in greater detail by using the Comic Style Markers (CSM) in Polish, English, and Canadian samples (N = 285, 383, and 305, respectively; Mage = 20.85, SD = 5.35). We expected that the HSP might be related to fun, wit, and satire due to their pretense-based characteristics. We confirmed configurational, metric, and scalar invariance for the As-If-Scale (AIS) and the CSM in the three samples, which allowed for cross-cultural comparisons. As expected, the HSP was positively associated with fun, wit, and satire. Additionally, men scored higher on the AIS, but no cross-country differences were found.
{"title":"Let’s entertain others: the relationship between comic styles and the histrionic self-presentation style in Polish, British, and Canadian samples","authors":"Agnieszka Fanslau, Michał Olech, Piotr Kałowski, Katarzyna Branowska, Anna Zarazińska, Melanie Glenwright, Lauren McGuinness, N. Banasik-Jemielniak","doi":"10.1515/humor-2023-0116","DOIUrl":"https://doi.org/10.1515/humor-2023-0116","url":null,"abstract":"Abstract People who have the histrionic self-presentation style (HSP) demonstrate certain As-If-behaviors, involving pretense and role play, in their daily interactions to seek attention and amuse others. Doing As-If may be closely related to humor behaviors, so we examined this relationship in greater detail by using the Comic Style Markers (CSM) in Polish, English, and Canadian samples (N = 285, 383, and 305, respectively; Mage = 20.85, SD = 5.35). We expected that the HSP might be related to fun, wit, and satire due to their pretense-based characteristics. We confirmed configurational, metric, and scalar invariance for the As-If-Scale (AIS) and the CSM in the three samples, which allowed for cross-cultural comparisons. As expected, the HSP was positively associated with fun, wit, and satire. Additionally, men scored higher on the AIS, but no cross-country differences were found.","PeriodicalId":516216,"journal":{"name":"HUMOR","volume":"11 4","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-06-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141335311","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract Disparagement humor may harm perceptions of joke-tellers’ core traits and trustworthiness differently when it “punches down” rather than “up” at its target. This was experimentally tested with a sexist joke in Study 1 (n = 161) and a boss/employee joke in Study 2 (n = 331). Consistently, joke-tellers who punched down seemed less competent, lower in status, and less trustworthy (assessed via a hypothetical monetary trust game). Jokes that punched “down” (versus “up”) seemed less affiliative in general, and particularly aggressive only in a sexist humor context, perhaps due to more normative expectations of aggression in gender-based contexts. Implications for curbing disparagement humor, particularly from high-status people, are discussed.
{"title":"Downward-punching disparagement humor harms interpersonal impressions and trust","authors":"Diana E. Betz, T. Didonato","doi":"10.1515/humor-2023-0158","DOIUrl":"https://doi.org/10.1515/humor-2023-0158","url":null,"abstract":"Abstract Disparagement humor may harm perceptions of joke-tellers’ core traits and trustworthiness differently when it “punches down” rather than “up” at its target. This was experimentally tested with a sexist joke in Study 1 (n = 161) and a boss/employee joke in Study 2 (n = 331). Consistently, joke-tellers who punched down seemed less competent, lower in status, and less trustworthy (assessed via a hypothetical monetary trust game). Jokes that punched “down” (versus “up”) seemed less affiliative in general, and particularly aggressive only in a sexist humor context, perhaps due to more normative expectations of aggression in gender-based contexts. Implications for curbing disparagement humor, particularly from high-status people, are discussed.","PeriodicalId":516216,"journal":{"name":"HUMOR","volume":" 16","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-06-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141363444","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract This paper explores the charged line between “laughing with” and “laughing at” people with disabilities. It documents how “the line” is structured, how the line between “laughing with” and “laughing at” is manifested, and how we might reasonably surmise when it has been crossed. Two television series are examined and compared. The first, Love on the Spectrum, is an Australian reality series that follows a number of young adults on the autism spectrum, as they search for love and go on dates with others who also are on the spectrum. Much of the charm of the series is that it evokes laughter, frequently at the seriousness of the people it portrays. The laughter raised during Love on the Spectrum is compared with the laughter encouraged by British comedian Ricky Gervais’s 2012–2014 series Derek, which is about a character who many viewers identified as being on the autism spectrum. The paper discusses similarities between the two series, but concludes by proposing that the laughter invited by the protagonists’ seriousness during these two series in fact is structured very differently.
{"title":"“Laughing with” or “laughing at” people with disabilities? Love on the Spectrum and Derek","authors":"Don Kulick","doi":"10.1515/humor-2023-0162","DOIUrl":"https://doi.org/10.1515/humor-2023-0162","url":null,"abstract":"Abstract This paper explores the charged line between “laughing with” and “laughing at” people with disabilities. It documents how “the line” is structured, how the line between “laughing with” and “laughing at” is manifested, and how we might reasonably surmise when it has been crossed. Two television series are examined and compared. The first, Love on the Spectrum, is an Australian reality series that follows a number of young adults on the autism spectrum, as they search for love and go on dates with others who also are on the spectrum. Much of the charm of the series is that it evokes laughter, frequently at the seriousness of the people it portrays. The laughter raised during Love on the Spectrum is compared with the laughter encouraged by British comedian Ricky Gervais’s 2012–2014 series Derek, which is about a character who many viewers identified as being on the autism spectrum. The paper discusses similarities between the two series, but concludes by proposing that the laughter invited by the protagonists’ seriousness during these two series in fact is structured very differently.","PeriodicalId":516216,"journal":{"name":"HUMOR","volume":"75 3","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-06-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141376645","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
L. Laineste, Anastasiya Fiadotava, Sergey Troitskiy, Guillem Castañar
Abstract Memes offer responsive acute commentary on controversial societal matters, providing non-violent and democratic spaces of discussion for conflicts. The paper studies memes on the war in Ukraine that spread in Eastern (Russia, Estonia, Belarus) and Western Europe (Spain). We analyze who are the main actors/characters that personify the war in the memes in these countries, how these characters are represented in memes, and what are the global and local aspects of their portrayal. Personification is seen as a marker for psychological distance of the meme-makers and sharers to the conflict.
{"title":"The power of memes: personification as a marker of psychological distance in memes about the war in Ukraine","authors":"L. Laineste, Anastasiya Fiadotava, Sergey Troitskiy, Guillem Castañar","doi":"10.1515/humor-2023-0112","DOIUrl":"https://doi.org/10.1515/humor-2023-0112","url":null,"abstract":"Abstract Memes offer responsive acute commentary on controversial societal matters, providing non-violent and democratic spaces of discussion for conflicts. The paper studies memes on the war in Ukraine that spread in Eastern (Russia, Estonia, Belarus) and Western Europe (Spain). We analyze who are the main actors/characters that personify the war in the memes in these countries, how these characters are represented in memes, and what are the global and local aspects of their portrayal. Personification is seen as a marker for psychological distance of the meme-makers and sharers to the conflict.","PeriodicalId":516216,"journal":{"name":"HUMOR","volume":"303 10","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-06-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141386423","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Chaoqun Xie. 2022. The Pragmatics of Internet Memes. (Benjamin’s Current Topics). John Benjamins, 183 pp. ISBN: 9789027211361. USD 128.00.","authors":"Baoqin Wu","doi":"10.1515/humor-2023-0104","DOIUrl":"https://doi.org/10.1515/humor-2023-0104","url":null,"abstract":"","PeriodicalId":516216,"journal":{"name":"HUMOR","volume":"12 7","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-06-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141265478","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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