Pub Date : 2024-09-13DOI: 10.1080/1472586x.2024.2390681
Grant Ellmers
This original photographic work investigates the intersection of street photography and the concept of the flâneur within an Australian urban context. By transforming cityscapes into visual texts, ...
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Pub Date : 2024-09-13DOI: 10.1080/1472586x.2024.2396102
Nieves Acedo
This article studies the group of photographs by José Gómez de la Carrera, active in Cuba between 1885 and 1909, which entered the University of Navarra Museum Collection in 2018. With a multidisci...
本文研究了何塞-戈麦斯-德拉卡雷拉（José Gómez de la Carrera）1885-1909年间活跃于古巴的一组摄影作品，该作品于2018年进入纳瓦拉大学博物馆收藏。这组摄影作品由纳瓦拉大学博物馆收藏。
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Pub Date : 2024-09-13DOI: 10.1080/1472586x.2024.2390679
Emanuele Fantini
Building on Tim Ingold’s theory on human correspondence, this visual essay plays with the photos of #EverydayNile, a project involving photojournalists from different Nile basin countries to re-pic...
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Pub Date : 2024-09-05DOI: 10.1080/1472586x.2024.2390146
Gwendolyn Purifoye
There is no denying that the coronavirus pandemic changed our lives. Much has been said, reported, studied and written about its social, economic, political and health implications. What did the pa...
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Pub Date : 2024-08-15DOI: 10.1080/1472586x.2024.2381101
Hanan Muneer Al Sheikh
The advent of digital photography has ushered in a dynamic era marked by evolving paradigms and practices in visual representation. This research delves into the profound interplay between traditio...
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Pub Date : 2024-08-15DOI: 10.1080/1472586x.2024.2384415
Carlos Espinoza-González
In this visual essay, the author embarks on a personal and metaphorical journey on the challenges faced by materials science researchers in the post-COVID-19 era through the lens of their own exper...
{"title":"Resilient rebound: a visual essay on materials science researchers confronting plastic pollution in the post-COVID-19 era","authors":"Carlos Espinoza-González","doi":"10.1080/1472586x.2024.2384415","DOIUrl":"https://doi.org/10.1080/1472586x.2024.2384415","url":null,"abstract":"In this visual essay, the author embarks on a personal and metaphorical journey on the challenges faced by materials science researchers in the post-COVID-19 era through the lens of their own exper...","PeriodicalId":51634,"journal":{"name":"Visual Studies","volume":"10 1","pages":""},"PeriodicalIF":0.7,"publicationDate":"2024-08-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"142084669","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-08-15DOI: 10.1080/1472586x.2024.2385561
Erdem Çolak
This article discusses four erotic humour magazines – Piliç (Chick) (1930–1931), Bıldırcın (Quail) (1931), Çapkın Kız (The Flirtatious Girl) (1931) and Güvercin (Pigeon) (1931) – that appeared one ...
{"title":"Naked modernisation: the rise and fall of the erotic humour magazines in 1930s Turkey","authors":"Erdem Çolak","doi":"10.1080/1472586x.2024.2385561","DOIUrl":"https://doi.org/10.1080/1472586x.2024.2385561","url":null,"abstract":"This article discusses four erotic humour magazines – Piliç (Chick) (1930–1931), Bıldırcın (Quail) (1931), Çapkın Kız (The Flirtatious Girl) (1931) and Güvercin (Pigeon) (1931) – that appeared one ...","PeriodicalId":51634,"journal":{"name":"Visual Studies","volume":"20 1","pages":""},"PeriodicalIF":0.7,"publicationDate":"2024-08-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"142084677","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-08-12DOI: 10.1080/1472586x.2024.2380859
Thomas Smits
Financed by the French banker Albert Kahn, the Archives of the Planet is one of the most important collections of early photography. Produced between 1909 and 1931, its 72,000 autochromes show a wo...
{"title":"Revisiting the Kahn collection: multimodal artificial intelligence and visual patterns of presence and absence in the Archives de la Planète, 1909–1931","authors":"Thomas Smits","doi":"10.1080/1472586x.2024.2380859","DOIUrl":"https://doi.org/10.1080/1472586x.2024.2380859","url":null,"abstract":"Financed by the French banker Albert Kahn, the Archives of the Planet is one of the most important collections of early photography. Produced between 1909 and 1931, its 72,000 autochromes show a wo...","PeriodicalId":51634,"journal":{"name":"Visual Studies","volume":"1 1","pages":""},"PeriodicalIF":0.7,"publicationDate":"2024-08-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141994512","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-08-06DOI: 10.1080/1472586x.2024.2378318
Bruce Cadle, Micaela Scholtz
The invisible gynaecological condition, Endometriosis, is mostly viewed from a distorted frame of reference and with a negative connotation, influenced by societal factors such as expectations of t...
{"title":"Notions of the visible and the invisible: visualising the otherness of women with invisible (gynaecological) illness","authors":"Bruce Cadle, Micaela Scholtz","doi":"10.1080/1472586x.2024.2378318","DOIUrl":"https://doi.org/10.1080/1472586x.2024.2378318","url":null,"abstract":"The invisible gynaecological condition, Endometriosis, is mostly viewed from a distorted frame of reference and with a negative connotation, influenced by societal factors such as expectations of t...","PeriodicalId":51634,"journal":{"name":"Visual Studies","volume":"68 1","pages":""},"PeriodicalIF":0.7,"publicationDate":"2024-08-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141910486","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-08-02DOI: 10.1080/1472586x.2024.2378309
Emma Quilty, Sarah Pink, Rob Raven, Darren Sharp, Dion Tuckwell, Sam Rye
This article discusses the possibilities enabled by design ethnography cards which combine images and text to disseminate ethnographic insights and prompt stakeholder ideation in interdisciplinary ...
{"title":"Design cards as visual interventions: visualising and visioning net zero futures","authors":"Emma Quilty, Sarah Pink, Rob Raven, Darren Sharp, Dion Tuckwell, Sam Rye","doi":"10.1080/1472586x.2024.2378309","DOIUrl":"https://doi.org/10.1080/1472586x.2024.2378309","url":null,"abstract":"This article discusses the possibilities enabled by design ethnography cards which combine images and text to disseminate ethnographic insights and prompt stakeholder ideation in interdisciplinary ...","PeriodicalId":51634,"journal":{"name":"Visual Studies","volume":"15 1","pages":""},"PeriodicalIF":0.7,"publicationDate":"2024-08-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141887408","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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