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Milly Theale and the Question of “Living” Milly Theale 和 "生活 "问题
Pub Date : 2024-01-01 DOI: 10.1353/hjr.2024.a918116
Patrick Jones
Abstract: This essay offers a close reading of Book Fifth, chapter 4 of The Wings of the Dove . In dialogue with William Empson, I argue that Milly Theale’s meditation on the “question of ‘living’” draws attention to the ways in which commonplace ideas about “life” break down when subjected to even a small amount of analytic pressure.
摘要:本文对《鸽子的翅膀》第五卷第四章进行了细读。 在与威廉-恩普森的对话中,我认为米莉-蒂尔对"'生活'问题 "的沉思让人注意到,当关于 "生活 "的普通观念受到哪怕是很小的分析压力时,它们是如何瓦解的。
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引用次数: 0
Trans Pronouns, Transference, and The Ambassadors 跨代词、移情和《大使
Pub Date : 2024-01-01 DOI: 10.1353/hjr.2024.a918117
Kevin Ohi
Abstract: While certain discussions of trans pronouns refer to third-person “address,” for Benveniste, “address” is limited to “I” and “you”; the third person is the “non-person.” From Jean-Claude Milner’s theory of names and insults and forms of quasi-address that place one above or below the person, the article turns to three other crossings of pro-nominal “person”—psychoanalytic transference (an address to the third person hidden within an I/you address), free-indirect style (a first-person discourse in the third), and certain reversals of person in James’s ghost stories—in order to understand the ending of The Ambassadors and Strether’s realizations there.
摘要:虽然某些关于反式代词的讨论提到了第三人称 "称呼",但在本维尼斯特看来,"称呼 "仅限于 "我 "和 "你";第三人称是 "非人"。文章从让-克洛德-米尔纳(Jean-Claude Milner)关于名字和侮辱以及将人置于其上或其下的准称呼形式的理论出发,探讨了亲称 "人 "的其他三种交叉--精神分析的移情(在我/你的称呼中隐藏着对第三人称的称呼)、自由-直接风格(第三人称中的第一人称话语)以及詹姆斯鬼故事中的某些人称颠倒,从而理解《大使》的结局和斯特雷特在其中的领悟。
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引用次数: 0
The Small Boy Was “Other”: Disability in James’s Fourth Phase 小男孩是 "另类":詹姆斯第四阶段中的残疾问题
Pub Date : 2024-01-01 DOI: 10.1353/hjr.2024.a918115
Kathleen Lawrence
Abstract: Henry James’s fourth phase memoirs A Small Boy and Others and Notes of a Son and Brother benefit from a disability studies perspective. Furthering the social criticism of The American Scene , James’s life-writing disclosed his alterity—queer, neuro-divergent, and chronically ill—to resist regimes of normalcy and hegemonic masculinity, epitomized by Theodore Roosevelt. His intent to adopt Hendrik Andersen demonstrated this shift in his gay identity. Disability connects James’s life-writing to his fictional protagonists whose impairments include chronic illness and the non-normative cognitive and sexual difference of Jamesian artist figures.
摘要:亨利-詹姆斯的第四阶段回忆录《一个小男孩及其他》和《一个儿子和兄弟的笔记》得益于残疾研究视角。詹姆斯的生平书写进一步推进了《美国景象》的社会批判,揭示了他的改变--同性恋、神经变异和长期患病--以反抗正常制度和以西奥多-罗斯福为代表的男性霸权。他收养亨德利克-安德森的意图表明了他同性恋身份的转变。残疾问题将詹姆斯的生活写作与他的小说主人公联系在一起,这些主人公的缺陷包括慢性疾病,以及詹姆斯式艺术家人物的非正常认知和性别差异。
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引用次数: 0
“What do you think of the opera?”: Don Giovanni in Chapter 17 of The American "你觉得歌剧怎么样?美国人》第 17 章中的《唐璜
Pub Date : 2024-01-01 DOI: 10.1353/hjr.2024.a918114
Pierre A. Walker
Abstract: James scholarship sees chapter 17 of The American , which takes place at a performance of Mozart’s opera Don Giovanni , as particularly significant. However, a fundamental error about Don Giovanni has led to erroneous conclusions. The error is that Don Giovanni as performed during the 19th century was different from this opera as performed recently. Nevertheless, even the most historically informed criticism on chapter 17 has fallen prey to incorrect assumptions due to not taking into consideration the opera’s performance history. Considering the chapter in light of this performance history leads to a re-interpretation of the characterization of Christopher Newman and of Urbain de Bellegarde.
摘要:詹姆斯的学术研究认为,《美国人》第17章(发生在莫扎特的歌剧《唐璜》的演出现场)具有特别重要的意义。然而,关于《唐璜》的一个基本错误导致了错误的结论。这个错误是,19 世纪演出的《唐璜》与最近演出的这部歌剧不同。然而,由于没有考虑到歌剧的演出历史,即使是对第 17 章最有历史依据的批评也会陷入不正确的假设。根据这段演出历史来审视这一章,就能重新诠释克里斯托弗-纽曼和乌尔班-德-贝勒加德的人物形象。
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引用次数: 0
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