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Epilogue 后记
IF 1.4 3区 社会学 Q1 Arts and Humanities Pub Date : 2019-12-01 DOI: 10.3167/sa.2019.630407
Philip Steadman
When drawings are copied repeatedly in sequence by different people, they tend to undergo characteristic processes of change. Parts of an image become separated out, the whole design is flattened, the outline is emphasized, and perspective occlusion is removed. The drawing becomes more abstract, more schematic—in a word, more diagrammatic. This article focuses on such drawing processes and on the results of experiments in repeated copying by anthropologists, psychologists, architectural students, and Surrealists. The tentative conclusion is that designs are represented mentally in a ‘diagrammatic’ way that affects not only how they are seen but also how they are changed when reproduced.
当图画被不同的人按顺序重复复制时,它们往往会经历特有的变化过程。图像的部分被分离出来,整个设计被平面化,轮廓被强调,透视遮挡被移除。画图变得更加抽象,更加图解化——一句话,更加图解化。这篇文章的重点是这样的绘图过程,以及人类学家、心理学家、建筑系学生和超现实主义者在重复复制实验中的结果。初步的结论是,设计是以一种“图解”的方式在心理上表现出来的,这不仅影响了它们的外观,也影响了它们在复制时的变化。
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引用次数: 1
Afterword 后记
IF 1.4 3区 社会学 Q1 Arts and Humanities Pub Date : 2019-12-01 DOI: 10.3167/sa.2019.630408
Lukas Engelmann, C. Humphrey, Christos Lynteris
Philip Steadman’s epilogue suggests that the copying of drawings (and its study) by anthropologists, psychologists, architectural students, and Surrealists is revealing not only of processes of diagrammatization but also of the fact that there is something ‘diagrammatic’ about the way in which designs are represented mentally, which affects how they are seen and altered when they are reproduced. The work of diagrams, not only as visual objects but also as mental processes, is shown by the articles in this special issue to play a central role in fields as diverse as psychoanalysis, anthropology, epidemiology, and biology. More often than not, the synergy between these fields is facilitated, and sometimes catalyzed, by shared diagrammatic practices. As the studies examined in the epilogue demonstrate, diagrams form a privileged visual field of interdisciplinary dialogue and exchange. But importantly, they also facilitate a way of information processing—what the editors of this special issue call ‘diagrammatic reasoning’—through which data are processed, presented, and reconfigured in clear and easily assimilated forms.
Philip Steadman的后记表明,人类学家、心理学家、建筑系学生和超现实主义者对图纸的复制(及其研究)不仅揭示了图解化的过程,而且揭示了这样一个事实,即设计在心理上的表现方式具有“图解性”,这影响了它们在被复制时如何被看到和改变。图表的工作,不仅作为视觉对象,而且作为心理过程,在这个特刊的文章中显示,在精神分析、人类学、流行病学和生物学等不同领域发挥着核心作用。通常情况下,这些领域之间的协同作用是由共享的图解实践促进的,有时是催化的。正如结语中所考察的研究表明,图表形成了跨学科对话和交流的特权视野。但重要的是,它们还促进了一种信息处理方式——本期特刊的编辑称之为“图解推理”——通过这种方式,数据以清晰且易于吸收的形式被处理、呈现和重新配置。
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引用次数: 0
Revisiting Sigmund Freud's Diagrams of the Mind 重温西格蒙德·弗洛伊德的心智图
IF 1.4 3区 社会学 Q1 Arts and Humanities Pub Date : 2019-12-01 DOI: 10.3167/SA.2019.630402
Ro Spankie
An architect by background, my research centres on the role of the drawing in the design process, in particular in relation to the creation of interior space. The word interior comes from the Latin interior meaning inner, or inter meaning within and one of its original uses was to describe that which is ‘belonging to or existing in the mind or soul; mental or spiritual, as distinguished from that which is bodily’. While attempting to define what distinguishes an interior from the architecture that contains it I came across a set of diagrams by Sigmund Freud drawn at the point that his investigations shifted from the physical anatomy of the brain to the abstract functional workings of the mind. Could this shift from descriptive anatomy, to brain function and the hypothetical structures of psychoanalysis give insight into the relationship between the body/architecture and the mind/interior?
作为一名建筑师,我的研究重点是图纸在设计过程中的作用,特别是在室内空间的创造方面。“内部”一词来自拉丁语“内部”,意思是“内在的”或“内在的”,它最初的用途之一是描述“属于或存在于思想或灵魂中;精神的:精神的或精神的,区别于肉体的当我试图定义室内与建筑之间的区别时,我看到了西格蒙德·弗洛伊德(Sigmund Freud)的一组图表,他的研究从大脑的物理解剖转向了思维的抽象功能运作。这种从描述性解剖学转向大脑功能和精神分析的假设结构的转变,能否让我们深入了解身体/建筑与心灵/内部之间的关系?
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引用次数: 0
Dis/working with Diagrams 使用图表
IF 1.4 3区 社会学 Q1 Arts and Humanities Pub Date : 2019-12-01 DOI: 10.3167/sa.2019.630403
N. Bird-David
Standard diagrammatic tools in ethnographies, locational maps, and kinship trees are supposed to help make fieldwork and its findings intelligible to readers. This article explores how, to the contrary, they obscure locals’ lived worlds and the fieldwork process when they are used cross-culturally and cross-scalarly in studies of minuscule indigenous societies, anthropology’s traditional study subject. I draw on my experience of producing and using these visuals, from fieldwork through to writing ethnography, in my work with foragers who live in South India in order to show the effect of these diagrammatic tools on our understanding of nanoscale communities and their intimate worlds.
民族志中的标准图解工具、位置地图和亲属树应该有助于读者理解田野调查及其发现。相反,本文探讨的是,当它们被跨文化和跨尺度地用于研究微小的土著社会(人类学的传统研究主题)时,它们是如何模糊了当地人的生活世界和田野调查过程的。在我与南印度的采集者的工作中,我利用我制作和使用这些视觉效果的经验,从田野调查到撰写人种志,以展示这些图解工具对我们理解纳米级社区及其亲密世界的影响。
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引用次数: 2
Configurations of Plague 鼠疫的形态
IF 1.4 3区 社会学 Q1 Arts and Humanities Pub Date : 2019-12-01 DOI: 10.3167/sa.2019.630405
Lukas Engelmann
Diagrams are found at the heart of the modern history of epidemiology. Epidemiologists used spatial diagrams to visualize concepts of epidemics as arrangements of biological, environmental, historical, as well as social factors and to analyze epidemics as configurations. Often, they provided a representation of the networks of relationships implied by epidemics, rather than to offer conclusions about origin and causation. This article will look at two spatial diagrams of plague across a period in which an epidemiological way of reasoning stood in stark contrast to arguments provided about plague in the rising field of bacteriology and experimental medicine. This historical genealogy of epidemiologists working with diagrams challenges perceptions of epidemic diagrams as mere arguments of causality to emphasize diagrammatic notions of uncertainty, crisis, and invisibility.
图表是流行病学现代历史的核心。流行病学家使用空间图表将流行病的概念可视化为生物、环境、历史和社会因素的排列,并将流行病作为结构进行分析。通常,它们提供了流行病所隐含的关系网络的表示,而不是提供关于起源和因果关系的结论。这篇文章将看两幅鼠疫的空间图,在这一时期,流行病学的推理方式与细菌学和实验医学新兴领域对鼠疫的论证形成了鲜明对比。流行病学家使用图表的历史谱系挑战了将流行病图表仅仅作为因果关系论证的观念,强调了不确定性、危机和不可见性的图表概念。
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引用次数: 0
A Nomadic Diagram 游牧图
IF 1.4 3区 社会学 Q1 Arts and Humanities Pub Date : 2019-12-01 DOI: 10.3167/sa.2019.630406
C. Humphrey
The idea of the diagram as a ‘working object’ is used to discuss the biologist C. H. Waddington’s epigenetic landscape (EL) diagrams. This article investigates the diagrams’ history and discusses their usages in relation to Stengers’s idea of the ‘nomadic concept’. What is it about these diagrams that have made them a tool for transdisciplinary research? The article argues that it is useful to distinguish between the diagram and the illustration, and that it is in part because the EL diagrams retain an illustrative graphic character that they have been apt for imaginative adaptation and reuse. The diagram in this case becomes an ‘ontological go-between’ that is thereby able to function in different contexts, such as sociology and anthropology.
图作为“工作对象”的概念用于讨论生物学家c.h. Waddington的表观遗传景观(EL)图。本文考察了这些图表的历史,并结合斯坦厄斯的“游牧概念”思想讨论了它们的用法。是什么让这些图表成为了跨学科研究的工具?本文认为区分图表和插图是有用的,部分原因是EL图保留了说明性的图形特征,它们适合于富有想象力的改编和重用。在这种情况下,图表成为“本体论的中介”,从而能够在不同的背景下发挥作用,例如社会学和人类学。
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引用次数: 2
The Ontological Implications of Spirit Encounters 灵魂相遇的本体论含义
IF 1.4 3区 社会学 Q1 Arts and Humanities Pub Date : 2019-09-01 DOI: 10.3167/SA.2019.630302
Jamie Barnes
This article offers a reflexive and phenomenological response to some of the challenges of the recent ontological turn. It argues, first, that a focus on embodiment is crucial in understanding the formation of ontological assumptions, and, second, that researchers have an ethical responsibility to practice an ‘ontological reflexivity’ that goes beyond the conceptual reflexivity of much recent ontological work. It conceives the anthropological domain as a place of ‘intra-actment’ and maintains that to avoid ontological closure, researchers must contextualize their ontological assumptions by reflexively sensitizing themselves to how these assumptions are shaped by both embodied experience and the contexts in which they are articulated and performed. This article seeks to enact this through an auto-ethnographic exploration of the author’s own embodied experience as it relates to demonic manifestations and the divine.
本文对最近本体论转向的一些挑战提出了反身性和现象学的回应。它认为,首先,关注体现对于理解本体论假设的形成至关重要,其次,研究人员有道德责任实践“本体论反身性”,这种反身性超越了最近许多本体论工作的概念反身性。它将人类学领域视为一个“行为内”的地方,并坚持认为,为了避免本体论的封闭,研究人员必须通过反射性地敏感自己,了解这些假设是如何被具体化的经验和表达和执行的背景所塑造的,从而将他们的本体论假设置于语境中。这篇文章试图通过对作者自己的具体经验的自我民族志探索来制定这一点,因为它与恶魔的表现和神圣有关。
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引用次数: 1
Speculating (on the Digital and the Monetary) 投机(数字和货币)
IF 1.4 3区 社会学 Q1 Arts and Humanities Pub Date : 2019-09-01 DOI: 10.3167/sa.2019.630307
Yang Liu, Thomas M. Malaby, D. Miller
Scholarship has frequently struggled with several pairs of dichotomies as it has sought to understand the digital: real vs. virtual, authentic vs. mediated, openness (freedom) vs. closure (control), and community vs. network. In order to make conceptual headway without falling into these traps, we turn in this article to the concept of indexicality. We urge an account of the digital that sees it as a resource for social action, one with the capacity to reduce and abstract as well as to differentiate and proliferate, recognizing both of these as potential projects that social actors may undertake. We offer the operation of money as an instructive analogy for how we may identify both the abstracting and the specifying dimensions of the digital.
在试图理解数字世界的过程中,学术界经常与几对二分法作斗争:真实与虚拟、真实与中介、开放(自由)与封闭(控制)、社区与网络。为了在不落入这些陷阱的情况下取得概念上的进展,我们在本文中转向索引性的概念。我们敦促将数字视为社会行动的一种资源,一种具有减少和抽象以及区分和增殖能力的数字,认识到这两者都是社会行动者可能承担的潜在项目。我们以货币的运作作为一个有启发意义的类比,来说明我们如何识别数字的抽象维度和具体维度。
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引用次数: 1
Moral Topology and the Making of Cosmological Boundaries 道德拓扑学与宇宙边界的形成
IF 1.4 3区 社会学 Q1 Arts and Humanities Pub Date : 2019-09-01 DOI: 10.3167/sa.2019.630304
M. Shapiro
Seeking to uproot evil from people’s life, neo-Pentecostal exorcists in Brazil separate between internal and external bodily surfaces and then ‘close’ the victim’s entire body to protect against further malignant intrusion. Based on fieldwork in Brazil and the analysis of expulsion videos online, I demonstrate that exorcists self-consciously use topological imaginaries of connectedness and disjunction to generate a reality in which demons and humans occupy mutually exclusive ontological domains. I argue that the moral transformation that these rituals encourage is thus contingent on the successful disentanglement of bodily surfaces, which distinguishes inside from outside and humans from demons. I use the term ‘moral topology’ to analyze this process and call for further cross-cultural attention to the ethnographic vitality of topological imaginaries in the making of cosmological boundaries.
巴西的新五旬节派驱魔师试图从人们的生活中根除邪恶,他们将身体的内外表面分开,然后“封闭”受害者的整个身体,以防止进一步的恶性入侵。基于在巴西的田野调查和对网上驱逐视频的分析,我证明了驱魔者自觉地使用连接和分离的拓扑想象来产生一个现实,在这个现实中,恶魔和人类占据了相互排斥的本体论领域。我认为,这些仪式所鼓励的道德转变,因此取决于成功地解开身体表面的纠缠,这区分了内在与外在,人类与恶魔。我使用“道德拓扑”这个术语来分析这一过程,并呼吁进一步的跨文化关注拓扑想象在宇宙边界形成中的民族志活力。
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引用次数: 2
A Case of Insult 侮辱案
IF 1.4 3区 社会学 Q1 Arts and Humanities Pub Date : 2019-09-01 DOI: 10.3167/sa.2019.630305
P. Werbner, R. Werbner
Legal anthropologists have been latecomers in the debate surrounding law and emotion, a movement responding to the notion that the law is ‘imbued with emotion’. As in the US and Europe, in Botswana cases of public insults are emotionally charged, and this is particularly so in witchcraft insult hearings. Akin to hate crimes, these insults threaten public peace, kinship amity, and decency. Members of a customary court mobilize an elaborate moral lexicon from everyday life in order not simply to ascertain the forensic facts, but to persuade offenders to regain their rational good sense, reach a self-conscious emotional balance, and recover spiritual calmness. The procedure culminates in a dialogue intended to restore public peace and to elicit an apology or show of regret from defendants and forgiveness from insulted plaintiffs.
在围绕法律与情感的辩论中,法律人类学家一直是后来者,这一运动回应了法律“充满情感”的观点。就像在美国和欧洲一样,在博茨瓦纳,公开侮辱的案件是带有感情色彩的,在巫术侮辱听证会上尤其如此。类似于仇恨犯罪,这些侮辱威胁到公共和平、亲属关系和尊严。习惯法庭的成员从日常生活中调集了一套详尽的道德词汇,不仅是为了确定法医事实,而且是为了说服罪犯恢复理性的判断力,达到自我意识的情感平衡,恢复精神上的平静。该程序最终以对话结束,目的是恢复公共和平,并促使被告道歉或表示遗憾,并得到受到侮辱的原告的宽恕。
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引用次数: 4
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Social Analysis
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