Pub Date : 2024-07-01DOI: 10.1353/sfs.2024.a931164
{"title":"Selling Science Fiction Cinema: Making and Marketing a Genre by J.P. Telotte (review)","authors":"","doi":"10.1353/sfs.2024.a931164","DOIUrl":"https://doi.org/10.1353/sfs.2024.a931164","url":null,"abstract":"","PeriodicalId":517674,"journal":{"name":"Science Fiction Studies","volume":"110 2","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141713358","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-07-01DOI: 10.1353/sfs.2024.a931153
Jean E. Graham
ABSTRACT: Speculative fiction can contribute toward overcoming "plant awareness disparity" and also can help create empathy for plants rather than fear of an apocalypse. The Saga of the Swamp Thing (1987) by Alan Moore, relies on Swamp Thing's anthropomorphism (undermining the vegetal nature of flora) to oppose the apocalypse and create an empathetic response. The non-anthropomorphic carnivorous plants of John Wyndham's The Day of the Triffids (1954) never receive empathy from the human characters. In contrast, James Gunn's Transcendental (2013) depicts an invasive vegetal species which tells its own story, becoming empathetic without anthropomorphism.
ABSTRACT: 推理小说有助于克服 "植物认知差异"，也有助于产生对植物的共鸣，而不是对世界末日的恐惧。艾伦-摩尔（Alan Moore）的《沼泽怪客传奇》（Saga of the Swamp Thing，1987 年）依靠沼泽怪客的拟人化（削弱植物的植物性）来反对世界末日，并引起人们的共鸣。约翰-温德姆（John Wyndham）的《三叶虫之日》（The Day of the Triffids，1954 年）中的非拟人化食肉植物从未得到人类角色的共鸣。相比之下，詹姆斯-冈恩（James Gunn）的《超验》（Transcendental，2013 年）描绘了一种外来入侵的植物物种，它讲述了自己的故事，在没有拟人化的情况下产生了共鸣。
{"title":"The Green Apocalypse and Empathy for Vegetal Life","authors":"Jean E. Graham","doi":"10.1353/sfs.2024.a931153","DOIUrl":"https://doi.org/10.1353/sfs.2024.a931153","url":null,"abstract":"ABSTRACT: Speculative fiction can contribute toward overcoming \"plant awareness disparity\" and also can help create empathy for plants rather than fear of an apocalypse. The Saga of the Swamp Thing (1987) by Alan Moore, relies on Swamp Thing's anthropomorphism (undermining the vegetal nature of flora) to oppose the apocalypse and create an empathetic response. The non-anthropomorphic carnivorous plants of John Wyndham's The Day of the Triffids (1954) never receive empathy from the human characters. In contrast, James Gunn's Transcendental (2013) depicts an invasive vegetal species which tells its own story, becoming empathetic without anthropomorphism.","PeriodicalId":517674,"journal":{"name":"Science Fiction Studies","volume":"55 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141696194","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-07-01DOI: 10.1353/sfs.2024.a931151
Anthony Camara
ABSTRACT: This article explores the significance of higher-dimensional and Non-Euclidean geometries in the weird horror fiction of H.P. Lovecraft, particularly in "The Dreams in the Witch House" (1933) and "From Beyond" (1934). Charting a new direction for studies of geometry in Lovecraft's fiction, this article argues that said tales speculate on the role higher dimensions play in the qualities, capacities, and tendencies of physical matter, all the while emphasizing the need for topological investigations that examine the interrelations of time, space, and matter in Lovecraft's weird cosmos. The first part of the paper reviews the suite of mathematical and scientific discoveries informing Lovecraft's treatment of higher-dimensional and Non-Euclidean geometries in his mythos. Focusing on alien artifacts made of unknown chemical elements from higher dimensions, the second part of the paper underscores how matter is a site of onto-epistemological crisis for Lovecraft, owing to the way that it behaves with both lawful regularity and startling unpredictability. The final part of the paper uses the philosophies of Graham Harman and Reza Negarestani—two contemporary thinkers explicitly influenced by Lovecraft—to bring the weird writer's own brand of speculative, higher-dimensional (hyper-)materialism into relief, in ways that not only expose the fundamental rifts in matter but also those tensions that characterize Lovecraft's intellect itself.
{"title":"The Non-Euclidean Gothic: Weird Expeditions into Higher Dimensions and Hyper-Matter with H.P. Lovecraft","authors":"Anthony Camara","doi":"10.1353/sfs.2024.a931151","DOIUrl":"https://doi.org/10.1353/sfs.2024.a931151","url":null,"abstract":"ABSTRACT: This article explores the significance of higher-dimensional and Non-Euclidean geometries in the weird horror fiction of H.P. Lovecraft, particularly in \"The Dreams in the Witch House\" (1933) and \"From Beyond\" (1934). Charting a new direction for studies of geometry in Lovecraft's fiction, this article argues that said tales speculate on the role higher dimensions play in the qualities, capacities, and tendencies of physical matter, all the while emphasizing the need for topological investigations that examine the interrelations of time, space, and matter in Lovecraft's weird cosmos. The first part of the paper reviews the suite of mathematical and scientific discoveries informing Lovecraft's treatment of higher-dimensional and Non-Euclidean geometries in his mythos. Focusing on alien artifacts made of unknown chemical elements from higher dimensions, the second part of the paper underscores how matter is a site of onto-epistemological crisis for Lovecraft, owing to the way that it behaves with both lawful regularity and startling unpredictability. The final part of the paper uses the philosophies of Graham Harman and Reza Negarestani—two contemporary thinkers explicitly influenced by Lovecraft—to bring the weird writer's own brand of speculative, higher-dimensional (hyper-)materialism into relief, in ways that not only expose the fundamental rifts in matter but also those tensions that characterize Lovecraft's intellect itself.","PeriodicalId":517674,"journal":{"name":"Science Fiction Studies","volume":"22 7","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141711316","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-07-01DOI: 10.1353/sfs.2024.a931154
Xiuqi Huang
ABSTRACT: This paper examines extraterrestrial intelligence in the short stories of Chinese science fiction writer Liu Cixin and their relation to the alien civilization in Liu's immensely successful Remembrance of Earth's Past trilogy. I will discuss the topic from three aspects: extraterrestrial intelligence's role as both metaphorical and literal mirrors in Liu's short stories; various alien worldviews and existential states that derive their conflicting diversity from the scientific and humanistic divide in the literary tradition of Chinese science fiction; aliens that represent either the scientistic outlook or the pitfalls of scientific and technological progress. While the values and outlooks of alien civilizations in Remembrance of Earth's Past trilogy are uniformly based on a reductive and unambiguous set of axioms, Liu's short stories argue for the multiplicity and relativism of existential values and purposes of life in the universe not only by portraying diversity, but by juxtaposing opposites, abolishing binaries, and questioning absolute positions. I argue that Liu's short stories concerning extraterrestrial intelligence convey a message about the plurality and relativism of worldviews and existential values through embracing the coexistence of the antithetical stances of humanism and science, disputing the absolute positions of anthropocentrism and scientism, and dissolving the binary of the human self and the nonhuman other.
{"title":"Universe of Pluralism: Extraterrestrial Intelligence in Liu Cixin's Short Stories","authors":"Xiuqi Huang","doi":"10.1353/sfs.2024.a931154","DOIUrl":"https://doi.org/10.1353/sfs.2024.a931154","url":null,"abstract":"ABSTRACT: This paper examines extraterrestrial intelligence in the short stories of Chinese science fiction writer Liu Cixin and their relation to the alien civilization in Liu's immensely successful Remembrance of Earth's Past trilogy. I will discuss the topic from three aspects: extraterrestrial intelligence's role as both metaphorical and literal mirrors in Liu's short stories; various alien worldviews and existential states that derive their conflicting diversity from the scientific and humanistic divide in the literary tradition of Chinese science fiction; aliens that represent either the scientistic outlook or the pitfalls of scientific and technological progress. While the values and outlooks of alien civilizations in Remembrance of Earth's Past trilogy are uniformly based on a reductive and unambiguous set of axioms, Liu's short stories argue for the multiplicity and relativism of existential values and purposes of life in the universe not only by portraying diversity, but by juxtaposing opposites, abolishing binaries, and questioning absolute positions. I argue that Liu's short stories concerning extraterrestrial intelligence convey a message about the plurality and relativism of worldviews and existential values through embracing the coexistence of the antithetical stances of humanism and science, disputing the absolute positions of anthropocentrism and scientism, and dissolving the binary of the human self and the nonhuman other.","PeriodicalId":517674,"journal":{"name":"Science Fiction Studies","volume":"59 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141711813","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-07-01DOI: 10.1353/sfs.2024.a931160
{"title":"Nnedi Okorafor: Magic, Myth, Morality and the Future by Sandra J. Lindow (review)","authors":"","doi":"10.1353/sfs.2024.a931160","DOIUrl":"https://doi.org/10.1353/sfs.2024.a931160","url":null,"abstract":"","PeriodicalId":517674,"journal":{"name":"Science Fiction Studies","volume":"42 6","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141716805","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-07-01DOI: 10.1353/sfs.2024.a931166
{"title":"The Routledge Companion to Gender and Science Fiction ed. by Lisa Yaszek et al. (review)","authors":"","doi":"10.1353/sfs.2024.a931166","DOIUrl":"https://doi.org/10.1353/sfs.2024.a931166","url":null,"abstract":"","PeriodicalId":517674,"journal":{"name":"Science Fiction Studies","volume":"32 2","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141696863","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-07-01DOI: 10.1353/sfs.2024.a931162
{"title":"Cyberpunk Culture and Psychology: Seeing Through the Mirrorshades by Anna McFarlane (review)","authors":"","doi":"10.1353/sfs.2024.a931162","DOIUrl":"https://doi.org/10.1353/sfs.2024.a931162","url":null,"abstract":"","PeriodicalId":517674,"journal":{"name":"Science Fiction Studies","volume":"57 6","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141689383","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-07-01DOI: 10.1353/sfs.2024.a931156
Stephen Hong Sohn
ABSTRACT: This article explores how Simon Jimenez's The Vanished Birds participates in but also moves beyond the discourse of techno-Orientalism through its depiction of characters, companies, and interstellar travel. Readers encounter a seemingly quintessential techno-Orientalist construct when they meet the book's protagonist, Fumiko. But their attention is soon redirected to a corporate entity whose predatory capitalist practices make it the new, menacing techno-Orientalist figure in the plot. The novel intervenes in discourses of techno-Orientalism by emphasizing how exploitative economic power dynamics are not limited to actors such as individuals or nation-states, as they are typically understood, but include corporate entities. This article thus contends that more precision is necessary when defining techno-Orientalist constructs and encourages readers to expand their perspectives as they immerse themselves in the Asian American science fictional world.
{"title":"Techno-Orientalism Goes to the Stars: The Space Asian/American and Interstellar Company Rule in Simon Jimenez's The Vanished Birds","authors":"Stephen Hong Sohn","doi":"10.1353/sfs.2024.a931156","DOIUrl":"https://doi.org/10.1353/sfs.2024.a931156","url":null,"abstract":"ABSTRACT: This article explores how Simon Jimenez's The Vanished Birds participates in but also moves beyond the discourse of techno-Orientalism through its depiction of characters, companies, and interstellar travel. Readers encounter a seemingly quintessential techno-Orientalist construct when they meet the book's protagonist, Fumiko. But their attention is soon redirected to a corporate entity whose predatory capitalist practices make it the new, menacing techno-Orientalist figure in the plot. The novel intervenes in discourses of techno-Orientalism by emphasizing how exploitative economic power dynamics are not limited to actors such as individuals or nation-states, as they are typically understood, but include corporate entities. This article thus contends that more precision is necessary when defining techno-Orientalist constructs and encourages readers to expand their perspectives as they immerse themselves in the Asian American science fictional world.","PeriodicalId":517674,"journal":{"name":"Science Fiction Studies","volume":"419 3","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141707754","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-03-01DOI: 10.1353/sfs.2024.a920239
{"title":"When Robots Choose to Die by Liz W. Faber (review)","authors":"","doi":"10.1353/sfs.2024.a920239","DOIUrl":"https://doi.org/10.1353/sfs.2024.a920239","url":null,"abstract":"","PeriodicalId":517674,"journal":{"name":"Science Fiction Studies","volume":"11 4","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140404186","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-03-01DOI: 10.1353/sfs.2024.a920240
{"title":"AI Narrators and Posthuman Visions by Heather D. Humann (review)","authors":"","doi":"10.1353/sfs.2024.a920240","DOIUrl":"https://doi.org/10.1353/sfs.2024.a920240","url":null,"abstract":"","PeriodicalId":517674,"journal":{"name":"Science Fiction Studies","volume":"349 4","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140402234","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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