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The Eugene O'Neill Review最新文献

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Welded 焊接
Pub Date : 2024-03-01 DOI: 10.5325/eugeoneirevi.45.1.0113
F. Londré
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引用次数: 0
The Aesthetic Fashioning of the Self: Failure of Dissensual Subjectivity in The Hairy Ape 自我的审美塑造:《毛猿》中不同意的主体性的失败
Pub Date : 2024-03-01 DOI: 10.5325/eugeoneirevi.45.1.0027
Mojtaba Jeihouni
In The Hairy Ape Eugene O’Neill reveals the instrumental control of society and accentuates the decline of an authentic self-relation against the backdrop of capitalist modernity. He creates an alienated and robotized character who breaks free of his designated role as a docile subject. This article draws upon the later work of Michel Foucault, especially his notions of care of the self and aesthetic self-fashioning, in order to consider the consequences of an ethical viewpoint toward subjectivity in O’Neill’s play. Associating Foucault’s concept of care of the self with social action, this article argues that Yank’s desire to act emanates from his ethical commitment to subjectivity and agency, but he fails because biopower contains and eliminates any resistance that calls its authority into question. It is the author’s contention that he carries the weight of revolt alone and thus cannot experience a self-fashioned form of subjectivity without bringing ruin upon himself.
在《毛猿》中,尤金-奥尼尔揭示了社会的工具性控制,并强调了在资本主义现代性背景下真实自我关系的衰落。他塑造了一个异化和机器人化的人物形象,使其摆脱了被指定为温顺主体的角色。本文借鉴了米歇尔-福柯晚期的研究成果,尤其是他关于自我关怀和审美自我塑造的概念,以探讨奥尼尔剧作中主体性伦理观的后果。本文将福柯的自我关怀概念与社会行动联系起来,认为扬克的行动愿望源于他对主体性和能动性的伦理承诺,但他失败了,因为生物权力包含并消除了任何质疑其权威的反抗。作者认为,他独自承担着反抗的重任,因此无法在不给自己带来毁灭的情况下体验自我塑造的主体性形式。
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引用次数: 0
Modernism, Empire, World Literature 现代主义、帝国、世界文学
Pub Date : 2024-03-01 DOI: 10.5325/eugeoneirevi.45.1.0090
Bennet Schaber
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引用次数: 0
Eugene O’Neill: A Critical Study 尤金-奥尼尔批评研究
Pub Date : 2024-03-01 DOI: 10.5325/eugeoneirevi.45.1.0072
David Palmer
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引用次数: 0
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The Eugene O'Neill Review
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