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Curation as a Social Practice: Counter-Narratives in Public Space 策展作为一种社会实践:公共空间中的反叙事
IF 0.4 Q2 HISTORY Pub Date : 2022-12-01 DOI: 10.1515/iph-2022-2046
Torsten Kathke, Juliane Tomann, Mirko Uhlig
Abstract The term “curation” has taken on a host of meanings beyond the museum context. While there are marked differences between its meanings – including the specific act of exhibition-making as well as the act of keeping and tending to an existing collection in a museum – we here specifically foreground curation as a social process of selecting and negotiating various forms of (embodied) performances in public, transcending institutionalized contexts such as museums. We argue that, when combined with the idea of counter-narratives, the concept of curation can elucidate aspects of social practices and open up a useful heuristic for the analysis of representations and performances in the public sphere. Since these practices make extensive use of imaginaries of the past, this approach is suitable for combining perspectives from public history and anthropology.
“策展”一词在博物馆之外具有许多含义。虽然它的含义之间存在着明显的差异——包括展览制作的具体行为,以及在博物馆中保存和照料现有藏品的行为——但我们在这里特别强调策展是一种社会过程,它超越了博物馆等制度化的环境,在公共场合选择和协商各种形式的(具体化的)表演。我们认为,当与反叙事的思想相结合时,策展的概念可以阐明社会实践的各个方面,并为分析公共领域的表现和表演提供有用的启发。由于这些实践广泛使用了对过去的想象,这种方法适合将公共历史和人类学的观点结合起来。
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引用次数: 0
Female Counter-Curation: A Case Study of Polish Napoleonic War Reenactment 女性反策展:波兰拿破仑战争重演个案研究
IF 0.4 Q2 HISTORY Pub Date : 2022-12-01 DOI: 10.1515/iph-2022-2051
Juliane Tomann
Abstract Historical reenactment has developed from a niche phenomenon to a global one over the past couple of decades. As a popular pastime it sparks enthusiasm and curiosity for past lifeworlds among the reenactors themselves as well as among the audiences. With its focus on restaging battles and combat, the reenactment environment is a predominantly male one. This article examines female practices of reenactment in a Polish reenactment group. It aims to not only add to the existing body of literature on female reenactors, but to further pinpoint the extent to which the concept of curation helps expand and deepen the understanding of reenactment practices both in general and with regard to female participation. The focus is on female-to-male cross-dressing, interpreted as an ambiguous practice which allows for both the deconstruction of normative gender performances and their stabilization.
在过去的几十年里,历史重演已经从一个小众现象发展成为一个全球性的现象。作为一种流行的消遣,它激发了演员和观众对过去生活世界的热情和好奇心。由于它的重点是再现战斗和战斗,再现环境主要是男性。本文考察了波兰一个重演团体中女性的重演行为。它的目的不仅是增加现有的关于女性重演者的文献,而且进一步确定策展的概念有助于扩大和深化对一般和女性参与的重演实践的理解的程度。重点是女性对男性的变装,被解释为一种模棱两可的实践,既允许解构规范的性别表演,又允许稳定化。
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引用次数: 0
Open Dialogues and Localized Approaches: Reflections on International Public History Perspectives and Practices 开放对话与本土化途径——对国际公共史视角与实践的思考
IF 0.4 Q2 HISTORY Pub Date : 2022-06-01 DOI: 10.1515/iph-2022-2037
Faye Sayer
Abstract This brief review of non-English public history textbooks provides an overview of key themes, emerging trends and contextual differences in the theories and practice of public history in Brazil, China, Japan, and Germany. These books reflect both the international growth in public history and the global recognition of its transformative impact on societies. The books highlight how public history is situated within national epistemological and cultural frameworks. Critically it is these frameworks and the application of localized and socially engaged approaches that enables public history to impact diverse communities.
摘要本文对非英语公共历史教科书进行了简要回顾,概述了巴西、中国、日本和德国公共历史理论和实践的关键主题、新兴趋势和背景差异。这些书既反映了公共历史的国际发展,也反映了全球对其对社会变革影响的认识。这些书强调了公共历史是如何在国家认识论和文化框架内定位的。至关重要的是,正是这些框架以及本地化和社会参与方法的应用,使公共历史能够影响不同的社区。
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引用次数: 0
Na Li: Public History: A Critical Introduction 李:《公共历史:批判导论》
IF 0.4 Q2 HISTORY Pub Date : 2022-06-01 DOI: 10.1515/iph-2022-2032
Yuanhui Bi, Yufang Yan
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引用次数: 0
The Commonalities of History, Public History, and History Education 历史、公共历史与历史教育的共性
IF 0.4 Q2 HISTORY Pub Date : 2022-06-01 DOI: 10.1515/iph-2022-2035
Ricardo Santhiago
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引用次数: 0
Art and Spirituality: Glances from Buenaventura and the National Museum of Colombia Explorers Special Edition. A Conversation with Ana Morales, Bernardo López, Juan Durán, Yeison Riascos, Francisco Romano, Natalia Angarita, Laura Marcela Agudelo, Sebastián Melo, and Andrés Epifanio García 艺术与灵性:从布埃纳文图拉和哥伦比亚探险家特别版国家博物馆的一瞥。对话Ana Morales, Bernardo López, Juan Durán, Yeison Riascos, Francisco Romano, Natalia Angarita, Laura Marcela Agudelo, Sebastián Melo和andracimas Epifanio García
IF 0.4 Q2 HISTORY Pub Date : 2022-06-01 DOI: 10.1515/iph-2022-2041
J. Perry
Abstract The historically underrepresented Pacific Colombian Coast is known for its social injustice and poverty. However, in this adverse environment, a group of artists called School and Workshop Watercolorists of San Cipriano, created in the decade of 1990s, decided to use art as the means to express both their individual and collective concerns. The artists are watercolorists, photographers, painters, and sculptors who tell their stories through their work. The pieces of four San Cipriano artists have been displayed in Buenaventura’s local venues and at the National Museum of Colombia. In addition, these artists are helping in the assemblage of the permanent museum’s hall, Strength, Faith, and Substance, which is a joint effort of the grassroots artists, anthropologists, and archaeologists, to display Colombian spirituality. The following is a transcription of an Explorers event with the watercolorists and the museum professionals involved in the hall’s display.
历史上代表性不足的太平洋哥伦比亚海岸以其社会不公和贫困而闻名。然而,在这种不利的环境下,一群被称为圣奇普里亚诺学校和工作室水彩画家的艺术家,创建于20世纪90年代的十年,决定用艺术作为表达他们个人和集体关注的手段。这些艺术家包括水彩画家、摄影师、画家和雕塑家,他们通过自己的作品讲述自己的故事。四位圣奇普里亚诺艺术家的作品在布埃纳文图拉当地的场馆和哥伦比亚国家博物馆展出。此外,这些艺术家还参与了永久博物馆展厅“力量、信仰和物质”的组装工作,这是草根艺术家、人类学家和考古学家的共同努力,旨在展示哥伦比亚的精神。以下是与水彩画家和博物馆专业人员一起参与大厅展示的探险者活动的转录。
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引用次数: 0
Introduction: Public History and Museums in Latin America 简介:拉丁美洲的公共历史和博物馆
IF 0.4 Q2 HISTORY Pub Date : 2022-06-01 DOI: 10.1515/iph-2022-2040
J. Perry
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引用次数: 0
The Holocaust Museum Guatemala: History and Contemporaneity 危地马拉大屠杀博物馆:历史与当代
IF 0.4 Q2 HISTORY Pub Date : 2022-06-01 DOI: 10.1515/iph-2022-2042
J. A. del Valle
Abstract Of the six Latin American Holocaust Museums, the one in Guatemala deserves special attention. The other five in Argentina, Chile, Mexico, Puerto Rico, and Costa Rica also remember the Jewish victims of WWII, but in Guatemala there is an emphasis on the so-called “Holocaust by bullets.” At the Holocaust Museum Guatemala, its founders and director devote special attention to the executions by bullets using auditive and visual effects causing a long-lasting impact on the public. Another highlight of this institution is the efforts made by its educative team to inform the audience not only about the Holocaust but also the genocide committed against the Guatemalan native population during the 1980s.
摘要在六个拉丁美洲大屠杀博物馆中,危地马拉的一个值得特别关注。阿根廷、智利、墨西哥、波多黎各和哥斯达黎加的其他五个国家也缅怀二战中的犹太受害者,但在危地马拉,他们强调所谓的“子弹大屠杀”。在危地马拉大屠杀博物馆,其创始人和馆长特别关注子弹处决,使用听觉和视觉效果,对公众产生长期影响。该机构的另一个亮点是其教育团队所做的努力,不仅向观众介绍大屠杀,还向观众介绍20世纪80年代对危地马拉原住民犯下的种族灭绝。
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引用次数: 0
“And what Do You Do, Exactly?” Comparing Contemporary Definitions and Practices of Applied History “你到底做什么?”比较当代应用史的定义和实践
IF 0.4 Q2 HISTORY Pub Date : 2022-06-01 DOI: 10.1515/iph-2022-2038
B. de Ridder
Abstract In the last few years, the notion of applied history has seen a notable rise in interest among historians. Arising out of questions related to contemporary concerns, such as political extremism and Covid-19, several projects have taken up the challenge to address these questions and other issues by looking to the past, thereby furthering the idea that applied history warrants the attention of professional (academic) historians. The concept of applied history itself is, however, not new, begging questions of how these new projects use the term and how this usage relates to older definitions and methods associated with the term. This article shows that much of the most recent ‘wave’ of applied history has tended to present itself as closely related to history and policy, distinguishing itself by either drawing a hard line between public and applied history or by ignoring public history altogether. On the other hand, some have defined applied history as an approach or sub-field of public history, sometimes leading public historians to assume that these new groups are merely, and unhelpfully, putting a new logo on an old brand. This article offers a thorough overview of these contending developments and argues that the current conceptual and methodological confusion about applied history is detrimental to anyone relying on the term. Essentially, when a non-historian seeks the assistance of an applied historian and asks the logical question “and what do you do, exactly?,” the current uncertainty can result in major and off-putting confusion about what the term actually means.
摘要在过去的几年里,历史学家对应用史的兴趣显著上升。由于政治极端主义和新冠肺炎等与当代关切有关的问题,一些项目接受了挑战,通过回顾过去来解决这些问题和其他问题,从而进一步推动了应用历史值得专业(学术)历史学家关注的观点。然而,应用历史的概念本身并不新鲜,这就引出了这些新项目如何使用该术语,以及这种使用如何与该术语相关的旧定义和方法相关的问题。这篇文章表明,最近的应用史“浪潮”大多倾向于将自己表现为与历史和政策密切相关,通过在公共历史和应用史之间划出强硬的界限或完全忽视公共历史来区分自己。另一方面,一些人将应用历史定义为公共历史的一种方法或子领域,有时会导致公共历史学家认为这些新群体只是在一个旧品牌上加上一个新标志,毫无帮助。这篇文章对这些争论的发展进行了全面的概述,并认为当前关于应用历史的概念和方法混乱对任何依赖该术语的人都是有害的。从本质上讲,当一个非历史学家寻求应用历史学家的帮助,并问一个逻辑问题“你到底是做什么的?”时,当前的不确定性可能会导致人们对这个词的实际含义产生重大而令人反感的困惑。
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引用次数: 0
Creeping Right-Wing Hegemony and Its Contestations: On Public History in Contemporary Hungary 右翼霸权的蔓延及其对抗——论当代匈牙利的公共历史
IF 0.4 Q2 HISTORY Pub Date : 2022-06-01 DOI: 10.1515/iph-2022-2036
F. Laczó
Abstract Approaching the case study of Hungary as one in historical revisionism, this article focuses on new museums, revamped public squares, and popular historical walks which either reinforce or contest the contemporary project of right-wing hegemony. The author compares two major historical museums which both aim to address the recent past and opened in the early years of the twenty-first century; zooms in on two post-2010 initiatives to reshape major public squares in downtown Budapest; and retraces two types of walking tours that foster new awareness via historical spaces. Through these parallel case studies, the author aims to demonstrate that the ongoing project of building right-wing hegemony has produced several notable results; however, right-wing hegemony has remained contested by innovative projects that foster more inclusive visions.
摘要通过对匈牙利作为历史修正主义国家的案例研究,本文重点关注新博物馆、改造后的公共广场和流行的历史步行街,它们要么加强了右翼霸权的当代计划,要么对其进行了竞争。作者比较了两个主要的历史博物馆,这两个博物馆都是为了纪念最近的过去,并在21世纪初开放;聚焦两项2010年后的举措,重塑布达佩斯市中心的主要公共广场;并追溯了通过历史空间培养新意识的两种徒步旅行。通过这些平行的案例研究,作者旨在证明正在进行的建立右翼霸权的项目产生了几个显著的结果;然而,右翼霸权仍然受到创新项目的挑战,这些项目旨在培养更具包容性的愿景。
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引用次数: 1
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International Public History
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