Pub Date : 2023-09-30DOI: 10.18522/1995-0640-2023-3-81-96
Tatyana N. Kolokoltseva
The article is devoted to the relevant problems of modern communicative linguistics and network genre studies. A comparative analysis of dialogic communication in live speech with dialogic communication on the Internet (within the framework of information and commentary blocks) was carried out according to the following criteria: 1) pragmatic coordinates of communication; 2) the type of dialogue according to the nature of the addressee; 3) the main factors influencing the organization of dialogic structures; 4) thematic specificity of the dialogues. Online comments is characterized as a response Internet genre, the texts of which are thematically, structurally-semantically and pragmatically closely related to the original (root) message (post) and form a kind of dialogic unity with it. The studied network genre meets the urgent need of Internet users for feedback and is a time-demanded media embodiment of the addressee factor. This genre is intended primarily to express the point of view of the addressee and various modal meanings of the sphere associated with the addressee: agreement or disagreement, approval or disapproval, various cognitive-modal assessments and qualifications.
{"title":"ONLINE COMMENTS AS A DIALOGIC NETWORK GENRE","authors":"Tatyana N. Kolokoltseva","doi":"10.18522/1995-0640-2023-3-81-96","DOIUrl":"https://doi.org/10.18522/1995-0640-2023-3-81-96","url":null,"abstract":"The article is devoted to the relevant problems of modern communicative linguistics and network genre studies. A comparative analysis of dialogic communication in live speech with dialogic communication on the Internet (within the framework of information and commentary blocks) was carried out according to the following criteria: 1) pragmatic coordinates of communication; 2) the type of dialogue according to the nature of the addressee; 3) the main factors influencing the organization of dialogic structures; 4) thematic specificity of the dialogues. Online comments is characterized as a response Internet genre, the texts of which are thematically, structurally-semantically and pragmatically closely related to the original (root) message (post) and form a kind of dialogic unity with it. The studied network genre meets the urgent need of Internet users for feedback and is a time-demanded media embodiment of the addressee factor. This genre is intended primarily to express the point of view of the addressee and various modal meanings of the sphere associated with the addressee: agreement or disagreement, approval or disapproval, various cognitive-modal assessments and qualifications.","PeriodicalId":53326,"journal":{"name":"Izvestia Uznogo Federal''nogo Universiteta Filologiceskie Nauki","volume":"58 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-09-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135084896","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-09-30DOI: 10.18522/1995-0640-2023-3-178-187
Evgeny V. Akhmadulin
The purpose of the article is to show the irreconcilable position of liberal publicists in relation to the tsarist regime on the eve of the first Russian revolution of 1905-1907 and during the period of active association of liberals around the foreign opposition magazine Osvobozhdenie (1902-1905). Unlike the social-democratic newspaper Iskra and the Socialist-Revolutionary Russia, which developed their party programs for a certain class – workers and peasants, respectively – Osvobozhdenie set the task of a nationwide movement in the struggle for their rights. Therefore, in addition to leading articles, analytical reviews, program speeches by the leaders of the future movement, political satire was actively used in the Osvobozhdenie magazine as a method of political struggle against the tsarist autocracy and effective propaganda against the existing regime.
{"title":"POLITICAL SATIRE OF LIBERALS AGAINST ROYAL DIGNITANTS (ON THE EXAMPLE OF THE MAGAZINE "OSVOBOZHDENIE")","authors":"Evgeny V. Akhmadulin","doi":"10.18522/1995-0640-2023-3-178-187","DOIUrl":"https://doi.org/10.18522/1995-0640-2023-3-178-187","url":null,"abstract":"The purpose of the article is to show the irreconcilable position of liberal publicists in relation to the tsarist regime on the eve of the first Russian revolution of 1905-1907 and during the period of active association of liberals around the foreign opposition magazine Osvobozhdenie (1902-1905). Unlike the social-democratic newspaper Iskra and the Socialist-Revolutionary Russia, which developed their party programs for a certain class – workers and peasants, respectively – Osvobozhdenie set the task of a nationwide movement in the struggle for their rights. Therefore, in addition to leading articles, analytical reviews, program speeches by the leaders of the future movement, political satire was actively used in the Osvobozhdenie magazine as a method of political struggle against the tsarist autocracy and effective propaganda against the existing regime.","PeriodicalId":53326,"journal":{"name":"Izvestia Uznogo Federal''nogo Universiteta Filologiceskie Nauki","volume":"49 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-09-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135084725","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-09-30DOI: 10.18522/1995-0640-2023-3-43-57
Mikhail I. Nagornov, Ekaterina V. Nagornova
This research is devoted to the study of emotive vocabulary in modern Spanish-language and English-language mass media. Application of methods of contextual, stylistic and semantic analysis, methods of quantitative calculation and continuous sampling, emotion classifications by K. Izard and V.I. Shakhovsky in a step-by-step analysis of language means expressing emotions in analyzed texts in English and Spanish allow us to talk about the predominance of negative emotions in the articles. In publications in Spanish and English, texts on politics, economics, football, coronavirus and ecology have the highest emotionality. The specifics of expressing emotions in newspaper texts turned out to be directly related to the national characters of the Spaniards and the British.
{"title":"REPRESENTATION OF EMOTIONS IN MODERN ENGLISH AND SPANISH NEWSPAPERS","authors":"Mikhail I. Nagornov, Ekaterina V. Nagornova","doi":"10.18522/1995-0640-2023-3-43-57","DOIUrl":"https://doi.org/10.18522/1995-0640-2023-3-43-57","url":null,"abstract":"This research is devoted to the study of emotive vocabulary in modern Spanish-language and English-language mass media. Application of methods of contextual, stylistic and semantic analysis, methods of quantitative calculation and continuous sampling, emotion classifications by K. Izard and V.I. Shakhovsky in a step-by-step analysis of language means expressing emotions in analyzed texts in English and Spanish allow us to talk about the predominance of negative emotions in the articles. In publications in Spanish and English, texts on politics, economics, football, coronavirus and ecology have the highest emotionality. The specifics of expressing emotions in newspaper texts turned out to be directly related to the national characters of the Spaniards and the British.","PeriodicalId":53326,"journal":{"name":"Izvestia Uznogo Federal''nogo Universiteta Filologiceskie Nauki","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-09-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135084729","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-09-30DOI: 10.18522/1995-0640-2023-3-121-133
Bella A. Mints
Mandelstam's poem "With a thin Gillette plate ..." has rarely been subjected to detailed analysis and still contains riddles, the possibility of variable interpretations. This concerns the subtext, the system of images, the intertextual structure, the poetics of the lyrical landscape. In particular, the important components for understanding this text are the connection with traditional culture, the specifics of the "tree" and "river" figurative codes, the relationship of the landscape with other semantic layers, the forms of the presence of the lyrical subject. The image of the half-blood Don, the main mystery of the poem, is of the particular interest. A consistent analysis of stanzas in a system of different contexts allows us to get closer to understanding the symbolism of the poem.
{"title":"DON IS A HALF-BLOOD (ABOUT THE SPECIFICS OF THE LYRICAL LANDSCAPE IN O. MANDELSTAM'S POEM “WITH A THIN GILLETTE PLATE...”)","authors":"Bella A. Mints","doi":"10.18522/1995-0640-2023-3-121-133","DOIUrl":"https://doi.org/10.18522/1995-0640-2023-3-121-133","url":null,"abstract":"Mandelstam's poem "With a thin Gillette plate ..." has rarely been subjected to detailed analysis and still contains riddles, the possibility of variable interpretations. This concerns the subtext, the system of images, the intertextual structure, the poetics of the lyrical landscape. In particular, the important components for understanding this text are the connection with traditional culture, the specifics of the "tree" and "river" figurative codes, the relationship of the landscape with other semantic layers, the forms of the presence of the lyrical subject. The image of the half-blood Don, the main mystery of the poem, is of the particular interest. A consistent analysis of stanzas in a system of different contexts allows us to get closer to understanding the symbolism of the poem.","PeriodicalId":53326,"journal":{"name":"Izvestia Uznogo Federal''nogo Universiteta Filologiceskie Nauki","volume":"40 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-09-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135084730","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-09-30DOI: 10.18522/1995-0640-2023-3-10-19
Elena V. Volgina, Natalia V. Lazovskaya
The article examines the manifestation of racist views and beliefs in various discursive practices. Words, texts and speech can play a key role in the formation of the modern racism. The study provides a brief overview of the concepts of “race” and “racism” adopted in Western science, describes the main approaches to the discursive analysis of racism. The focus is on discursive aspects of racism in Germany and New Zealand. Terms “prejudice” as a negative attitude towards a social group and “stereotype” as expression of a belief about a group or a representative of a group are explored. Strategies for rationalizing prejudices about minorities are listed; themes of racist discourse are described. The semantics of racist discourse manifested in the social, cultural, political, information, business and everyday spheres of life is examined. The authors summarize the broad meaning of the term racism applied in the Western science. The conclusion is made about the unifying and divisive functions of racist discourse and its differentiation into levels: “domestic racism”, “elitist racism”.
{"title":"RACISM AND DISCOURSE (BASED ON THE MATERIALS OF FOREIGN RESEARCHES)","authors":"Elena V. Volgina, Natalia V. Lazovskaya","doi":"10.18522/1995-0640-2023-3-10-19","DOIUrl":"https://doi.org/10.18522/1995-0640-2023-3-10-19","url":null,"abstract":"The article examines the manifestation of racist views and beliefs in various discursive practices. Words, texts and speech can play a key role in the formation of the modern racism. The study provides a brief overview of the concepts of “race” and “racism” adopted in Western science, describes the main approaches to the discursive analysis of racism. The focus is on discursive aspects of racism in Germany and New Zealand. Terms “prejudice” as a negative attitude towards a social group and “stereotype” as expression of a belief about a group or a representative of a group are explored. Strategies for rationalizing prejudices about minorities are listed; themes of racist discourse are described. The semantics of racist discourse manifested in the social, cultural, political, information, business and everyday spheres of life is examined. The authors summarize the broad meaning of the term racism applied in the Western science. The conclusion is made about the unifying and divisive functions of racist discourse and its differentiation into levels: “domestic racism”, “elitist racism”.","PeriodicalId":53326,"journal":{"name":"Izvestia Uznogo Federal''nogo Universiteta Filologiceskie Nauki","volume":"46 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-09-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135084732","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-09-30DOI: 10.18522/1995-0640-2023-3-30-42
Marina N. Cherkasova, Anna V. Taktarova
Pragmalinguistic analysis of media texts with a destructive component (violence, suicide, revenge, reprisals) is presented. A feature of the media content under study is: 1) the presence of a digital communicator – a digital platform (blog, messenger, social network, video, etc.) for broadcasting and replicating the communication process by the participants themselves (representatives of generation Z); 2) the place and role of a digital communicator in the implementation of a given destructive behavioral model. The transformation of axiosphere was revealed: there were axiological shifts in the conceptual field "LIFE-DEATH". Due to it we were able to identify the potential activity of the destructive vector of the homo digitalis behavioral model. The "axiologeme" is interpreted by us as a speech signal of hidden influence. In the text it acts as a lexical unit with code evaluation, which forms positive, neutral or negative associations: death (negative in psychological and emotional terms; neutral (logical conclusion of the life way) from the point of view of Christian morality in objective reality, neutral in virtual reality, as it is possible to reboot and positive (receiving bonuses: likes, discussions, comments). The development of influence plans ("positive-approving, neutral-indifferent or negativedisapproving") for the described events allowed us to identify the author's assessment of the media text with a destructive component. Positive-approving plan – 36.4%, negative-disapproving - 46.1%, and neutral-indifferent – 18.5%. These data reflect the prospects for the preservation/non-preservation of the axiosphere of Russian linguaculture.
{"title":"SEMANTICS AND PRAGMATICS OF MODERN MEDIA FROM THE PERSPECTIVE OF MANIPULATIVE EFFECT ON GENERATION Z","authors":"Marina N. Cherkasova, Anna V. Taktarova","doi":"10.18522/1995-0640-2023-3-30-42","DOIUrl":"https://doi.org/10.18522/1995-0640-2023-3-30-42","url":null,"abstract":"Pragmalinguistic analysis of media texts with a destructive component (violence, suicide, revenge, reprisals) is presented. A feature of the media content under study is: 1) the presence of a digital communicator – a digital platform (blog, messenger, social network, video, etc.) for broadcasting and replicating the communication process by the participants themselves (representatives of generation Z); 2) the place and role of a digital communicator in the implementation of a given destructive behavioral model. The transformation of axiosphere was revealed: there were axiological shifts in the conceptual field "LIFE-DEATH". Due to it we were able to identify the potential activity of the destructive vector of the homo digitalis behavioral model. The "axiologeme" is interpreted by us as a speech signal of hidden influence. In the text it acts as a lexical unit with code evaluation, which forms positive, neutral or negative associations: death (negative in psychological and emotional terms; neutral (logical conclusion of the life way) from the point of view of Christian morality in objective reality, neutral in virtual reality, as it is possible to reboot and positive (receiving bonuses: likes, discussions, comments). The development of influence plans ("positive-approving, neutral-indifferent or negativedisapproving") for the described events allowed us to identify the author's assessment of the media text with a destructive component. Positive-approving plan – 36.4%, negative-disapproving - 46.1%, and neutral-indifferent – 18.5%. These data reflect the prospects for the preservation/non-preservation of the axiosphere of Russian linguaculture.","PeriodicalId":53326,"journal":{"name":"Izvestia Uznogo Federal''nogo Universiteta Filologiceskie Nauki","volume":"49 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-09-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135084890","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-09-30DOI: 10.18522/1995-0640-2023-3-109-120
Daria V. Ponomareva
The peculiarities of the interpretation of the Russian myth about Don Quixote in the series of stories by A. Belyaev "The Inventions of Professor Wagner" is revealed within the specifics of the image of the main character, a rebel, an impostor, an extra person, a wanderer who appears as a knight of science. Wagner, whose image goes back to the figure of a cultural hero, strives to transform the reality around him, literally perceived as material for creating a new better world. Ridiculing the past as a trickster, the hero affirms the future of the "golden age" as a demiurge. The quixoticism of Professor Wagner is a scientific service in the name of humanity, a daily and intense, like a feat, work of a scientist.
{"title":""THE MAN WHO DOES NOT SLEEP": ON THE SPECIFIC INTERPRETATION OF THE RUSSIAN MYTH ABOUT DON QUIXOTE IN THE SERIES OF STORIES "THE INVENTIONS OF PROFESSOR WAGNER" BY A. BELYAEV","authors":"Daria V. Ponomareva","doi":"10.18522/1995-0640-2023-3-109-120","DOIUrl":"https://doi.org/10.18522/1995-0640-2023-3-109-120","url":null,"abstract":"The peculiarities of the interpretation of the Russian myth about Don Quixote in the series of stories by A. Belyaev "The Inventions of Professor Wagner" is revealed within the specifics of the image of the main character, a rebel, an impostor, an extra person, a wanderer who appears as a knight of science. Wagner, whose image goes back to the figure of a cultural hero, strives to transform the reality around him, literally perceived as material for creating a new better world. Ridiculing the past as a trickster, the hero affirms the future of the "golden age" as a demiurge. The quixoticism of Professor Wagner is a scientific service in the name of humanity, a daily and intense, like a feat, work of a scientist.","PeriodicalId":53326,"journal":{"name":"Izvestia Uznogo Federal''nogo Universiteta Filologiceskie Nauki","volume":"125 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-09-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135084897","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-09-30DOI: 10.18522/1995-0640-2023-3-146-154
Marianna A. Dudareva
The article raises the question of the folklorism of V.V. Mayakovsky, whose artistic heritage in literary criticism from these positions has been little studied. The latent forms of penetration of the folk tradition into the poetics of the author of the beginning of the 20th century are considered. Folklore in the study is understood comprehensively, culturally and philologically expanded, taking into account the forms of myth, ritual, that is pre-genre formations. The material for the hermeneutic analysis was the poem "An extraordinary adventure that happened with Vladimir Mayakovsky in the summer at the dacha", which is especially distinguished by literary critics in the poet's work. Much attention is paid to the problem of national topics, the archetype of the World Mountain in the verbal culture of modernism, whose representatives were acutely aware of the problem of feeling space and time, "top" and "bottom", "day" and "night". The folklore commentary on the poem also allows rethinking many issues of the poet's work from ontological and metaphysical positions. This poem has a great cultural potential for the study of solar images in the Russian poetry of the Silver Age, artistic anthropocosmism, which was associated with the philosophy of cosmism. The results of the work can also be used in teaching courses on Russian literature of the XX century, folklore, philosophy.
{"title":"FOLKLORE BEGINNING OF A POEM “AN EXTRAORDINARY ADVENTURE THAT HAPPENED WITH VLADIMIR MAYAKOVSKI IN SUMMER AT THE DACHA”: SEARCH FOR “ANOTHER KINGDOM”","authors":"Marianna A. Dudareva","doi":"10.18522/1995-0640-2023-3-146-154","DOIUrl":"https://doi.org/10.18522/1995-0640-2023-3-146-154","url":null,"abstract":"The article raises the question of the folklorism of V.V. Mayakovsky, whose artistic heritage in literary criticism from these positions has been little studied. The latent forms of penetration of the folk tradition into the poetics of the author of the beginning of the 20th century are considered. Folklore in the study is understood comprehensively, culturally and philologically expanded, taking into account the forms of myth, ritual, that is pre-genre formations. The material for the hermeneutic analysis was the poem "An extraordinary adventure that happened with Vladimir Mayakovsky in the summer at the dacha", which is especially distinguished by literary critics in the poet's work. Much attention is paid to the problem of national topics, the archetype of the World Mountain in the verbal culture of modernism, whose representatives were acutely aware of the problem of feeling space and time, "top" and "bottom", "day" and "night". The folklore commentary on the poem also allows rethinking many issues of the poet's work from ontological and metaphysical positions. This poem has a great cultural potential for the study of solar images in the Russian poetry of the Silver Age, artistic anthropocosmism, which was associated with the philosophy of cosmism. The results of the work can also be used in teaching courses on Russian literature of the XX century, folklore, philosophy.","PeriodicalId":53326,"journal":{"name":"Izvestia Uznogo Federal''nogo Universiteta Filologiceskie Nauki","volume":"49 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-09-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135084611","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-09-30DOI: 10.18522/1995-0640-2023-3-98-108
Stephan Lipke
We consider the category of “paschality”, introduced into Russian literature studies by Ivan Esaulov, in Anton Chekhov’s tale “In the Ravine”. In Russia, Easter is celebrated more solemnly than Christmas. According to I. Esaulov, this makes people give greater importance to life in Heaven and makes them ready to suffer and die in order to receive it. We recognize that the category of “paschality” can be fruitful for literature studies and, in particular, for the interpretation of Chekhov’s tale. Yet, we propose to amend it. We disagree with I. Esaulov’s opinion that giving a key importance to Easter distinguishes Russian Orthodoxy from the Christian West. But, first and foremost, we think that the paschal spirituality of the New Testament should not be juxtaposed neither to the Pascha (Passover, Exodus) of the Hebrew Bible, nor to the crucial role the New Testament gives to the Christmas mystery of the Incarnation. Instead, the paschal mystery should rather be seen as the continuation and fulfillment of both. This kind of “paschality” complements the social criticism of the tale “In the Ravine” and gives it a deeper sense. The horror described in “In the Ravine”, which reaches its culmination in the little child’s murder, is both exacerbated and softened by allusions to Christ’s birth and to Our Lady. Besides, due to references to the salvation of little Moses and the newborn Jesus, even ex negativo the tale alludes to Lipa’s and her fellow workers’ future salvation and liberation.
在契诃夫的小说《在峡谷里》中，伊凡·埃索洛夫将“paschality”这一范畴引入了俄罗斯文学研究。在俄罗斯，复活节的庆祝比圣诞节更为隆重。根据I. Esaulov的说法，这使人们更加重视在天堂的生活，并使他们准备好受苦和死亡来接受它。我们认识到，“paschality”这一范畴对文学研究，特别是对契诃夫的故事的解读，可能是富有成效的。然而，我们建议修改它。我们不同意I. Esaulov的观点，即给予复活节关键的重要性将俄罗斯东正教与基督教西方区分开来。但是，最重要的是，我们认为新约圣经的逾越节精神既不应该与希伯来圣经的Pascha(逾越节，出埃及记)并列，也不应该与新约圣经赋予圣诞节道成肉身奥秘的关键作用并列。相反，逾越奥迹应该被看作是两者的延续和完成。这种“paschality”与“In the canyon”故事的社会批判相辅相成，赋予了它更深刻的意义。《在峡谷里》中描述的恐怖，在小男孩被谋杀时达到了顶峰，由于对基督的诞生和圣母的暗示，这种恐怖既加剧了，又缓和了。此外，由于故事中提到了小摩西和新生的耶稣的得救，甚至在消极地暗示了利帕和她的同事们未来的救赎和解放。
{"title":"THE CATEGORY OF “PASCHALITY” AND ITS SENSE-GIVING FUNCTION IN ANTON CHEKHOV’S TALE “IN THE RAVINE”","authors":"Stephan Lipke","doi":"10.18522/1995-0640-2023-3-98-108","DOIUrl":"https://doi.org/10.18522/1995-0640-2023-3-98-108","url":null,"abstract":"We consider the category of “paschality”, introduced into Russian literature studies by Ivan Esaulov, in Anton Chekhov’s tale “In the Ravine”. In Russia, Easter is celebrated more solemnly than Christmas. According to I. Esaulov, this makes people give greater importance to life in Heaven and makes them ready to suffer and die in order to receive it. We recognize that the category of “paschality” can be fruitful for literature studies and, in particular, for the interpretation of Chekhov’s tale. Yet, we propose to amend it. We disagree with I. Esaulov’s opinion that giving a key importance to Easter distinguishes Russian Orthodoxy from the Christian West. But, first and foremost, we think that the paschal spirituality of the New Testament should not be juxtaposed neither to the Pascha (Passover, Exodus) of the Hebrew Bible, nor to the crucial role the New Testament gives to the Christmas mystery of the Incarnation. Instead, the paschal mystery should rather be seen as the continuation and fulfillment of both. This kind of “paschality” complements the social criticism of the tale “In the Ravine” and gives it a deeper sense. The horror described in “In the Ravine”, which reaches its culmination in the little child’s murder, is both exacerbated and softened by allusions to Christ’s birth and to Our Lady. Besides, due to references to the salvation of little Moses and the newborn Jesus, even ex negativo the tale alludes to Lipa’s and her fellow workers’ future salvation and liberation.","PeriodicalId":53326,"journal":{"name":"Izvestia Uznogo Federal''nogo Universiteta Filologiceskie Nauki","volume":"50 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-09-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135084617","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-09-30DOI: 10.18522/1995-0640-2023-3-134-145
Elena S. Makarova
M.A. Sholokhov in the novel "And Quiet Flows The Don" created a unique gallery of original female images – the images of the Cossacks. This article is devoted to the consideration and understanding of the role of female images in the course of the narrative of the Vyoshenskaya (UpperDon) uprising – the key event of the third book and the novel "And Quiet Flows the Don" as a whole. When creating the characters of the Cossacks, Sholokhov seeks to follow the historical truth and embody the disharmonious state of the world, where women, faced with revolutionary and military events, for the most part do not take part in the political struggle and retain their inherent gender traits – female wisdom, sensitivity, comprehensive mercy. The artistic representation of the Cossack women in the chapters on the Vyoshensky uprising is considered as one of the characteristic features of M. A. Sholokhov, since it was in the system of female images that the spiritual and valuable essence of any non-warrior who fell into the events of the Civil War was embodied with particular clarity and relief.
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