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International Journal of Critical Cultural Studies最新文献

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Emplaced Narratives: Mapping the Istorya of Two Communities in Albay, Philippines 安置叙事:绘制菲律宾阿尔拜两个社区的历史
Q3 Arts and Humanities Pub Date : 2022-01-01 DOI: 10.18848/2327-0055/cgp/v21i01/29-38
Pauline Bianca Ma-alat
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引用次数: 0
Semiotics and Marketing a Nation: Western Education Identity on Australia’s Official Instagram for Higher Education Ads 符号学与营销一个国家:澳大利亚官方Instagram上高等教育广告的西方教育认同
Q3 Arts and Humanities Pub Date : 2022-01-01 DOI: 10.18848/2327-0055/cgp/v20i01/27-47
Narita Gianini Singer, Z. Hidayat
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引用次数: 0
Camus’ Oran and Saramago’s Blind City: A Representation of the World during the COVID-19 Pandemic 加缪的《奥兰》和萨拉马戈的《盲城》:新冠肺炎大流行时期的世界再现
Q3 Arts and Humanities Pub Date : 2022-01-01 DOI: 10.18848/2327-0055/cgp/v21i01/15-28
Abdullah M. Dagamseh, Zainab Odaibat, Ghada S. Sasa
This article studies the city spaces in Albert Camus’ “The Plague” and Jose Saramago’s “Blindness.” In light of COVID-19, the article reads these two literary texts in terms of their spatial settings that represent fictional microcosms of the real world engulfed in the COVID-19 pandemic. It also demonstrates how pandemics expose and exacerbate the flaws that are inherent in the social, ideological, and infrastructural dimensions of city spaces. The pandemics reshape Camus’ and Saramago’s cities, intensify human antagonism, and expose the fragility of the urban structure. We rely on George Simmel’s viewpoints of the city as a space of constant conflicts and antagonism, so one can understand the struggles that take place on the spaces of Camus’ Oran and Saramago’s blind city. The article also employs Julian Wolfreys’ concept of the urban uncanny to interpret the mystery and fear that accompany the emergence of diseases in cities. Finally, our experience with the COVID-19 pandemic provides new insights into Albert Camus’ “The Plague” and Jose Saramago’s “Blindness” as they become a fictional reflection of our own experience.
本文研究了阿尔贝·加缪的《瘟疫》和何塞·萨拉马戈的《失明》中的城市空间。本文结合新冠肺炎疫情背景,从空间设置的角度解读了这两篇文学作品,它们代表了被新冠肺炎疫情吞噬的现实世界的虚构微观世界。它还展示了流行病如何暴露和加剧了城市空间的社会、意识形态和基础设施方面固有的缺陷。流行病重塑了加缪和萨拉马戈的城市,加剧了人与人之间的对抗,暴露了城市结构的脆弱性。我们依赖于乔治·齐美尔的观点,即城市是一个不断冲突和对抗的空间,因此我们可以理解发生在加缪的奥兰和萨拉马戈的盲城空间中的斗争。文章还运用了Julian Wolfreys的“城市恐怖”概念来解释伴随城市疾病出现而来的神秘和恐惧。最后,我们在COVID-19大流行中的经历为阿尔伯特·加缪(Albert Camus)的《瘟疫》(the Plague)和何塞·萨拉马戈(Jose Saramago)的《失明》(Blindness)提供了新的见解,因为它们成为我们自身经历的虚构反映。
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引用次数: 0
“Let Us Inquire, to What End Is Nature?”: An Ecological Reading of Nathaniel Hawthorne’s The House of the Seven Gables and The Marble Faun “让我们来问问,自然的目的是什么?”——纳撒尼尔·霍桑《七座山墙的房子》和《大理石羊怪》的生态解读
Q3 Arts and Humanities Pub Date : 2022-01-01 DOI: 10.18848/2327-0055/cgp/v20i02/85-96
G. Aravind, L. Dwivedi
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引用次数: 0
A Human Rights Paradox in the Context of the Migration Debate 移民辩论背景下的人权悖论
Q3 Arts and Humanities Pub Date : 2022-01-01 DOI: 10.18848/2327-0055/cgp/v20i01/1-12
Marita Brčić Kuljiš
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引用次数: 0
The Nomads’ Polytheistic Worldview as the Sustainer of Islam in Central Asia 游牧民族的多神教世界观是中亚伊斯兰教的维护者
Q3 Arts and Humanities Pub Date : 2022-01-01 DOI: 10.18848/2327-0055/cgp/v20i01/63-71
S. Myong, Byong-soon Chun
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引用次数: 0
How Much Government is Too Much Government?: Power and Resistance in V for Vendetta 多少政府是过多的政府?:《V字仇杀队》中的力量和抵抗
Q3 Arts and Humanities Pub Date : 2022-01-01 DOI: 10.18848/2327-0055/cgp/v20i02/73-83
Anupama Kodencheri, Chithra Gandhapodi Kothandaraman
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引用次数: 0
Embracing Evolution: The Commodification of Ethnic Minority Culture in Nakhon Pathom Province, Thailand 拥抱进化:泰国那空府少数民族文化的商品化
Q3 Arts and Humanities Pub Date : 2022-01-01 DOI: 10.18848/2327-0055/cgp/v20i02/1-12
Tiranan Pratum, Thidarat Suebyart, Suwapha Joradon
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引用次数: 0
Intimations of Parental Care in J. M. Coetzee’s Waiting for the Barbarians and Age of Iron 库切《等待野蛮人》与《铁器时代》中父母关怀的暗示
Q3 Arts and Humanities Pub Date : 2022-01-01 DOI: 10.18848/2327-0055/cgp/v20i01/49-61
S. Neimneh, Fadia F. Suyoufie
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引用次数: 0
Conflict and Motivation in the Cultural Competitions of Northeastern Thailand 泰国东北部文化竞争中的冲突与动机
Q3 Arts and Humanities Pub Date : 2022-01-01 DOI: 10.18848/2327-0055/cgp/v21i01/1-14
Du Hao, Jarernchai Chonpairot, Khomkrich Karin
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引用次数: 0
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International Journal of Critical Cultural Studies
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