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Antenna, and: Terrain 天线,地形
4区 文学 Q4 Arts and Humanities Pub Date : 2022-06-01 DOI: 10.1353/mis.2022.0018
D. McCombs
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引用次数: 0
A Fate Like That 这样的命运
4区 文学 Q4 Arts and Humanities Pub Date : 2022-06-01 DOI: 10.1353/mis.2022.0017
Nur Kahn
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引用次数: 0
Modern Love 现代爱情
4区 文学 Q4 Arts and Humanities Pub Date : 2022-03-17 DOI: 10.2307/j.ctt5hjnsk.18
David Shumway
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引用次数: 0
Reading Projects 阅读项目
4区 文学 Q4 Arts and Humanities Pub Date : 2022-03-01 DOI: 10.1353/mis.2022.0008
W. Roebuck
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引用次数: 0
Now and Forever 现在和永远
4区 文学 Q4 Arts and Humanities Pub Date : 2022-03-01 DOI: 10.1353/mis.2022.0009
Speer Morgan
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引用次数: 0
Lost Birds of the Pacific 失落的太平洋鸟类
4区 文学 Q4 Arts and Humanities Pub Date : 2022-03-01 DOI: 10.1353/mis.2022.0001
Matthew Wamser
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引用次数: 0
They Could Have Been Yours 它们可能是你的
4区 文学 Q4 Arts and Humanities Pub Date : 2022-03-01 DOI: 10.1353/mis.2022.0002
Joy Baglio
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引用次数: 0
Everychild Everychild
4区 文学 Q4 Arts and Humanities Pub Date : 2022-03-01 DOI: 10.1353/mis.2022.0013
Alix Christie
It should have been their senior year. Everychild was seventeen going on a hundred, what with everything that lay ahead. They were pale after months chained to their laptop, pale and blond and exceedingly white, though this too galled them, to be no more than an ally as the world went up in flames. Time to think about college applications, their parents began to chirp in October, Covid month seven “What’s the point?” Everychild’s voice was flat. “We’ll all be climate refugees, and you’ll be dead.” Afterward, Mom and Dad cast their minds back. Was there a precise moment, some tipping point they’d missed? Time had become so folded upon itself that year. Perhaps it began right after the Day No One Could Breathe. When the birds, disoriented, failed to lift into the orange-black sky. When they and Everychild and Younger Brother all woke to the same suffocating murk, six months into the pandemic. It coated them inside and out: skin, feathers, alveoli. The entire state of California was aflame, Silicon Valley run aground on the Exxon Valdez. Outside was the world they had made, both visible and invisible: smoke and ash and fire and virus. They couldn’t leave the house, even if they hadn’t been sheltering in place. They couldn’t even step into the yard. The pool water was slick with platinum ash. © 2022, Missouri Review. All rights reserved.
本该是他们的大四。每个孩子都十七岁了,再加上前面的一切。他们被锁在笔记本电脑上几个月后脸色苍白,脸色苍白,金发碧眼,极其苍白,尽管这也让他们很恼火,但在世界陷入火海之际,他们只不过是一个盟友。到了考虑大学申请的时候,他们的父母在新冠肺炎第七个月的10月份开始窃窃私语:“有什么意义?”每个孩子的声音都很平。“我们都会成为气候难民,你们会死的。”之后,爸爸妈妈回心转意。有没有一个确切的时刻,他们错过了什么转折点?那一年,时间变得如此的紧迫。也许它就在没人能呼吸的那一天之后开始了。当迷失方向的鸟儿没能飞入橙黑色的天空时。当他们、Everychild和Younger Brother都在同样令人窒息的杂音中醒来时,疫情已经过去六个月了。它从里到外覆盖着它们:皮肤、羽毛、肺泡。整个加利福尼亚州都在燃烧,硅谷在埃克森瓦尔迪兹号上搁浅。外面是他们创造的世界,既可见又不可见:烟雾、灰烬、火焰和病毒。他们不能离开房子,即使他们没有在适当的地方避难。他们甚至不能踏入院子。池水漂浮着白金灰。©2022,《密苏里评论》。保留所有权利。
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引用次数: 0
America's Left Bank: Jessie Tarbox Beals's Greenwich Village Photographs 美国的左岸:Jessie Tarbox Beals的格林威治村照片
4区 文学 Q4 Arts and Humanities Pub Date : 2022-03-01 DOI: 10.1353/mis.2022.0012
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引用次数: 0
My Bedeviled Country 我的贝德维德国家
4区 文学 Q4 Arts and Humanities Pub Date : 2022-03-01 DOI: 10.1353/mis.2022.0003
S. Neville
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引用次数: 0
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