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A War at the End of Empire: The Militarization of America and Matt Gallagher’s Empire City 《帝国终结的战争:美国的军事化》和《马特·加拉格尔的帝国城》
IF 0.1 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2023-06-30 DOI: 10.4000/ejas.20156
Ari Räisänen
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引用次数: 0
“Check Your Network Connection”: Cyberpunk Visions of Disembodied Labor in Sleep Dealer “检查你的网络连接”:《睡眠经销商》中无实体劳动的赛博朋克愿景
IF 0.1 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2023-06-30 DOI: 10.4000/ejas.20115
M. Pitts
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引用次数: 0
Introduction 介绍
IF 0.1 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2023-06-30 DOI: 10.4000/ejas.19616
Monica Manolescu, Christine Zumello
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引用次数: 0
“Out With the Galleries, Out with the Sellouts:” Arts Organizations and Real Estate Investment in Los Angeles and Detroit “走出画廊,走出卖家:”洛杉矶和底特律的艺术组织和房地产投资
IF 0.1 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2023-06-30 DOI: 10.4000/ejas.19679
Aaron Shkuda
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引用次数: 0
States of Emergency/States of Emergence: Notes on Claudia Rankine 紧急状态
IF 0.1 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2023-06-30 DOI: 10.4000/ejas.20004
Lee Spinks
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引用次数: 0
“To Ensure that these Emotions are Passed to the Next Generation”: The Netherlands American Military Cemetery in Margraten as a site of Transatlantic Memory Diplomacy during George W. Bush’s ‘War on Terror’ “确保这些情绪传递给下一代”:乔治·w·布什“反恐战争”期间,Margraten的荷兰美国军人公墓作为跨大西洋记忆外交的地点
IF 0.1 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2023-06-30 DOI: 10.4000/ejas.20247
A. Bloemendal
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引用次数: 0
Fugitive Plots: Adaptation, Storytelling, and Choreography in Cabin in the Sky and Stormy Weather 逃亡情节:《空中小屋》和《暴风雨》的改编、叙事和编舞
IF 0.1 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2023-06-30 DOI: 10.4000/ejas.20211
Elena Igartuburu
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引用次数: 0
Murder and Aesthetics in Patricia Highsmith’s Deep Water 帕特里夏·海史密斯《深水》中的谋杀与美学
IF 0.1 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2023-06-30 DOI: 10.4000/ejas.19894
R. Snyder
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引用次数: 0
Neither Peace nor War—U.S.-Cuban Political Coexistence from 1963 to 1964 既不是和平也不是战争。1963年至1964年美古政治共存
IF 0.1 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2023-06-30 DOI: 10.4000/ejas.20416
Krzysztof Siwek
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引用次数: 0
Art, Performance, and Outsourcing in Corporate Art Commissioning: An American Scenario 企业艺术委托中的艺术、表演和外包:一个美国的场景
0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2023-06-30 DOI: 10.4000/ejas.19706
Charlotte Gould
At a time when corporate sponsorship of contemporary art has become increasingly widespread, allowing sponsors to enhance their brands and receive return on investment in the shape of tax breaks and publicity, business has maximized this association by also capitalizing on what it perceives as the work ethic and entrepreneurial skills of the art world. The art world has indeed become a benchmark of production and management for the business world which praises its ever-youthful energy, its inventiveness, hipness, and sense of freedom, its flexible working hours and short-term or zero-hour contracts. Following the success of the creative industries, private companies have been keen to embrace this post-Fordist work model and link it to the global neoliberal market economy. This article looks into the way different performance artists have engaged with a corporate environment, but also more generally at the way art has navigated new relations with its economic context in recent years. And since performance management is largely the result of the export of American business models to Western Europe since World War II, it makes sense to look for the roots of this phenomenon on that side of the Atlantic.
在当代艺术的企业赞助变得越来越普遍的时候,赞助商可以提升自己的品牌,并以税收减免和宣传的形式获得投资回报,商业也通过利用它所认为的艺术界的职业道德和创业技能,将这种联系最大化。艺术界确实已经成为商业世界生产和管理的标杆,商业世界称赞它永远年轻的活力、创造力、时尚和自由感、灵活的工作时间和短期或零时合同。随着创意产业的成功,私营企业一直热衷于接受这种后福特主义的工作模式,并将其与全球新自由主义市场经济联系起来。本文探讨了不同的行为艺术家与企业环境的互动方式,以及近年来艺术与经济环境之间的新关系。由于绩效管理在很大程度上是二战后美国商业模式向西欧输出的结果,因此在大西洋彼岸寻找这种现象的根源是有道理的。
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引用次数: 0
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European Journal of American Studies
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