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Shock of the News. 震惊的新闻。
Q4 Arts and Humanities Pub Date : 2006-01-01 DOI: 10.5860/choice.50-3651
G. Volk
The article comments on art exhibitions by the Swiss artist, Thomas Hirschhorn, specifically at Barbara Gladstone Gallery which probed into the nearly imperceptible boundaries between Western consumerism and violent world conflict. He has long been deeply antagonistic to fine art preciousness and to museum or gallery esthetics that emphasize art as something rare, exquisite and remote, which led him to use common stuff like cardboard and newspapers.
这篇文章评论了瑞士艺术家托马斯·赫施霍恩(Thomas Hirschhorn)的艺术展览,特别是在芭芭拉·格莱斯顿画廊(Barbara Gladstone Gallery)的展览,这些展览探讨了西方消费主义与暴力世界冲突之间几乎难以察觉的界限。长期以来,他一直对精美艺术的珍贵性和强调艺术是稀有、精致和遥远的博物馆或画廊美学深感反感,这导致他使用纸板和报纸等普通材料。
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引用次数: 2
The Artist's Reality: Philosophies of Art, 艺术家的现实:艺术哲学,
Q4 Arts and Humanities Pub Date : 2005-01-01 DOI: 10.5860/choice.42-3843
Sheldon Nodelman
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引用次数: 31
Politics and Painting 政治与绘画
Q4 Arts and Humanities Pub Date : 2005-01-01 DOI: 10.1515/9781618119766-005
R. Storr
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引用次数: 1
Building for Art 为艺术而建
Q4 Arts and Humanities Pub Date : 2005-01-01 DOI: 10.2307/j.ctv6gqwbs
D. Galloway
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引用次数: 5
All Together Now 现在一起来
Q4 Arts and Humanities Pub Date : 1900-01-01 DOI: 10.1016/s0140-6736(69)90381-x
B. Boucher
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引用次数: 15
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ART IN AMERICA
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