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disClosure A Journal of Social Theory最新文献

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Volume 27: Archives 第27卷:档案
Pub Date : 2018-07-26 DOI: 10.13023/disclosure.27
S. Bazile, C. Woodward, Zachary Griffith
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引用次数: 1
Images, Silences, and the Archival Record: An Interview with Michelle Caswell 《影像、沉默和档案记录:米歇尔·卡斯韦尔访谈》
Pub Date : 2018-07-26 DOI: 10.13023/DISCLOSURE.27.04
M. Caswell, Harrison Cole, Zachary Griffith
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引用次数: 1
Queering the Archive: Transforming the Archival Process 整理档案:改造档案流程
Pub Date : 2018-07-26 DOI: 10.13023/DISCLOSURE.27.14
Lizeth Zepeda
The purpose of this work is to recognize the lack of queer of color lens within the archival profession that determines the appraisal, preservation, and impeding access. Queering the archive transforms the institution with possibilities of inclusivity for social justice and the rewriting of histories. Traditionally, the archival institution has reaffirmed hegemonic power structures by erasing and ignoring histories of marginalized communities. A way to disrupt this is to queer these archival institutions to confront these power dynamics and make interventions against the racist, sexist, classist and heterosexist structures that maintain them. Thus, this paper focuses on how processing through a queer of color lens can transform archival institutions by contextualizing and uncovering erased archival histories. Specifically, I will discuss the Sarah S. Valencia Collection, a manuscript collection of a Mexican-American woman and her family dating back to the 1860s in Tucson, Arizona. As a queer Chicana feminist archivist with a queer of color lens, I read many of the contents of the archive differently. Through a visual representation of photographs, a seemingly heterosexual woman, shows moments of queerness that could have only been discovered through a queer of color lens. Queering the archive changes how we define lives and allows for infinite possibilities of inclusivity for social justice and reframing of history. Some archivists have a difficult time with the concept of what queering can mean because it disrupts the fundamentals of what processing archival collections represents. Traditionally, in theory, processing remains neutral and unbiased to allow for future research to interpret the collections. This stance on neutrality reinforces marginalization for those that
这项工作的目的是认识到档案行业中缺乏确定评估、保存和阻碍访问的有色人种镜头。对档案的查询使该机构转变为包容社会正义和改写历史的可能性。传统上,档案机构通过抹去和忽视边缘化社区的历史来重申霸权权力结构。打破这种局面的一种方法是让这些档案机构面对这些权力动态,并对维持这些动态的种族主义、性别歧视、阶级主义和异性恋结构进行干预。因此,本文关注的是通过一个奇怪的彩色镜头处理如何通过将被抹去的档案历史置于背景中并揭示出来来改变档案机构。具体来说,我将讨论Sarah S.Valencia收藏,这是一个墨西哥裔美国妇女及其家人的手稿收藏,可以追溯到19世纪60年代,位于亚利桑那州图森市。作为一名有着酷儿色彩镜头的奇卡纳女权主义档案管理员,我对档案中的许多内容都有不同的解读。通过照片的视觉表现,一个看似异性恋的女人展示了只有通过有色人种的酷儿镜头才能发现的酷儿时刻。查询档案改变了我们对生活的定义,并为社会正义和历史重构提供了无限的包容性可能性。一些档案管理员很难理解queering的含义,因为它破坏了处理档案藏品的基本原理。传统上,在理论上,处理保持中立和公正,以便未来的研究能够解释藏品。这种中立立场加剧了那些
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引用次数: 2
Queer Lives in Archives: Intelligibility and Forms of Memory 档案中的酷儿生活:记忆的可理解性和形式
Pub Date : 2018-07-01 DOI: 10.13023/disclosure.27.15
G. Watts
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引用次数: 5
Subjectivity and Methodology in the Arch'I've 《拱门》中的主观性与方法论
Pub Date : 2018-01-01 DOI: 10.13023/DISCLOSURE.27.11
E. Vincelette
This Article is brought to you for free and open access by the English at ODU Digital Commons. It has been accepted for inclusion in English Faculty Publications by an authorized administrator of ODU Digital Commons. For more information, please contact digitalcommons@odu.edu. Repository Citation Vincelette, Elizabeth J., "Subjectivity and Methodology in the Arch'I've" (2018). English Faculty Publications. 75. https://digitalcommons.odu.edu/english_fac_pubs/75
本文由英国人在ODU数字共享网站免费提供。它已被ODU数字共享的授权管理员接受,并被纳入英语学院出版物。欲了解更多信息,请联系digitalcommons@odu.edu。Vincelette, Elizabeth J.,“Arch’i’ve中的主观性与方法论”(2018)。英语学院出版。https://digitalcommons.odu.edu/english_fac_pubs/75
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引用次数: 1
Seeking Glimpses: Reflections on Doing Archival Work 寻找一瞥:做档案工作的思考
Pub Date : 2018-01-01 DOI: 10.13023/disclosure.27.12
Alex Hanson, Stephanie Jones, T. Passwater, Noah Wilson
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引用次数: 0
Place, Memory, and Archive: An Interview with Karen Till 地点、记忆和档案:卡伦·蒂尔访谈
Pub Date : 2018-01-01 DOI: 10.13023/DISCLOSURE.27.01
Karen E. Till, Emily Kaufman, C. Woodward
Dr. Karen Till is Professor of Cultural Geography at Maynooth University, director of the Space & Place Research Collaborative (Ireland), and founding co-Convener of the Mapping Spectral Traces international network of artists, practitioners, and scholars. Till’s 2005 book, The New Berlin: Memory, Politics, Place, explores German memory and modernity, showing how places and spaces exemplify the contradictions and tensions of social memory and national identity. Her current book in progress, Wounded Cities, is based upon geo-ethnographic research in Berlin, Bogota, Cape Town, Dublin, Minneapolis, and Roanoke. It highlights the significance of place- based memory work and ethical forms of care at multiple scales that may contribute to creating more socially just futures.
卡伦·蒂尔博士是梅努斯大学文化地理学教授,爱尔兰空间与地点研究合作组织主任,也是由艺术家、从业者和学者组成的“绘制光谱轨迹”国际网络的联合召集人。蒂尔2005年出版的《新柏林:记忆、政治、地点》探讨了德国的记忆和现代性,展示了地点和空间如何体现社会记忆和国家认同的矛盾和紧张。她目前正在写的书《受伤的城市》是基于对柏林、波哥大、开普敦、都柏林、明尼阿波利斯和罗阿诺克的地理人种学研究。它强调了基于地点的记忆工作和多重尺度的道德关怀形式的重要性,这可能有助于创造更社会公正的未来。
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引用次数: 1
The Death of Professor Jones: Ghosts and Memory in a Small University Archives 琼斯教授之死:一个小大学档案中的鬼魂与记忆
Pub Date : 2018-01-01 DOI: 10.13023/DISCLOSURE.27.13
E. Dix
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引用次数: 1
A Reckless Verisimilitude: The Archive in James Ellroy’s Fiction 不计后果的逼真:詹姆斯·埃尔罗伊小说中的档案
Pub Date : 2018-01-01 DOI: 10.13023/DISCLOSURE.27.18
Brad Wiles
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引用次数: 0
Categories as Archives: From Silence to Social Justice: An Interview with Jorge Cañizares-Esguerra 档案分类:从沉默到社会正义:采访豪尔赫Cañizares-Esguerra
Pub Date : 2018-01-01 DOI: 10.13023/DISCLOSURE.27.03
Jorge Cañizares‐Esguerra, S. Bazile, Juan Fernandez Cantero, Jess Linz
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引用次数: 2
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disClosure A Journal of Social Theory
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