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Studia austriaca XXX (2022)
0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2022-06-08 DOI: 10.54103/1593-2508/18008
Fausto Cercignani
Studia austriaca XXX (2022) - The Entire Volume
奥地利Studia XXX(2022) -全卷
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引用次数: 0
Dalle Baccanti all’Ibiza-Gate. «Schwarzwasser» di Elfriede Jelinek 从巴克夏到伊比沙门。Elfriede Jelinek的《Schwarzwasser
0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2022-06-08 DOI: 10.54103/1593-2508/18016
G. Lozzi
Taking studies on deconstruction, performance theories, and pragmatics as my point of departure, I investigate Elfriede Jelinek’s last political play Schwarzwasser (2020), where the so-called Ibiza-gate – which in 2018 involved the former Vice Chancellor of Austria – is represented. In her interpretation, Jelinek refers to René Girard’s Violence and the Sacred and Euripides’ Bacchae in an intertextual dialogue. This contribution aims to show how and why Jelinek recalls and employs The Bacchae in her play and to establish a connection between the political function of Greek theatre and Jelinek’s view of Austrian populism.
以解构、表演理论和语用学研究为出发点,我调查了埃尔弗里德·耶利内克的最后一部政治剧《施瓦茨瓦瑟》(2020),其中代表了所谓的伊维萨门——2018年涉及奥地利前副总理。在她的解读中,耶利内克在一段互文对话中提到了勒内·吉拉德的《暴力与神圣》和欧里庇得斯的《酒神》。这篇文章旨在展示杰利内克是如何以及为什么在她的戏剧中回忆和使用《Bacchae》的,并在希腊戏剧的政治功能与杰利内k对奥地利民粹主义的看法之间建立联系。
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引用次数: 0
Einschneidende Figurationen. Zur Dingfigur des Augsburger Messers der Philippine Welser in Thomas Bernhards «Amras» 切割图形。论托马斯·伯恩哈德《阿姆拉斯》中菲律宾韦尔瑟的奥格斯堡刀雕像
0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2022-06-08 DOI: 10.54103/1593-2508/18015
R. Engert
Focusing on the example of the so-called “Augsburger Messer” in Thomas Bernhard’s Amras, the paper explores the possibility of overcoming the barriers to a hermeneutical reading of Bernhard’s texts through the exploitation of literary things. By comprising both its material and its symbolic dimension the micro analysis of the “Augsburger Messer” suggests coupling the eclectic potential of things in literary texts with Bernhard’s additive and associative style. Eventually, this approach not only opens up a new perspective on Amras as one of Bernhard’s most remarkable texts, but also presents his writing as one that is deeply permeated with the traumatic structures of violence and (Austrian) history.
本文以托马斯·伯恩哈德的《阿姆拉斯》中所谓的“奥格斯堡·梅塞尔”为例,探讨了通过对文学事物的利用来克服伯恩哈德文本解释学阅读障碍的可能性。通过对“奥格斯堡·梅塞尔”的材料和象征维度的微观分析,我们可以将文学文本中事物的折衷潜力与伯恩哈德的附加和联想风格结合起来。最终,这种方法不仅打开了一个新的视角来看待作为伯恩哈德最杰出的文本之一的阿姆拉斯,而且还将他的作品呈现为一个深深渗透着暴力和(奥地利)历史的创伤结构的作品。
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引用次数: 0
Zeichen über Zeichen und kein Wunder in Braunschlag. David Schalkos Fernsehserie zeigt “Welt-Niederösterreich” in der Kontingenz-Krise 征兆全无大卫·sch酒精在电视剧中播出了"世界下奥地利"的危机
0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2022-06-08 DOI: 10.54103/1593-2508/18012
Maren Lickhardt
This article examines how David Schalko’s series Braunschlag (2012) presents a community that is threatened by disintegrative forces and dysfunctional communications. The series is read as a political allegory on postmodernist struggles in Austrian culture – as a laboratory for western European societies in general – between globalisation and provincialism. As this is linked to aspects of popular culture in the series, the article includes theoretical thoughts about popular cultural “common grounds” with their inclusive and exclusive function, as analysed by M. Bauer, U. Eco and M. Tomasello.
本文探讨David Schalko的《布劳恩施拉格》(2012)系列如何呈现一个受到分裂力量和功能失调沟通威胁的社区。这个系列被解读为奥地利文化中后现代主义斗争的政治寓言——作为西欧社会的实验室——在全球化和地方主义之间。正如鲍尔、艾柯和托马塞洛所分析的那样,由于这与系列中流行文化的各个方面有关,文章包含了关于流行文化“共同点”及其包容性和排他功能的理论思想。
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引用次数: 0
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Studia Austriaca
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