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Highlighting elephant’s perspective through umwelt exploration: textual analysis of the novella River Storm 在自然探索中突出大象的视角:中篇小说《河流风暴》的文本分析
Pub Date : 2023-05-16 DOI: 10.1080/17458927.2023.2210034
Moumita Bala, Smriti Singh
ABSTRACT The elephants are the most important animal characters in Nirmal Ghosh’s novella River Storm, and they both metaphorically and literally permeate the entire story. This article explores how viewing these animals through the lens of sensory ecology enables more accurate identification of the ways in which the elephants’ olfactory, tactile, and auditory senses help in communicating with their environment and a better comprehension of the nonhuman perspective. It also tries to illustrate why understanding an elephant’s sensory capabilities is necessary to acknowledge the non-human perspective in a society where humans predominate. Drawing on the premises of Jakob Von Uexkull’s umwelt theory, this study acknowledges the elephants’ agency by contradicting humans’ generic conception of animals as objects or symbols or allegorical subjects in the epistemology of literary discourse about animals. To emphasize the elephant’s distinctive perception of the environment, the narrative specifically moves beyond the boundaries of human perception. Furthermore, it clarifies how an elephant interacts with their surroundings using their sensory faculties, how misinterpretations of their umwelt can result in a number of conflicts between humans and elephants, as well as how a clear understanding of the elephant world can result in a cordial relationship between humans and elephants.
大象是尼马尔·高希的中篇小说《河流风暴》中最重要的动物角色,它们无论是隐喻性的还是字面性的都贯穿于整个故事中。本文探讨了如何通过感官生态学的视角来观察这些动物,从而更准确地识别大象的嗅觉、触觉和听觉帮助它们与环境沟通的方式,并更好地理解非人类的视角。它还试图说明,为什么在人类占主导地位的社会中,理解大象的感官能力对于承认非人类视角是必要的。本研究以雅各布·冯·于克斯库尔(Jakob Von Uexkull)的本体理论为前提,通过反驳人类在关于动物的文学话语认识论中将动物视为对象、符号或寓言主体的一般概念,承认了大象的能动性。为了强调大象对环境的独特感知,故事特意超越了人类感知的界限。此外,它还阐明了大象是如何利用自己的感官与周围环境相互作用的,对它们所处环境的误解是如何导致人与大象之间的一系列冲突的,以及对大象世界的清晰理解是如何导致人与大象之间的友好关系的。
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引用次数: 0
Touching imaginaries: otherwise worlds and speculative techno-touch in Wanuri Kahiu’s Pumzi 感人的想象:在Wanuri Kahiu的《Pumzi》中,不同的世界和投机的技术触觉
Pub Date : 2023-05-04 DOI: 10.1080/17458927.2023.2210035
Maya Caspari
ABSTRACT Through a discussion of Wanuri Kahiu’s short 2009 film Pumzi, this article illustrates how Afrofuturist film interrogates and extends normative theoretical paradigms for conceptualizing the intersections of technology and touch. Building on work in Black Studies, the article situates technology in the history of modernity, arguing that biopolitical modernity may itself be a kind of techno-touch – a “hold” – which produces an exclusionary, racialized construction of the human. It then turns Pumzi to show that, while the film situates technology in a long history of capitalist modernity, it also illustrates how liberatory possibilities for “otherwise worlds” may nonetheless emerge at touch and technology’s intersection. This occurs not only in terms of what it represents, but also in its status as an affective encounter in the world – a form of touch – in itself.
本文通过对瓦努里·卡尤(Wanuri Kahiu) 2009年的短片《Pumzi》的讨论,阐述了非洲未来主义电影如何质疑和扩展规范的理论范式,以概念化技术和触觉的交叉点。在黑人研究的基础上,这篇文章将技术置于现代性的历史中,认为生命政治现代性本身可能是一种技术接触——一种“控制”——它产生了一种排他性的、种族化的人类建构。接着,影片将普姆齐转向展示,虽然影片将技术置于资本主义现代性的悠久历史中,但它也说明了在触摸和技术的交叉点上,“其他世界”的解放可能性是如何出现的。这不仅体现在它所代表的东西上,而且体现在它作为世界上一种情感遭遇的地位上——一种接触的形式——本身。
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引用次数: 0
Cloud Walkers 云步行者
Pub Date : 2023-05-04 DOI: 10.1080/17458927.2023.2213081
Sin Tung Ng
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引用次数: 0
Christina Battle, the air we breathe Christina Battle,我们呼吸的空气
Pub Date : 2023-05-04 DOI: 10.1080/17458927.2023.2213082
M. Collins
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引用次数: 0
Odor: Immaterial Sculptures 气味:非物质雕塑
Pub Date : 2023-05-04 DOI: 10.1080/17458927.2023.2213083
Anne Röhl
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引用次数: 0
Touching to connect, explore, and explain: how the human brain makes social touch meaningful 触摸连接,探索和解释:人类大脑如何使社交接触有意义
Pub Date : 2023-05-03 DOI: 10.1080/17458927.2023.2200065
I. Morrison
ABSTRACT Human touch has an enormous power to engender and mediate meaning in the human mind, from the emotional to the pragmatic, and from the linguistic to the symbolic. Can a functional-neuroanatomical perspective on social touch contribute to a general understanding of the biological workings of such meaning-making? I argue here that it can, and that the ways the brain accomplishes this are manifold. I identify and explore three main neural subsystems which operate in concert to generate the emotional and semantic complexion of social touch. These subsystems underlie how humans: 1) touch to connect with others; 2) explore the physical and social worlds; and 3) explain the significance of a touch within our own knowledge and experience, especially with regard to the way we interpret the world through language and culture. I therefore propose that what makes social touch meaningful has much to do with the functional and evolutionary roots of these brain subsystems. Although they can be distinguished and analyzed, in the “wild” human brain these subsystems are functionally intertwined, and their processes are integrated to generate a unified subjective experience of social touch. This view also acknowledges the intertwined nature of the embodied individual within society, thus carrying potential implications for theoretical analysis in such terms.
从情感到语用,从语言到象征,人类的触摸在人类思维中产生和调解意义具有巨大的力量。从功能-神经解剖学的角度来看,社会接触是否有助于对这种意义形成的生物学运作的一般理解?我认为这是可以的,而且大脑完成这一任务的方式是多种多样的。我确定并探索了三个主要的神经子系统,它们协同工作以产生社交接触的情感和语义肤色。这些子系统是人类如何:1)通过触摸与他人联系;2)探索物理和社会世界;3)解释触摸在我们自己的知识和经验中的重要性,特别是关于我们通过语言和文化解释世界的方式。因此,我认为社交接触之所以有意义,与这些大脑子系统的功能和进化根源有很大关系。虽然它们可以被区分和分析,但在“野生”人脑中,这些子系统在功能上是交织在一起的,它们的过程是整合在一起的,以产生统一的主观社会接触体验。这种观点也承认社会中具体个体的相互交织的本质,因此对这种术语的理论分析具有潜在的影响。
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引用次数: 2
Car driving as inverted quarantine and the sensory response to collective threats: challenges for public transport 汽车驾驶作为反向隔离和对集体威胁的感官反应:公共交通的挑战
Pub Date : 2023-04-13 DOI: 10.1080/17458927.2023.2197684
M. Gross
ABSTRACT Attempts at changing individual car use behavior towards increased use of public transport have so far largely failed. This paper will argue that the continued rise in individual car use needs to be understood as part of an overall trend towards protecting oneself instead of protecting the environment, i.e. an individualized sensory response to an omnipresent collective threat. The car industry serves this trend perfectly with features that turn cars into “cozy” cocoons that protect passengers from the dangers of the outside world. Although the Covid-19 pandemic has fostered this trend, it has been inherent in the resistant nature of cars for decades. Thus, today cars are increasingly used for their sensory aspects related to safety and protection from an infectious, dirty, and violent outside world. This trend is supported by highly individualized cushioning and comfort factors that make cars “special places.” Any strategies for promoting alternative forms of transport thus need to consider these sensory developments when creating incentives for people to travel by train, bus, etc. instead of driving cars. The paper ends with a few speculations on how public transport could be made more attractive given the current role of sensory perception in car driving.
到目前为止,改变个人汽车使用行为以增加公共交通工具使用的尝试在很大程度上失败了。本文认为,个人汽车使用的持续增长需要被理解为保护自己而不是保护环境的整体趋势的一部分,即对无所不在的集体威胁的个性化感官反应。汽车工业完美地迎合了这一趋势,它们把汽车变成了“舒适”的茧,保护乘客免受外界的危险。尽管新冠肺炎大流行助长了这一趋势,但几十年来,这一直是汽车固有的抵抗力。因此,今天的汽车越来越多地用于与安全有关的感官方面,并保护其免受感染、肮脏和暴力的外部世界的侵害。这种趋势得到了高度个性化的缓冲和舒适因素的支持,这些因素使汽车成为“特殊的地方”。因此,在鼓励人们乘坐火车、公共汽车等而不是开车旅行时,任何促进替代交通方式的战略都需要考虑到这些感官发展。鉴于目前汽车驾驶中感官知觉的作用,论文最后对如何使公共交通更具吸引力进行了一些推测。
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引用次数: 0
Is revitalizing culture a beautiful dream? Objects, archives, and images of indigenous Taiwan in Hu Tai-Li’s documentary Returning Souls (2012) 振兴文化是一个美好的梦想吗?胡泰立纪录片《还魂》(2012)中的物品、档案与台湾原住民影像
Pub Date : 2023-04-04 DOI: 10.1080/17458927.2023.2197313
H. Wu
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引用次数: 0
Infrastructure and deaf futurism 基础设施和聋人未来主义
Pub Date : 2023-03-24 DOI: 10.1080/17458927.2023.2192105
Sabrina Ward-Kimola
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引用次数: 0
Cold colonialism and sensory infrastructures 冷殖民主义和感官基础设施
Pub Date : 2023-03-19 DOI: 10.1080/17458927.2023.2190699
Hsuan L. Hsu
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引用次数: 0
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The senses and society
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