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Volume 68.3 (2023) 第68.3卷(2023)
Pub Date : 2023-01-01 DOI: 10.33675/amst/2023/3/1
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引用次数: 0
Julia Elena Goldmann, "Fan Fiction Genres: Gender, Sexuality, Relationships and Family in the Fandoms ‘Star Trek’ and ‘Supernatural’" (Bielefeld: transcript, 2022), 353 pp. 朱莉娅·埃琳娜·戈德曼,“同人小说类型:《星际迷航》和《邪恶力量》中的性别、性、关系和家庭”(比勒菲尔德:抄本,2022),353页。
Pub Date : 2023-01-01 DOI: 10.33675/amst/2023/3/16
K. Münderlein
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引用次数: 0
Backwardness: Rethinking Modernity, Conceptualizing Change 落后:反思现代性,概念化变革
Pub Date : 2023-01-01 DOI: 10.33675/amst/2023/3/4
Modernity is commonly associated with progress and future-direction. But from the early modern period onward, backwardness was an integral part of the modern. As modernity came to be tied up with a Western, and often a particularly (U.S.-)American positionality, backwardness just as persistently served to mark modernity’s others—both within and outside the West. The dynamics of turning toward or looking back at the past are complexly woven into the thinking of modernity and change, yet the critical discourses of modernity tend to balk at acknowledging them as pivotal elements of the modern. While current critiques of global disparity, capitalist accumulation, or anthropogenic climate change advocate concepts such as degrowth, sustainability, or deceleration, nobody promotes backwardness. At the same time, backwardness, together with its concurrent epistemic modes of retrospection and repetition, manifests itself as a steady undercurrent of ambivalence in today’s cultural debates around social change, and the imagery of a return to what came before operates as a staple trope in hermeneutical methodological reflections and phenomenological thought. This forum seeks to critically engage with a paradox that is at the very core of modernity. To foreground the principle of backwardness serves to highlight the messy temporality of the loop, the revision, the recursion, or inversion, and to rethink modernity and conceptualize change in terms of the past—as a manifestation of presences that are "still there" rather than newly emergent, and that need to be "reviewed" rather than optimized and overcome: remnants, traces, leftovers, unfinished business. We thus go up against teleological narratives of the modern, using backwardness as a tentative signal of recalcitrance to the idea of modernity as relentless optimization and material improvement. Backwardness may serve to indicate alternatives to such teleological narratives of the modern, as it allows the foregrounding of loose ends, blind alleys, failed starts, and buried knowledge together with the affective stances of mourning, shame, or regret which tend to get short thrift in forward-oriented research.
现代性通常与进步和未来方向联系在一起。但从近代早期开始,落后就成为现代的一个组成部分。当现代性与西方,尤其是(美国)美国的立场联系在一起时,无论是在西方内部还是在西方之外,落后也一直是现代性的标志。转向或回顾过去的动力复杂地交织在现代性和变化的思考中,然而现代性的批判话语往往不愿承认它们是现代性的关键要素。虽然目前对全球差距、资本主义积累或人为气候变化的批评提倡诸如去增长、可持续性或减速等概念,但没有人提倡落后。与此同时,落后及其同时存在的反思和重复的认知模式,在当今围绕社会变革的文化辩论中表现为一种矛盾心理的稳定暗流,而回归到以前的意象作为解释学方法论反思和现象学思想的主要修辞。本次论坛旨在批判性地探讨现代性核心的悖论。突出后发性的原则是为了突出循环、修正、递归或反转的混乱暂时性,并重新思考现代性,将过去的变化概念化——作为“仍然存在”而不是新出现的存在的表现,需要“回顾”而不是优化和克服:残余物、痕迹、残余物、未完成的事业。因此,我们反对现代的目的论叙事,将落后作为一种试探性的信号,以抵制现代性作为无情的优化和物质改进的想法。落后可以作为现代目的论叙事的替代选择,因为它允许在前瞻性研究中出现遗漏、死胡同、失败的开端和埋藏的知识以及哀悼、羞耻或遗憾的情感立场,这些情感立场往往会导致短暂的浪费。
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引用次数: 0
Shona Hunter and Christi van der Westhuizen, eds., "Routledge Handbook of Critical Studies in Whiteness" (Abingdon: Routledge, 2022), 414 pp. 修娜·亨特和克里斯蒂·范·德·韦斯特维森编。,《劳特利奇白人批判研究手册》(阿宾登:劳特利奇出版社,2022),414页。
Pub Date : 2023-01-01 DOI: 10.33675/amst/2023/3/12
E. Kindinger
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引用次数: 0
Rachele Dini, "‘All-Electric’ Narratives: Time Saving Appliances and Domesticity in American Literature, 1945-2020" (London: Bloomsbury), 376 pp. 蕾切尔·迪尼,““全电”叙事:美国文学中节省时间的电器和家庭生活,1945-2020”(伦敦:布卢姆斯伯里出版社),376页。
Pub Date : 2023-01-01 DOI: 10.33675/amst/2023/3/14
S. Ellingham
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引用次数: 0
Dominique Haensell, "Making Black History: Diasporic Fiction in the Moment of Afropolitanism" (Berlin: De Gruyter, 2021), 245 pp. 多米尼克·汉塞尔:《创造黑人历史:非洲政治主义时代的散居小说》(柏林:德格鲁伊特出版社,2021),245页。
Pub Date : 2023-01-01 DOI: 10.33675/amst/2023/3/10
J. Oholi
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引用次数: 0
["The art of killing by electricity": the sublime and the electric chair]. [“用电杀人的艺术”:崇高与电椅]。
Pub Date : 2002-12-01 DOI: 10.2307/3092345
J. Martschukat
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引用次数: 15
["The art of killing by electricity": the sublime and the electric chair]. [“用电杀人的艺术”:崇高与电椅]。
Pub Date : 2000-01-01
J Martschukat
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引用次数: 0
[America incorporated: cannibalism as utopia in imagery of early America]. [美国合并:食人作为早期美国想象中的乌托邦]。
Pub Date : 1999-01-01
M Klarer
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引用次数: 0
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