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‘Many a story is but a crooked way to the truth’? 许多故事都是通向真理的曲折之路?
Elizabeth Braithwaite
The myth of King Arthur has been used for many purposes. In post-disaster fiction for young adults, the Arthurian myth has been drawn upon by a number of authors to advocate unity and equality as major factors in creating a just and peaceful world. This article focuses on seven texts set after major global disaster caused by human action has devastated, or is threatening to devastate, the world of the implied present-day reader. The texts for discussion are Ron Langenus’ Merlin’s Return; Janice Elliott’s The King Awakes and The Empty Throne; and Pamela Service’s Winter of Magic’s Return, Tomorrow’s Magic, Yesterday’s Magic, and Earth’s Magic. Although King Arthur is portrayed differently by the three authors, he is presented as a figurehead of unity and peace in all of the texts, and the texts all transpose contemporary values held by the implied author and the implied reader onto what the texts present as ‘King Arthur’s time’, in order to suggest that greed, selfishness, and lust for power contributed to the destruction of King Arthur’s society, and are also threatening to destroy the world of the implied reader. Drawing upon Foucault’s concept of the regime of truth, this article demonstrates that the forms of the Arthurian myth used in the texts for discussion are, however, inherently gendered and nationalistic, and thus subvert the ideas of equality and unity that the texts seek to present.
亚瑟王的神话被用于许多目的。在针对年轻人的灾后小说中,亚瑟王的神话被许多作者引用来提倡团结和平等,作为创造一个公正与和平世界的主要因素。这篇文章的重点是七个文本设定在人类行为造成的重大全球灾难已经摧毁,或正在威胁摧毁,暗示当今读者的世界。讨论的文本是罗恩·朗格纳斯的《梅林归来》;贾尼斯·艾略特的《国王觉醒》和《空王座》;以及帕梅拉·瑟维斯的《魔法回归的冬天》、《明天的魔法》、《昨天的魔法》和《地球的魔法》。尽管亚瑟王是描述三个不同的作者,他提出了一个傀儡的团结与和平在所有的文本,与文本所持有的所有转置当代值隐含作者与隐含读者在文本呈现的“亚瑟王的时代”,为了表明,贪婪,自私,和对权力的欲望导致了破坏亚瑟王的社会,并威胁要摧毁世界的隐含读者。根据福柯的真理政权概念,本文论证了文本中用于讨论的亚瑟王神话的形式,然而,本质上是性别和民族主义的,从而颠覆了文本寻求呈现的平等和统一的观念。
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引用次数: 0
Mirror, Mirror, Who’s the Greatest Power of them All? 魔镜,魔镜,谁是最强大的力量?
Emily Fuller
In the broader field of trauma theory, trauma is often characterised as an event that is physical, violent, and sporadic. However, feminist trauma theorists have argued that there are other forms of trauma inflicted by ideological systems such as patriarchy, resulting in less transparent versions of the traumatic. Fantasy literature, particularly children’s fantasy, has a potential to construct new visions of society that transcend these patriarchal systems for their young female heroines, and to reveal the functions of patriarchal trauma. By applying feminist trauma theory to children’s fantasy literature, this article exposes the subtler and more nuanced ways in which trauma operates, extending beyond understandings of physical and overt violence. The article offers a close reading of Jessica Townsend’s Nevermoor books (2017-2020)—a seminal Australian series that has risen to acclaim for its inclusivity, unconventional representations of gender, and creative world-building since its debut. I argue that Townsend repurposes the tropes of the fantasy genre in the Nevermoor series to hold a mirror to the harmful effects of patriarchy and the gendered violence it perpetuates. As a result, it rejects the common characterisation of trauma as overtly physical, violent, and sporadic. Rather, the series suggests that the representation of trauma in children’s literature, especially middle-grade fiction, is also gendered, and the direct consequence of patriarchy.
在更广泛的创伤理论领域,创伤通常被描述为身体上的、暴力的、零星的事件。然而,女权主义创伤理论家认为,还有其他形式的创伤是由意识形态系统造成的,如父权制,导致创伤的不太透明的版本。幻想文学,尤其是儿童幻想文学,有可能为年轻的女主人公构建超越父权制度的社会新视野,并揭示父权创伤的功能。通过将女权主义创伤理论应用于儿童幻想文学,本文揭示了创伤运作的更微妙和更细致入微的方式,超出了对身体和公开暴力的理解。本文仔细阅读了杰西卡·汤森的《永无荒原》系列小说(2017-2020)——这是一部影响深远的澳大利亚系列小说,自首次亮相以来,因其包容性、对性别的非传统表现和创造性的世界构建而备受赞誉。我认为Townsend在《Nevermoor》系列中重新使用了幻想类型的比喻,以反映父权制的有害影响及其持续存在的性别暴力。因此,它否定了创伤的常见特征,即明显的身体上的、暴力的和零星的。相反,该系列表明,儿童文学,尤其是中学小说中创伤的表现,也是性别化的,是父权制的直接后果。
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引用次数: 0
Representation in Children’s Book Council of Australia Early Childhood and Picture Book Awarded Books (2018-2020) 2018-2020年入选澳大利亚儿童图书委员会早期儿童和绘本获奖图书
Megan Brown
The call for more diversity in children’s literature has increased over the past decade. Many researchers draw on Rudine Sims Bishop’s theory of Windows, Mirrors, and Sliding Glass Doors (1990) to argue that children need to be able to see their lives reflected in the media they consume, not just as caricatures or tokenistic characters, but as protagonists and everyday people. The prizing of children’s literature acts as a stamp of approval for what is considered quality literature, and often results in an undiscerning market that purchases texts simply because of their awarded prize. The Children’s Book Council of Australia (CBCA) Book of the Year award is one of the most prestigious literary awards available in the country, particularly for younger readers. This critical content analysis examines the winners, honoured, and short-listed texts for the Book of the Year awards in the Picture Book and Early Childhood categories for the years 2018-2020. The analysis found that the majority of the texts reinforce the current social and cultural discourse of the straight, white, cis-gendered, able-bodied male. Given the social and cultural impact of the CBCA awards, it is essential that the discourses and ways of being that are represented in the awarded texts are critically investigated to ensure they are representative of their readership and do not perpetuate a damaging message to readers about their or others’ identity.
在过去的十年里,要求儿童文学更加多样化的呼声越来越高。许多研究人员借鉴了Rudine Sims Bishop关于窗户、镜子和滑动玻璃门的理论(1990),认为儿童需要能够看到他们消费的媒体反映出他们的生活,而不仅仅是漫画或象征性的角色,而是作为主角和日常生活中的人。儿童文学的获奖被认为是对高质量文学作品的认可,往往会导致一个盲目的市场,仅仅因为获奖而购买这些作品。澳大利亚儿童图书委员会(CBCA)年度图书奖是该国最负盛名的文学奖之一,尤其是对年轻读者来说。本关键内容分析考察了2018-2020年绘本和幼儿类年度最佳图书奖的获奖、获奖和入围文本。分析发现,大多数文本都强化了当前社会和文化中关于直男、白人、顺性别、健全男性的话语。鉴于CBCA奖项的社会和文化影响,至关重要的是,对获奖文本中所代表的话语和存在方式进行批判性调查,以确保它们代表其读者,并且不会向读者传递关于他们或他人身份的破坏性信息。
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引用次数: 0
Excusing Coercive Control in Popular Young Adult Fantasy Texts 流行的青少年幻想文本中的强制控制
Elizabeth Little
This article utilises a feminist lens to conduct close textual analysis of A Curse So Dark and Lonely and the Cursebreaker series (Kemmerer 2019) and The Cruel Prince and the Folk of the Air series (Black 2018-2019) to demonstrate how elements of coercive control are excused and minimised in the narratives. By highlighting the postfeminist sensibility evident in these young adult fantasy novels, this article argues that female protagonists are characterised in contradictory ways. They are both ‘empowered’ and subjugated, yet this is diminished by a rhetoric of choice and agency. As female protagonists, Jude and Harper each possess physical strength, intelligence and humour which positions them as agential and empowered. Yet, at the core of their romantic and sexual relationships they are both victims of coercive control. While the novels ostensibly present strong female protagonists, implied girl readers are positioned to excuse the removal of agency, manipulation, and even physical violence towards these postfeminist heroines.
本文利用女权主义的视角,对《如此黑暗与孤独的诅咒》和《破咒者》系列(Kemmerer 2019)以及《残忍的王子和空中的人》系列(Black 2018-2019)进行了细致的文本分析,以展示叙事中强制控制的元素是如何被原谅和最小化的。通过强调这些年轻成人奇幻小说中明显的后女权主义情感,本文认为女性主人公的特征是矛盾的。他们既被“授权”又被征服,然而这被选择和代理的修辞所削弱。作为女主人公,裘德和哈珀都拥有强健的体魄、智慧和幽默,这使她们具有代理和权力。然而,在他们的爱情和性关系的核心,他们都是强制控制的受害者。虽然这些小说表面上呈现了坚强的女性主角,但暗含的女性读者却倾向于原谅对这些后女权主义女主人公的代理、操纵甚至身体暴力的移除。
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引用次数: 0
Foreword - 27.1 前言- 27.1
Shih-Wen Sue Chen, Kristine Moruzi
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引用次数: 0
AN ARRAY OF MONOLITHIC FBAR-CMOS OSCILLATORS FOR MASS-SENSING APPLICATIONS. 用于质量传感应用的单片fbar cmos振荡器阵列。
M L Johnston, I Kymissis, K L Shepard

We present a monolithic, solidly-mounted CMOS-FBAR oscillator array for mass sensing applications. Thin-film bulk acoustic resonators (FBAR) are an effective platform for sensitive biological and chemical detection, where their high operating frequencies make them many times more sensitive than a quartz crystal microbalance. By monolithic integration with CMOS drive circuitry, we aim to overcome the spatial limitations of externally-coupled resonators to build dense sensor arrays without specialized fabrication techniques. The sensors in this work are constructed in a 6 × 4 array atop a 0.18μm CMOS active substrate, and mass sensitivity comparable to off-chip FBAR sensors is demonstrated.

我们提出了一种用于质量传感应用的单片,坚固安装的CMOS-FBAR振荡器阵列。薄膜体声谐振器(FBAR)是灵敏的生物和化学检测的有效平台,其高工作频率使其灵敏度比石英晶体微天平高许多倍。通过与CMOS驱动电路的单片集成,我们的目标是克服外部耦合谐振器的空间限制,在没有专门制造技术的情况下构建密集的传感器阵列。该传感器在0.18μm CMOS有源衬底上构建为6 × 4阵列,其质量灵敏度可与片外FBAR传感器相媲美。
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引用次数: 4
FORMING SELF-ASSEMBLED CELL ARRAYS AND MEASURING THE OXYGEN CONSUMPTION RATE OF A SINGLE LIVE CELL. 形成自组装细胞阵列并测量单个活细胞的耗氧量。
James R Etzkorn, Sarah C McQuaide, Judy B Anderson, Deirdre R Meldrum, Babak A Parviz

We report a method for forming arrays of live single cells on a chip using polymer micro-traps made of SU8. We have studied the toxicity of the microfabricated structures and the associated environment for two cell lines. We also report a method for measuring the oxygen consumption rate of a single cell using optical interrogation of molecular oxygen sensors placed in micromachined micro-wells by temporarily sealing the cells in the micro-traps. The new techniques presented here add to the collection of tools available for performing "single-cell" biology. A single-cell self-assembly yield of 61% was achieved with oxygen draw down rates of 0.83, 0.82, and 0.71 fmol/minute on three isolated live A549 cells.

我们报告了一种利用SU8制成的聚合物微阱在芯片上形成活单细胞阵列的方法。我们研究了微加工结构对两种细胞系的毒性及其相关环境。我们还报道了一种测量单个细胞耗氧量的方法,该方法使用放置在微机械微孔中的分子氧传感器的光学探测,通过将细胞暂时密封在微阱中。这里介绍的新技术增加了执行“单细胞”生物学的可用工具集合。在三个分离的活A549细胞上,氧吸收率分别为0.83、0.82和0.71 fmol/min,单细胞自组装率为61%。
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引用次数: 2
A TEMPLATE-BASED FABRICATION TECHNIQUE FOR SPATIALLY-DESIGNED POLYMER MICRO/NANOFIBER COMPOSITES. 基于模板的空间设计聚合物微/纳米纤维复合材料制备技术。
Nisarga Naik, Jeff Caves, Vivek Kumar, Elliot Chaikof, Mark G Allen

This paper reports a template-based technique for the fabrication of polymer micro/nanofiber composites, exercising control over the fiber dimensions and alignment. Unlike conventional spinning-based methods of fiber production, the presented approach is based on micro-transfer molding. It is a parallel processing technique capable of producing fibers with control over both in-plane and out-of-plane geometries, in addition to packing density and layout of the fibers. Collagen has been used as a test polymer to demonstrate the concept. Hollow and solid collagen fibers with various spatial layouts have been fabricated. Produced fibers have widths ranging from 2 µm to 50 µm, and fiber thicknesses ranging from 300 nm to 3 µm. Also, three-dimensionality of the process has been demonstrated by producing in-plane serpentine fibers with designed arc lengths, out-of-plane wavy fibers, fibers with focalized particle encapsulation, and porous fibers with desired periodicity and pore sizes.

本文报道了一种基于模板的聚合物微/纳米纤维复合材料的制造技术,该技术可以控制纤维的尺寸和排列。与传统的基于纺丝的纤维生产方法不同,本文提出的方法是基于微传递成型的。这是一种平行加工技术,除了纤维的填充密度和布局外,还能够生产出具有控制面内和面外几何形状的纤维。胶原蛋白已被用作验证这一概念的测试聚合物。已制备出具有不同空间布局的空心和实心胶原纤维。生产的光纤宽度为2µm ~ 50µm,纤维厚度为300µm ~ 3µm。此外,通过生产具有设计弧长的面内蛇形纤维、面外波浪形纤维、具有聚焦颗粒封装的纤维以及具有所需周期性和孔径的多孔纤维,也证明了该工艺的三维性。
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引用次数: 3
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Digest of technical papers. International Conference on Solid-State Sensors, Actuators, and Microsystems
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