{"title":"Autonomie et transports","authors":"Rainer Maria Kiesow","doi":"10.3917/grief.201.0013","DOIUrl":"https://doi.org/10.3917/grief.201.0013","url":null,"abstract":"","PeriodicalId":90172,"journal":{"name":"Grief matters","volume":"57 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-05-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"91189254","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Racines américaines du droit nazi","authors":"J. Schaub","doi":"10.3917/grief.201.0097","DOIUrl":"https://doi.org/10.3917/grief.201.0097","url":null,"abstract":"","PeriodicalId":90172,"journal":{"name":"Grief matters","volume":"80 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-05-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80027333","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Le spectre de la comparaison","authors":"Rainer Maria Kiesow","doi":"10.3917/grief.201.0107","DOIUrl":"https://doi.org/10.3917/grief.201.0107","url":null,"abstract":"","PeriodicalId":90172,"journal":{"name":"Grief matters","volume":"31 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-05-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75631784","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-04-23DOI: 10.1093/oso/9780190923815.003.0006
D. Shneer
This chapter traces Baltermants’s entry into the art photography market. In the mid-1960s, he had his first New York City exhibition alongside other well-known photojournalists, including Robert Doisneau and Irving Penn. From there his work was included in a Metropolitan Museum show, and he was often the lone Soviet representative in major photography shows. In the 1970s, Baltermants began giving Grief visual context by exhibiting other images taken that same wartime day in Kerch. In 1983, Baltermants had his first solo show in New York City, and although reviewers loved his wartime work, reviewers panned the overall show. The critical appreciation for his wartime work and disappointment at his postwar Soviet “propaganda” did not dampen a few intrepid collectors’ interest in bringing him to the Western art photograph market and adding financial value to the list of values his photography possessed.
{"title":"Valuing Grief","authors":"D. Shneer","doi":"10.1093/oso/9780190923815.003.0006","DOIUrl":"https://doi.org/10.1093/oso/9780190923815.003.0006","url":null,"abstract":"This chapter traces Baltermants’s entry into the art photography market. In the mid-1960s, he had his first New York City exhibition alongside other well-known photojournalists, including Robert Doisneau and Irving Penn. From there his work was included in a Metropolitan Museum show, and he was often the lone Soviet representative in major photography shows. In the 1970s, Baltermants began giving Grief visual context by exhibiting other images taken that same wartime day in Kerch. In 1983, Baltermants had his first solo show in New York City, and although reviewers loved his wartime work, reviewers panned the overall show. The critical appreciation for his wartime work and disappointment at his postwar Soviet “propaganda” did not dampen a few intrepid collectors’ interest in bringing him to the Western art photograph market and adding financial value to the list of values his photography possessed.","PeriodicalId":90172,"journal":{"name":"Grief matters","volume":"35 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-04-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88573349","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-04-23DOI: 10.1093/oso/9780190923815.003.0009
D. Shneer
In this final section of the book, the author describes the process of trying to learn more about the subject of Dmitri Baltermants’s iconic photograph Grief, P. Ivanova. Technology allowed him to conduct research in Russia even though he has not been to the country since 2008, when he felt unsafe returning to Putin’s Russia, which had become increasingly xenophobic and homophobic. The epilogue closes with a meditation on how wartime photographs from the antitank trench are used in contemporary rituals of the Kerch Jewish community. The author ponders whether Grief will one day be incorporated into these local rituals.
{"title":"Epilogue","authors":"D. Shneer","doi":"10.1093/oso/9780190923815.003.0009","DOIUrl":"https://doi.org/10.1093/oso/9780190923815.003.0009","url":null,"abstract":"In this final section of the book, the author describes the process of trying to learn more about the subject of Dmitri Baltermants’s iconic photograph Grief, P. Ivanova. Technology allowed him to conduct research in Russia even though he has not been to the country since 2008, when he felt unsafe returning to Putin’s Russia, which had become increasingly xenophobic and homophobic. The epilogue closes with a meditation on how wartime photographs from the antitank trench are used in contemporary rituals of the Kerch Jewish community. The author ponders whether Grief will one day be incorporated into these local rituals.","PeriodicalId":90172,"journal":{"name":"Grief matters","volume":"161 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-04-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76780317","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Falk Bretschneider, Julie Claustre, I. Heullant-Donat, Élisabeth Lusset
{"title":"Un webdocumentaire sur les espaces de l’enfermement, du Moyen Âge aux années 1930","authors":"Falk Bretschneider, Julie Claustre, I. Heullant-Donat, Élisabeth Lusset","doi":"10.3917/grief.192.0097","DOIUrl":"https://doi.org/10.3917/grief.192.0097","url":null,"abstract":"","PeriodicalId":90172,"journal":{"name":"Grief matters","volume":"31 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-07-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76326355","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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