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Trumpets and Shofarot in the War Scroll (1QM): Musical and Terminological Insights 《战卷》中的小号和小号(第1QM章):音乐和术语的见解
Pub Date : 2021-12-01 DOI: 10.15650/hebruniocollannu.92.2
M. Piamenta
This article is an archaeo-musicological study of the trumpets (ḥaṣoṣrot, metal wind instruments) and shofarot (animal horns) in the War Scroll from the Dead Sea Scrolls of Qumran. The study of ancient Jewish music is largely uncharted territory. Many musical terms that appear in the Bible, Second Temple writings, and rabbinic literature, including the names of musical instruments, are not fully understood and there are many questions about their interpretation. For this reason, the War Scroll is one of the most important sources for archaeo-musicological scholarship of the ancient world generally, and of the Second Temple period in particular. This is not only because of the extensive description of the use of trumpets and shofarot in warfare that is found in the scroll, but especially because this rare and rich description is unmatched in any ancient work, Jewish, Hellenistic, or Roman. This uniquely extensive description includes a detailed itemization of the stages when the priests use different types of trumpets to direct the fighting forces, and describes the sounding of the shofarot by the Levites and the people as a means of instilling fear in the enemy. In addition, the scroll lists the types of sounds generated by trumpets and shofarot in battle, using technical and musical terms whose meaning is not always clear. In this article, I re-examine the interpretations that previous scholars have suggested for the terms describing the sounds made by the trumpets and shofarot in the War Scroll, and, in some cases, I offer new interpretations. I also examine how trumpets and shofarot were used in specific stages of the eschatological war depicted in the scroll and suggest a number of ways to understand the military uses and purpose of the incorporation of these instruments. In addition to contributing to the understanding of the musical terms that appear in the War Scroll, my research opens a window to the rich musical language used by the Dead Sea sect and perhaps also by other groups in the Second Temple era.
这篇文章是对Qumran死海古卷中的战争卷中的小号(ḥaṣoṣrot,金属管乐器)和shofarot(动物角)的考古音乐学研究。对古代犹太音乐的研究在很大程度上是未知的领域。许多出现在圣经、第二圣殿著作和拉比文献中的音乐术语,包括乐器的名称,都没有被完全理解,关于它们的解释有很多问题。由于这个原因,战争卷轴是古代世界考古音乐学研究最重要的来源之一,特别是第二圣殿时期。这不仅是因为在卷轴中发现了大量关于在战争中使用小号和小号的描述,而且尤其因为这种罕见而丰富的描述是任何古代作品,无论是犹太的,希腊的还是罗马的,都无法比拟的。这个独特的广泛的描述包括祭司使用不同类型的号角来指挥战斗部队的阶段的详细逐项,并描述了利未人和人民吹响号角作为向敌人灌输恐惧的一种手段。此外,卷轴还列出了号角和号角在战斗中发出的声音类型,使用的技术和音乐术语的含义并不总是明确的。在这篇文章中,我重新审视了以前的学者们对《战卷》中小号和小笛发出的声音的描述所提出的解释,在某些情况下,我提出了新的解释。我还研究了在卷轴中描述的末世战争的特定阶段是如何使用小号和小号的,并提出了一些方法来理解这些乐器的军事用途和目的。除了有助于理解战争卷轴中出现的音乐术语外,我的研究还为死海教派以及第二圣殿时代其他团体使用的丰富音乐语言打开了一扇窗。
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引用次数: 0
On the Edge 在边缘
Pub Date : 2021-12-01 DOI: 10.15650/hebruniocollannu.92.6
Jordan D. Finkin, Nokhum Minkoff
Nokhum Borukh Minkov (1893–1958) was born to a modern-thinking family in Warsaw. Though his mother was much more comfortable in Yiddish, his Russified father forbade Yiddish in the home. Minkov came to the U.S. just before the outbreak of World War I, first to San Francisco, where he wanted to study medicine, and then to New York, where he ended up at NYU Law School. There he befriended Yankev Glatshteyn, also a law student, and fell in with the Yiddish literary crowd. In those early days he could often be seen in the cafes doggedly studying Yiddish, pestering his soon-to-be-fellow poets about vocabulary and points of grammar. Though he would ultimately author five books of poetry, he is today noted and remembered primarily for his later works of literary critical scholarship, including studies of Elye Bokher and Glikl Hamel, as well as Classic Yiddish Poets (1939), Six Yiddish Critics (1954), and his three-volume masterwork Pioneers of Yiddish Poetry in America (1956)
Nokhum Borukh Minkov(1893-1958)出生在华沙一个具有现代思想的家庭。虽然他的母亲更喜欢说意第绪语,但他的俄罗斯化的父亲却禁止在家里说意第绪语。Minkov在第一次世界大战爆发前来到美国,他首先去了旧金山,想在那里学习医学,然后去了纽约,最后在纽约大学法学院学习。在那里,他结识了同样是法律系学生的扬基·格拉茨泰恩(yankee Glatshteyn),并与意第绪语文学爱好者打成一片。在早期的日子里,他经常在咖啡馆里顽强地学习意第绪语,缠着他那些即将成为诗人的同伴们学习词汇和语法要点。虽然他最终写了五本诗集,但他今天主要是因为他后来的文学批评学术作品而被注意和记住,包括对埃利·博克和格利克·哈默尔的研究,以及《经典意第绪诗》(1939)、《六个意第绪评论家》(1954)和他的三卷本杰作《美国意第绪诗先驱》(1956)。
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引用次数: 0
Reckoning the End of Days: A Study in Yefet ben ʻEli's Biblical Exegesis 末日:耶菲特·本·伊莱《圣经》注释研究
Pub Date : 2021-12-01 DOI: 10.15650/hebruniocollannu.92.3
Meirav Nadler-Akirav
It is known that Jews engaged in reckoning the end of days by the ninth century. In his commentary on the book of Daniel, Yefet ben ‘Eli (10th century) claims that it is impossible to know when the end of days will come. He presents the opinions of the sages and of Saʿadia Gaon, as well as of the Karaites Yūsuf ben Baḥtāwī, Binyamīn Al-Nahawandī, and Salmon ben Yerūḥam, and rejects the claims of each regarding the date of the end of days. However, in his commentary on the Book of Haggai he does present several possibilities for determining the time of the end of days. This article presents Yefet’s attitude regarding the time of the end of days, including a discussion of Yefet’s commentary on Haggai 2:6–9.
众所周知,犹太人在九世纪就开始计算末日。Yefet ben’Eli(10世纪)在对但以理书的评论中声称,不可能知道末日何时到来。他提出了圣贤和萨阿的意见,以及卡拉特人Yúsuf ben Ba的意见ḥtāwī、Binyamīn Al Nahawandī和Salmon ben Yerúḥam,并拒绝每个人关于天结束日期的索赔。然而,在他对《哈盖书》的评论中,他确实提出了几种确定末日时间的可能性。本文介绍了Yefet对末日时间的态度,包括讨论Yefet对Haggai 2:6-9的评论。
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引用次数: 0
The Two Different Endings of Sefer haMiddot Sefer haMiddot的两个不同结尾
Pub Date : 2021-12-01 DOI: 10.15650/hebruniocollannu.92.4
S. Kadish
The final chapter of Sefer haMiddot – a popular ethical work by an anonymous late medieval author, and called Orḥot Tzaddikim in its printed versions – is Sha‘ar Yir’at Shamayim. An early manuscript restores the original conclusion to this chapter, followed by an epitome called Simmanei Sefer haMiddot. This material was lost for well over five centuries. Sha‘ar Yir’at Shamayim asserts a dualism in which the soul animates the body like God animates the cosmos. The soul takes clear precedence over the body. To appreciate this dualism leads to fear of heaven, which is God’s greatest treasure. This chapter, devoted to a theological doctrine, is unique within Sefer haMiddot. Simmanei Sefer ha-Middot is a natural continuation of Sha‘ar Yir’at Shamayim. It also sharpens a global theme throughout the book, which places middot (ethics) alongside mitzvot (commandments) as constituting the exoteric will of God in its fullness. This substitutes ethics for the older esoteric doctrine of the Ḥasidei Ashkenaz, and is what makes the book distinct in medieval Jewish thought. The substitution of ethics for esoteric doctrine does not depend upon the final chapter’s doctrine of the soul, and the book thus ends in two different ways. An Appendix presents the full conclusion to Sefer haMiddot – Sha‘ar Yir’at Shamayim followed by Simmanei Sefer haMiddot – in a Hebrew text based upon a full synopsis of the manuscripts and in an annotated English translation.
Sefer haMiddot的最后一章——一位中世纪晚期匿名作家的流行伦理作品,名为《或》ḥ印刷版本中的ot Tzaddikim是Sha’ar Yir’at Shamayim。早期手稿还原了本章的原始结论,随后是一个名为Simmanei Sefer haMiddot的缩影。这种材料已经失传了五个多世纪。Sha’ar Yir’at Shamayim主张一种二元论,在这种二元论中,灵魂赋予身体以生命,就像上帝赋予宇宙以生命一样。灵魂明显优先于身体。欣赏这种二元论会导致对天堂的恐惧,而天堂是上帝最大的财富。这一章,致力于神学学说,是独特的塞弗哈米多特。Simmanei Sefer ha Middot是Sha’ar Yir’at Shamayim的自然延续。它还强化了整本书的全球主题,将middot(伦理)与成年礼(戒律)放在一起,构成了上帝的开放意志。这取代了伦理学的古老深奥学说Ḥ这本书在中世纪犹太人思想中独树一帜。用伦理学代替深奥的学说并不取决于最后一章的灵魂学说,因此这本书以两种不同的方式结束。附录根据手稿的完整概要和带注释的英文翻译,以希伯来语文本呈现了Sefer haMiddot的完整结论——Sha’ar Yir’at Shamayim,然后是Simmanei Sefer haMiddot。
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引用次数: 0
The תורה in רות – Notes on Judean Literary Onomastics 《犹太教文学Onomastics》中的《犹太教文学Onomastics》
Pub Date : 2021-12-01 DOI: 10.15650/hebruniocollannu.92.1
J. Cooley
Scholars have long recognized that the proper names in the Book of Ruth are narratively relevant, signaling characters’ and places’ natures, fates, and so on. Nonetheless, the various historical and modern explanations of the name of the book’s protagonist, the Moabite Ruth, are of relatively weak philological and narrative merit and, as such, are in stark contrast to the vivid explanations of many of the other names in the story. This study posits a novel etymology and maintains that the name רות is ultimately derived from the important term תורה .This derivation is grounded in the stylistics practice and the kinds of etymological speculation otherwise evinced by the scribes who composed the Hebrew Bible. Ultimately, the transparent relationship between רות on the one hand and תורה on the other has the potential to impact how the character is to be understood vis-à-vis the issue of the integration of non-Judean wives into the Judean community at the time of the biblical book’s composition.
学者们早就认识到,《鲁思书》中的专有名称具有叙事相关性,表明了人物和地方的性质、命运等。尽管如此,对书中主人公莫阿比特·鲁思的名字的各种历史和现代解释在文字学和叙事学上都相对薄弱,因此,与故事中许多其他名字的生动解释形成鲜明对比。这项研究提出了一个新颖的词源,并认为单词“רי”最终来源于重要的术语“ר”。这种推导是基于文体学实践和希伯来文圣经的抄写员所表现出的各种词源推测。最终,在《圣经》撰写之时,一方面是西语与另一方面是西语之间的透明关系,有可能影响如何理解非犹太妻子融入犹太社区的问题。
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引用次数: 0
The Influence of Mendelssohn's Commentary on Qohelet on Nineteenth-Century Orthodox Jewish Commentators in Eastern and Western Europe 门德尔松对《古兰经》的评论对19世纪东西欧正统犹太评论者的影响
Pub Date : 2021-12-01 DOI: 10.15650/hebruniocollannu.92.5
T. Ganzel
The importance of Mendelssohn’s commentary to Qohelet lies, inter alia, in its influence on nineteenth-century Jewish commentators and more precisely in its reception among eastern and western Europe’s Orthodox commentators, who adopted, explicitly or implicitly, his unique form of scriptural interpretation. In this article, I demonstrate unique characteristics in Mendelssohn’s commentary on Qohelet and the ways in which these were adopted by later biblical commentators, shedding light on features of Mendelssohn’s writings, reputation, and influence.
门德尔松对Qohelet的评论的重要性,除其他外,在于它对19世纪犹太评论家的影响,更确切地说,在于它在东欧和西欧正统派评论家中的接受,他们明确或含蓄地采用了他独特的圣经解释形式。在这篇文章中,我展示了门德尔松对Qohelet的评论的独特性,以及后来的圣经评论家采用这些评论的方式,揭示了门德尔森作品的特点、声誉和影响力。
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引用次数: 0
Individuum Ineffabile: Leo Baeck (1947) 独立作家:Leo Baeck(1947)
Pub Date : 2021-05-31 DOI: 10.15650/hebruniocollannu.91.2020.0271
Alisa Rethy
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引用次数: 0
The Earliest Published Yiddish Tehinnot (1590–1609) 最早出版的意第绪语Tehinnot (1590-1609)
Pub Date : 2021-05-31 DOI: 10.15650/hebruniocollannu.91.2020.0157
Morris M. Faierstein
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引用次数: 0
Leo Baeck's “Individuum Ineffabile” Leo Baeck的“无法驾驭的个体”
Pub Date : 2020-01-01 DOI: 10.15650/hebruniocollannu.91.2020.0261
Ellenson, Mendes-Flohr
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引用次数: 0
Yalta – The Third Rib: Redaction and Meaning in Bavli Berakhot, Chapter 7 雅尔塔-第三根肋骨:巴伐利·贝拉克特的修订和意义,第七章
Pub Date : 2020-01-01 DOI: 10.15650/hebruniocollannu.91.2020.0001
Hevroni
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引用次数: 0
期刊
Hebrew Union College annual. Hebrew Union College
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