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Analysis of Sole Configuration of Humanoid Robots for Applying Force Tasks 面向受力任务的仿人机器人鞋底构型分析
Pub Date : 1900-01-01 DOI: 10.5989/JSGS.38.SUPPLEMENT2_19
H. Yoshida, Masaya Yoshimura
The aim of this study is to develop a control method of mobile manipulation for humanoid robots, mobile manipulation means the integrated motion centered on arm's manipulation. The main objective of mobile manipulation is to obtain versatile and stable manipulation by arm. In this respect the legs are required to assist arm's manipulation. From viewpoint of the concept, we analyzed sole configuration and arrangement of humanoid robots based on the stability indeces. Relationship between sole configuration and stability indeces is clarified through the computer simulations.
本研究的目的是开发一种人形机器人的移动操作控制方法,移动操作是指以手臂操作为中心的综合运动。移动操作的主要目标是通过手臂获得多功能和稳定的操作。在这方面,需要腿来辅助手臂的操作。从这一概念出发,基于稳定性指标分析了仿人机器人的整体构型和布置方式。通过计算机模拟,阐明了鞋底构型与稳定性指标之间的关系。
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引用次数: 0
Clothes that seem Tight but can Perform Daily Behavior 看起来很紧,但却能表现日常行为的衣服
Pub Date : 1900-01-01 DOI: 10.5989/JSGS.54.1_3
Miki Yamamur, M. Ishigaki, M. Inomata
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引用次数: 0
Basic Study on the Directivity in an Axonometric Projection Drawing: ― The Influence of Time on the Directivity ― 轴测投影图指向性的基础研究——时间对指向性的影响
Pub Date : 1900-01-01 DOI: 10.5989/JSGS.52.1_3
H. Hishida
The suitable projection is important for students to misunderstand a drawing. The author has been carrying out the recognition tests to reveal the suitable direction of projection. In the present study, two results of cognizing test carried out in 2002 and 2016 are statistically analyzed to discuss the time dependency on the directivity of the visual recognition. Although the significant differences cannot be recognized between these tests, rather inappreciable differences can be observed especially on the parameter φ of the random display test which includes the distribution shapes of the points. These differences may be caused by the reason that the subjects of two tests were not strictly the same and the tests were conducted by using the figures in which parameters θ and φ were chosen by 15° interval. Thus the directivity of the visual recognition is essentially independent of the time of testing. Moreover, normal distribution of the parameter of the figure indicates that the directivity of the visual recognition is dominated by the natural law.
合适的投影对学生理解图画的错误是很重要的。笔者一直在进行识别测试,以揭示合适的投影方向。本研究通过对2002年和2016年进行的两次认知测试结果进行统计分析,探讨视觉识别指向性的时间依赖性。虽然这些试验之间无法识别显着差异,但可以观察到相当微小的差异,特别是在随机显示试验的参数φ上,其中包括点的分布形状。造成这些差异的原因可能是由于两次试验的试验对象不完全相同,试验采用的是参数θ和φ以15°间隔选取的图形。因此,视觉识别的指向性基本上与测试时间无关。图形参数的正态分布表明视觉识别的指向性受自然规律支配。
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引用次数: 0
Production Techniques of Motion VR Contents 运动VR内容制作技术
Pub Date : 1900-01-01 DOI: 10.5989/jsgs.48.1_11
Toshihiro Komma, Shunsuke Sekiya
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引用次数: 0
To wear a Polyhedron 佩戴多面体
Pub Date : 1900-01-01 DOI: 10.5989/JSGS.47.2-3_41
K. Mende, Emi Nishimoto
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引用次数: 0
Computer Processing of Binocular Stereograph and Its Application to Computer Graphics 双目立体图的计算机处理及其在计算机图形学中的应用
Pub Date : 1900-01-01 DOI: 10.5989/JSGS.15.2_15
T. Echigo, K. Fukunaga, T. Kasai
It is popular to adopt a binocular stereographic technique for obtaining spacial information of objects in an outside scene. This technique is based on a binocular parallex of two pictures which are taken by separated cameras focusing the same object.In this paper we propose a system to extract spacial information automatically using this technique. The pictures are digitized by our drum-scanner and the data are punched on paper tapes so as to feed an image processor. The processor extracts feature points on each scanning line from image data, and detects the deviations of positions for all features appeared in both pictures. The coodinates of feature points in the 3-dimensional space can be calculated numerically from values of these deviations.Performing a proper coodinate transformation to these data, the processor composes image data such as a ground plane, a front view and a perspective. Then outputs these images using a dot-printer.Therefore the image processor system proposed can be put into practice.
采用双目立体成像技术获取外部场景中物体的空间信息是一种比较流行的方法。这种技术是基于两张照片的双目平行,这两张照片是由分开的相机对同一物体聚焦拍摄的。本文提出了一种利用该技术自动提取空间信息的系统。这些图片由我们的鼓式扫描仪数字化,数据被打孔在纸带上,以供图像处理器使用。处理器从图像数据中提取每条扫描线上的特征点,并检测两幅图像中出现的所有特征的位置偏差。从这些偏差值可以数值计算出三维空间中特征点的坐标。处理器对这些数据进行适当的坐标变换,合成诸如地平面、前视图和透视图等图像数据。然后用点打印机输出这些图像。因此所提出的图像处理系统是可以投入实际应用的。
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引用次数: 0
Design Variation and Influence on Drawings in Building Projects 建筑工程设计变更及其对图纸的影响
Pub Date : 1900-01-01 DOI: 10.5989/jsgs.37.2_3
H. Abe, Katsuyuki Yoshida
本稿では建築プロジェクトにおける設計変更の傾向と設計図書に与える影響を明らかにすることを目的に, 設計施工一貫方式による建築プロジェクトを取り上げ, そのプロジェクトで使用された「設計図書」と「設計変更記録書リスト」及び「討議記録」を分析し, 以下の結果を得た.設計変更の内容の多くはその建物全体の配置に係る変更ではなく, 部分的な室の配置変更やその仕上げ材料, 窓出入り口, 設備などである.また実施設計図書の時点で記載された内容で設計変更になった事項のほとんどは設計段階で討議されていない.設計変更になった事項の約7件に1件が, その内容に関して設計段階で討議されず, 設計図書でも提示されていない.また設計図書のなかで「平面詳細図」や「平面図」など平面系図面が最も設計変更の影響を受けやすく, 次いで「設備図」, 「展開図」の順であり, その内容は「平面詳細図」や「平面図」「展開図」では各室の配置や出入り口など, 「設備図」では電気設備などである.
本文以阐明建筑项目中设计变更的倾向和对设计图书的影响为目的,选取设计施工一贯方式的建筑项目,对该项目所使用的“设计图书”和“设计变更记录目录”以及“讨论记录”进行分析,得出以下结论。设计变更的内容大多不涉及建筑物整体布局的变更,而是局部房间布局的变更及其完成材料、窗户出入口、设备等。另外,在实施设计书中记载的内容中,设计变更的事项大部分都没有在设计阶段进行讨论。设计变更事项中,约七分之一在设计阶段未就其内容进行讨论,另外,在设计图书中,“平面详细图”和“平面图”等平面系图纸最容易受到设计变更的影响,其次是“设备图”和“展开图”,其内容为“平面详细图”、“平面图”和“展开图”中各室的配置和出入口等,“设备图”中电气设备等。
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引用次数: 0
Report on 12 th International Conference on Geometry and Graphics 第12届国际几何与图形学会议报告
Pub Date : 1900-01-01 DOI: 10.5989/JSGS.38.4_28
E. Tsutsumi, Hisashi Sato
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引用次数: 0
バルダッサーレ・ペルッツィの「喜劇《バッキス姉妹》の舞台装置」の平面図における作図法 巴尔达萨雷·佩鲁齐的“喜剧《巴基斯姐妹》的舞台装置”平面图的作图法
Pub Date : 1900-01-01 DOI: 10.5989/JSGS.40.3
信英 奈尾
本研究は, 前考に引き続き, シエナで生まれローマで活躍した建築家バルダッサーレ・ペルッツィが用いた《立体透視図法》を考察するものである.とくに本稿では, 「喜劇《バッキス姉妹》の舞台装置のための平面図」に着目し, その作図法の解明を試みる.具体的には, 「喜劇《バッキス姉妹》の舞台装置のための平面図」の構図と類似性が認められる「プロスペッティーヴァのための習作」の下書き線の痕跡, すなわち, 1) 奥行方向の直線群の痕跡, 2) 水平線の痕跡, 3) 対角線の痕跡, 4) 円弧の痕跡を証憑として, 「喜劇《バッキス姉妹》の舞台装置のための平面図」の作図法を復元する.その結果, ペルッツィは, 「喜劇《バッキス姉妹》の舞台装置のための平面図」を「プロスペッティーヴァのための習作」で示されている半円を用いた作図法と同種の方法で描いたことを例証したのである.
本研究继续前考,考察出生于锡耶纳并活跃于罗马的建筑家巴尔达萨雷·佩鲁齐所使用的“立体透视绘图法”。着眼于“喜剧《巴基斯姐妹》舞台装置的平面图”,试图阐明其作图方法。具体来说,与“喜剧《巴赫斯姐妹》舞台装置平面图”的构图有相似性的“普罗斯珀蒂娃习作”的草稿线痕迹,即:1)进深方向直线群的痕迹;以水平线的痕迹,3)对角线的痕迹,4)圆弧的痕迹为证据,复原了“喜剧《巴基斯姐妹》舞台装置的平面图”的作图法。“喜剧《巴基斯姐妹》舞台装置的平面图”是用与“普罗斯珀蒂瓦习作”中所示的半圆作图法相同的方法画出来的。
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引用次数: 0
Study on Axsometric Scale in Perspective Projection (3) 透视投影中轴测比例尺的研究(3)
Pub Date : 1900-01-01 DOI: 10.5989/JSGS.15.2_9
Eiichi Ohta, K. Minami, Tadanori Kanamaru
When the picture plane is not perpendicular to the ground plane, there exist three vanishing points. In this case, we studied on a method to draw a perspective by using axsometric scale.For a straight line, lying on the ground plane and parallel to x or y axis, axsometric scale is intersecting points of total perspect of this straight line and a group of straight lines.They are total perspects of parallels lying on the ground plane. Inclination angles of parallels to both axes are 45° and their intervals are constant.For a straight line, parallel to z axis, axsometric scale is intersecting points of total perspect of this straight line and a group of straight lines. They are total perspects of parallels lying on a plane on which this straight line lies. Parallels are horizontal and their intervals are constant.
当图像平面不垂直于地平面时,存在三个消失点。在这种情况下,我们研究了一种使用轴测尺度绘制透视图的方法。对于一条位于地平面上并平行于x轴或y轴的直线,轴测比例尺是这条直线与一组直线的总透视交点。它们是在地平面上平行线的总透视。与两轴线平行的倾角为45°,其间隔为常数。对于一条平行于z轴的直线,轴向比例尺是这条直线与一组直线的总透视的交点。它们是这条直线所在平面上的平行线的总角度。平行线是水平的,它们的间隔是恒定的。
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Journal of graphic science of Japan
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