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Perspectives of New Music最新文献

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Ode (For Benjamin Boretz) 颂歌(献给本杰明·博瑞兹)
Pub Date : 2021-06-09 DOI: 10.1353/pnm.2006.0050
R. Morris
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引用次数: 0
A Few Points about Burt Bacharach... 关于伯特·巴克拉克的几点看法……
Pub Date : 2021-06-09 DOI: 10.1353/pnm.2005.0004
Mihai Cucos
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引用次数: 0
[Photograph]: Joël-François Durand: Palouse I, Ink-Jet Print; 11.4 by 12.7 Inches; © 2004 J.F. Durand [照片]:Joël-François Durand: Palouse I, Ink-Jet Print;11.4 * 12.7英寸;©2004 J.F. Durand
Pub Date : 2021-06-09 DOI: 10.1353/pnm.2006.0043
Joël-François Durand
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引用次数: 0
Personae / Acknowledgement 个人/致谢
Pub Date : 2021-06-09 DOI: 10.1353/pnm.2006.0000
R. Yoder, Benjamin Boretz, R. Sperry, Dora A. Hanninen, G. Mazzola, M. Andreatta, C. Shultis, Ian Quinn, L. Galliano, Victoria Haven, M. Jenkins, J. Harvey, T. Phillips, Michael Kowalski
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引用次数: 0
The Politics of Collaborative Performance in the Music of Pauline Oliveros 波琳·奥利弗罗斯音乐中的合作表演政治
Pub Date : 2021-06-09 DOI: 10.1353/pnm.2008.0010
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引用次数: 2
A Living Oxymoron: Norman O. Brown's Criticism of John Cage 活生生的矛盾修饰法:诺曼·o·布朗对约翰·凯奇的批评
Pub Date : 2021-06-09 DOI: 10.1353/pnm.2006.0008
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引用次数: 1
Interview with Oliver Schneller Oliver Schneller采访
Pub Date : 2021-06-09 DOI: 10.1353/pnm.2010.0010
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引用次数: 0
A Mathematical Model for Optimal Tuning Systems 最优调谐系统的数学模型
Pub Date : 2021-06-09 DOI: 10.1353/pnm.2009.0012
L. Polansky, D. Rockmore, Micah K. Johnson, Douglas Repetto, Wei Pan
SFI WORKING PAPER: 2008-05-023 SFI Working Papers contain accounts of scientific work of the author(s) and do not necessarily represent the views of the Santa Fe Institute. We accept papers intended for publication in peer-reviewed journals or proceedings volumes, but not papers that have already appeared in print. Except for papers by our external faculty, papers must be based on work done at SFI, inspired by an invited visit to or collaboration at SFI, or funded by an SFI grant. ©NOTICE: This working paper is included by permission of the contributing author(s) as a means to ensure timely distribution of the scholarly and technical work on a non-commercial basis. Copyright and all rights therein are maintained by the author(s). It is understood that all persons copying this information will adhere to the terms and constraints invoked by each author's copyright. These works may be reposted only with the explicit permission of the copyright holder. www.santafe.edu
SFI工作文件包含作者的科学工作,并不一定代表Santa Fe研究所的观点。我们接受准备在同行评议的期刊或论文集上发表的论文,但不接受已经出版的论文。除了外部教师的论文外,论文必须基于SFI的工作,受到SFI邀请访问或合作的启发,或由SFI资助。©注意:本工作论文是在获得贡献作者许可的情况下包含的,以确保在非商业基础上及时分发学术和技术工作。版权和其中的所有权利由作者维护。据了解,所有复制此信息的人将遵守每个作者的版权所援引的条款和限制。这些作品只有在获得版权所有者明确许可的情况下才能被转载。www.santafe.edu
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引用次数: 11
Symmetrical Permutation, the Twelve Tones, and Messiaen's "Catalogue d'oiseaux" 对称排列,十二个音调,和梅西安的“音色目录”
Pub Date : 2021-06-09 DOI: 10.1353/pnm.2007.0017
Wai-Ling Cheong
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引用次数: 2
A Computational Model for Rule-Based Microtonal Music Theories and Composition 基于规则的微调性音乐理论与作曲计算模型
Pub Date : 2021-06-09 DOI: 10.1353/pnm.2010.0009
Torsten Anders, E. Miranda
Microtonal music is an influential facet of twentieth and 21st cen tury music composition. Composers that contributed significantly to microtonal music include characters as diverse as Julian Carrillo, Ben Johnston, Harry Partch, Horatiu Radulescu, Karlheinz Stock hausen, James Tenney, Ivan Wyschnegradsky and La Monte Young (in alphabetical order). As microtonal music opens wide areas of uncharted musical territory, computational support can be very helpful for navigating this
微调性音乐是20世纪和21世纪音乐创作的一个重要方面。对微调性音乐做出重大贡献的作曲家包括Julian Carrillo, Ben Johnston, Harry Partch, Horatiu Radulescu, Karlheinz Stock hausen, James Tenney, Ivan Wyschnegradsky和La Monte Young(按字母顺序排列)等形形色色的人物。由于微调性音乐开辟了未知音乐领域的广阔领域,计算支持对导航这一领域非常有帮助
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引用次数: 6
期刊
Perspectives of New Music
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