{"title":"Musical Research through Young Bodies","authors":"","doi":"10.1353/pnm.2008.0017","DOIUrl":"https://doi.org/10.1353/pnm.2008.0017","url":null,"abstract":"","PeriodicalId":102986,"journal":{"name":"Perspectives of New Music","volume":"364 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-06-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122450975","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Structural Layers in Alfred Schnittke's Concerto Grosso No. 3","authors":"Tim Sullivan","doi":"10.1353/pnm.2010.0003","DOIUrl":"https://doi.org/10.1353/pnm.2010.0003","url":null,"abstract":"","PeriodicalId":102986,"journal":{"name":"Perspectives of New Music","volume":"118 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-06-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128151354","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Composing \"סיטפשמ\" (\"Mishpatim\"-\"Laws\"): A Response to Ben's Mishna Music as a Music","authors":"D. Biró","doi":"10.1353/pnm.2006.0020","DOIUrl":"https://doi.org/10.1353/pnm.2006.0020","url":null,"abstract":"","PeriodicalId":102986,"journal":{"name":"Perspectives of New Music","volume":"46 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-06-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114997973","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"About Some Music of Thomas Adès","authors":"","doi":"10.1353/pnm.2009.0011","DOIUrl":"https://doi.org/10.1353/pnm.2009.0011","url":null,"abstract":"","PeriodicalId":102986,"journal":{"name":"Perspectives of New Music","volume":"58 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-06-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123118883","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The History of Set Theory from a European Point of View","authors":"","doi":"10.1353/pnm.2007.0012","DOIUrl":"https://doi.org/10.1353/pnm.2007.0012","url":null,"abstract":"","PeriodicalId":102986,"journal":{"name":"Perspectives of New Music","volume":"120 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-06-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123239085","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"[Photograph]: Robert Yoder: Perry Hall (2001), Painted Wood; 44 by 96 by 1.5 Inches; Howard House Contemporary Art","authors":"","doi":"10.1353/pnm.2006.0001","DOIUrl":"https://doi.org/10.1353/pnm.2006.0001","url":null,"abstract":"","PeriodicalId":102986,"journal":{"name":"Perspectives of New Music","volume":"19 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-06-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123552602","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Following the Prophecies of Song: Schubert Lieder in Thomas Adès's \"Arcadiana\"","authors":"","doi":"10.1353/pnm.2010.0016","DOIUrl":"https://doi.org/10.1353/pnm.2010.0016","url":null,"abstract":"","PeriodicalId":102986,"journal":{"name":"Perspectives of New Music","volume":"359 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-06-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122762699","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Toshi Ichiyanagi, Japanese Composer and \"Fluxus\"","authors":"L. Galliano","doi":"10.1353/pnm.2006.0012","DOIUrl":"https://doi.org/10.1353/pnm.2006.0012","url":null,"abstract":"","PeriodicalId":102986,"journal":{"name":"Perspectives of New Music","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-06-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129588134","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Meta-Variations and the Art of Engaging Music","authors":"Marianne Kielian-Gilbert","doi":"10.1353/pnm.2006.0051","DOIUrl":"https://doi.org/10.1353/pnm.2006.0051","url":null,"abstract":"","PeriodicalId":102986,"journal":{"name":"Perspectives of New Music","volume":"44 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-06-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130943060","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Democracy Performed—Setting the Record Straight: A Critical Response to \"Performing Democracy—Bulgarian Music and Musicians in Transition\" by Donna Buchanan","authors":"","doi":"10.1353/pnm.2009.0007","DOIUrl":"https://doi.org/10.1353/pnm.2009.0007","url":null,"abstract":"","PeriodicalId":102986,"journal":{"name":"Perspectives of New Music","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-06-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129897221","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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