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Gerundive thinking in Marcia Sá Cavalcante Schuback’s Time in Exile 舒巴克流亡时期的Gerundive思考
IF 0.2 Q3 Arts and Humanities Pub Date : 2021-09-02 DOI: 10.1080/17570638.2021.2030948
M. Portal
ABSTRACT Marcia Sá Cavalcante Schuback’s Time in Exile illuminates being in “gerundive time.” The gerundive tense (which is similar to the infinitive tense in English) captures how our being is always already “suspended” between worlds and meanings—how our being is a “non-final verb.” Schuback considers such existence in the work of Martin Heidegger, Maurice Blanchot, and Clarice Lispector. Of the three thinkers, Lispector’s writing best reveals how existence (especially existence in exile) is an “immense struggle for presence.” Schuback’s hope is that we may find a home in our homelessness.
摘要Marcia SáCavalcante Schuback的《流放的时间》阐明了存在于“不动名词时间”中。不动名词时态(类似于英语中的不定式时态)捕捉到了我们的存在如何总是“悬浮”在世界和意义之间——我们的存在是如何成为一个“非最终动词”的,和Clarice Lispector。在这三位思想家中,利斯佩克特的作品最能揭示存在(尤其是流亡中的存在)是一场“为存在而进行的巨大斗争”。舒巴克希望我们能在无家可归中找到归宿。
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引用次数: 0
Between Heart-Mind and Names: Interrelatedness in the Chan Scholar-Monk Qisong’s Thought 心与名之间:禅宗祁松思想的内在联系
IF 0.2 Q3 Arts and Humanities Pub Date : 2021-09-02 DOI: 10.1080/17570638.2021.2017249
Diana Arghirescu
ABSTRACT This essay explores in depth one aspect of a topic that looms large in Song dynasty (960–1279) philosophy—the mutual interaction between Confucianism and Chan Buddhism. Under these reciprocal influences, both experience meaningful and definitive changes. This Song philosophical legacy became emblematic, and has remained so until now, of the Chinese way of thinking. Yü Ying-shih describes this exchange as a bi-directional development: “the process of Confucianization of Northern Song Buddhism,” in other words, “the process of becoming proficient as Confucian scholars undergone by Buddhist monks”; and “the influence of Chan Buddhism on the Confucian literati” ([Yü, Ying-shih 余英時. 2003. The Historical World of Zhu Xi: A Study of the Political Culture of Song Intellectuals [朱熹的歷史世界 宋代士大夫政治文化的研究]. Vol. 1. Taipei: Yunchen wenhua], 116). The present research focuses on the former and examines an original strategy that the Northern Song Chan scholar-monk Qisong契嵩 (1007–1072) used in order to demonstrate the affinities between the two teachings: a particular interrelatedness between heart-mind and names.
本文深入探讨了宋代(960-1279)哲学中一个突出的话题——儒家与禅宗的相互影响。在这些相互影响下,两者都经历了有意义和决定性的变化。宋朝的哲学遗产成为中国思维方式的象征,并一直延续至今。Yü英时将这种交流描述为一种双向发展:“北宋佛教的儒学化过程”,换句话说,“佛教僧侣成为精通儒学的过程”;以及“禅宗对儒家士大夫的影响”(Yü,应时)。2003. 朱熹的历史世界:宋朝知识分子政治文化研究卷。1。台北:云晨文华[j],第116期。目前的研究侧重于前者,并研究了北宋禅宗学者齐松(1007-1072)为了证明两种教义之间的亲和力而使用的原始策略:心-意和名字之间的特殊相互关系。
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引用次数: 0
Konchalovsky, Frankl, Freedom: Reconsidering Runaway Train 康查洛夫斯基,弗兰克尔,《自由:对逃亡列车的再思考》
IF 0.2 Q3 Arts and Humanities Pub Date : 2021-09-02 DOI: 10.1080/17570638.2021.2023278
Morgan Rempel
Abstract One of several life-affirming themes in Viktor Frankl’s classic Man’s Search for Meaning is the inviolate character of human freedom. Contrasting what he calls “inner freedom” with the dire external restrictions he experienced as a prisoner at Auschwitz and other concentration camps, Frankl insists that no matter how restrictive and dehumanizing one’s situation, the exercise of this internal freedom is always a possibility. Similar sentiments are found in Camus’s The Myth of Sisyphus. Though it contains elements of a typical 1980s American action movie, on closer inspection, Andrei Konchalovsky’s 1985 film, Runaway Train, proves far from typical. In interviews, Konchalovsky draws parallels between the film—based on an original screenplay by Akira Kurosawa—and philosophical themes in Dostoyevsky, and identifies the “relativity of freedom” as one of its primary concerns. My article uses Konchalovsky’s Runaway Train to shed light on the hard-won vision of the inviolate nature of human freedom on display in Frankl’s Man’s Search for Meaning.
在维克多·弗兰克尔的经典著作《人对意义的追寻》中,几个肯定生命的主题之一是人类自由的不可侵犯性。弗兰克尔将他所谓的“内在自由”与他在奥斯维辛集中营和其他集中营的囚犯所经历的可怕的外部限制进行了对比,他坚持认为,无论一个人的处境多么限制和非人化,这种内在自由的行使总是有可能的。在加缪的《西西弗斯的神话》中也发现了类似的观点。虽然它包含了典型的20世纪80年代美国动作片的元素,但仔细观察,安德烈·康查洛夫斯基1985年的电影《失控的火车》远非典型。在采访中,康查洛夫斯基将这部由黑泽明原创剧本改编的电影与陀思妥耶夫斯基的哲学主题进行了比较,并将“自由的相相性”确定为其主要关注点之一。我的文章用康查洛夫斯基的《失控的火车》来阐明弗兰克尔的《人对意义的追寻》中所展示的人类自由不可侵犯的本质这一来之不易的愿景。
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引用次数: 0
Critique as Virtue: Buddhism, Foucault, and the Ethics of Critique 作为美德的批判:佛教、福柯与批判伦理学
IF 0.2 Q3 Arts and Humanities Pub Date : 2021-09-02 DOI: 10.1080/17570638.2021.2008846
Saul Tobias
ABSTRACT This article examines Michel Foucault’s views concerning the ethical salience of critique and compares those views to the Buddhist Madhyamaka tradition. As a critic of the Enlightenment, Foucault’s approach to ethics vacillated between deconstructing moral concepts such as “self” and “freedom,” and affirming them as the basis of an ethics conceived as “self-fashioning.” Madhyamaka thought provides a critical account of social reality that resonates with Foucault, particularly concerning the emancipatory potential of critique, but it arrives at different ethical conclusions, viewing compassion rather than vertiginous freedom as the outcome of any thorough critique of the self.
摘要本文考察了米歇尔·福柯关于批判的伦理显著性的观点,并将这些观点与佛教的中央派传统进行了比较。作为启蒙运动的评论家,福柯的伦理学方法在解构“自我”和“自由”等道德概念和肯定它们作为被视为“自我塑造”的伦理学基础之间摇摆不定。中央集权思想提供了对社会现实的批判性描述,与福柯产生了共鸣,特别是关于批判的解放潜力,但它得出了不同的伦理结论,将同情而非令人眩晕的自由视为对自我彻底批判的结果。
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引用次数: 0
Overcoming the Anthropocene: An E-Co-Affective Intervention 克服人类世:E-Co-Affective干预
IF 0.2 Q3 Arts and Humanities Pub Date : 2021-09-02 DOI: 10.1080/17570638.2021.2014295
Josh Hayes
ABSTRACT As a welcome contribution to the burgeoning literature addressing the promising intersection between biology and ontology in contemporary continental philosophy, Marjolein Oele's E-Co-Affectivity: Exploring Pathos at Life's Material Interfaces investigates the themes of affectivity and life in their multiple and divergent forms: photosynthesis and growth in plants, touch and trauma in bird feathers, the ontogenesis of human life through the placenta, the bare interface of human skin, and the porous materiality of soil. By seeking out new unexplored territory through her remarkably erudite interventions into the life sciences, Oele critically interrogates the relationship between affectivity and materiality to uncover their shared depth and potential for cultivating ecological interdependence, ethical responsibility, and a renewed political commitment to the local spaces and places constituting e-co-affective communities.
作为对当代欧陆哲学中生物学和本体论之间有前途的交叉的新兴文献的一项受欢迎的贡献,Marjolein Oele的e - coaffective: Exploring Pathos at Life's Material Interfaces调查了情感和生命的多重和不同形式的主题。植物的光合作用和生长,鸟类羽毛的接触和创伤,人类生命通过胎盘的个体发生,人类皮肤的裸露界面,以及土壤的多孔性。通过她对生命科学的广博介入,寻找新的未开发领域,Oele批判性地探究情感和物质之间的关系,揭示它们共同的深度和潜力,培养生态相互依存,道德责任,以及对当地空间和构成电子共同情感社区的地方的新的政治承诺。
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引用次数: 0
In this issue 13.3 本期13.3
IF 0.2 Q3 Arts and Humanities Pub Date : 2021-09-02 DOI: 10.1080/17570638.2021.2037190
J. Wirth, Jennifer Liu
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引用次数: 0
The Truthful Inauthenticity of the Art of the Novel: Exploring History and Identity in Leonhard Praeg’s Imitation 小说艺术的真实非真实性:普莱格《模仿》的历史与身份探析
IF 0.2 Q3 Arts and Humanities Pub Date : 2021-09-02 DOI: 10.1080/17570638.2021.2010179
Florian Beauvallet
ABSTRACT Review essay of Imitation, a novel by Leonhard Praeg. This analysis addresses the intertextual relationship between Imitation and Immortality (written by Milan Kundera). It focuses on the way the titular notion is examined from both an artistic and existential perspective. The philosophical qualities of the work are discussed in order to exemplify how the form of the novel provides the author with a creative way to acknowledge and explore the complex influence of imitation in the development our personal selves and the invention of original forms.
普莱格的小说《模仿》书评。本文分析了《模仿》与《不朽》(米兰·昆德拉著)之间的互文关系。它侧重于从艺术和存在的角度审视名义上的概念的方式。本文讨论了作品的哲学特质,以说明小说的形式如何为作者提供了一种创造性的方式来承认和探索模仿在我们个人自我发展和原始形式发明中的复杂影响。
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引用次数: 0
Simone Weil’s Method: Essaying Reality through Inquiry and Action 西蒙娜·韦尔的方法:通过探究和行动来分析现实
IF 0.2 Q3 Arts and Humanities Pub Date : 2021-09-02 DOI: 10.1080/17570638.2021.2002644
Benjamin P. Davis
ABSTRACT I read a selection of Simone Weil’s political philosophy in the way that she reads Marx – as forming “not a doctrine but a method of understanding and action.” My claim is that Weil’s method is likewise twofold: she attempts to understand the world through inquiry, then she tests her understanding through action. First, I read “Reflections Concerning the Causes of Liberty and Social Oppression” (1934). In that essay, inquiry, exemplified by Weil’s calling into question the term “revolution,” is her way of understanding reality around her, including forces of oppression and possibilities for liberation. Second, I read her “Factory Journal” (1934–1935), which records how she tested her theories from “Reflections” by placing herself in French factories. My conclusion states the fruits of Weil’s method for philosophy today: an interrogation of present political keywords (resistance, resilience) and a practice of philosophy as a way of life.
我以西蒙娜·韦尔阅读马克思的方式阅读她的政治哲学选集——它形成了“不是一种学说,而是一种理解和行动的方法”。我的主张是,韦尔的方法同样是双重的:她试图通过探究来理解世界,然后她通过行动来检验她的理解。首先,我读了《关于自由和社会压迫原因的思考》(1934)。在那篇文章中,探究,以韦尔对“革命”一词的质疑为例,是她理解周围现实的方式,包括压迫的力量和解放的可能性。其次,我读了她的《工厂日记》(Factory Journal, 1934-1935),书中记录了她如何将自己置身于法国的工厂中,来检验《反思》中的理论。我的结论陈述了韦尔的哲学方法在今天的成果:对当前政治关键词(抵抗、恢复力)的质疑,以及作为一种生活方式的哲学实践。
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引用次数: 0
On Motherhood as Ambiguity and Transcendence: Reevaluating Motherhood through the Beauvoirian Erotic 作为模糊性和超越性的母性:通过波伏里情色重新评价母性
IF 0.2 Q3 Arts and Humanities Pub Date : 2021-09-02 DOI: 10.1080/17570638.2021.2002645
Sara Cohen Shabot
ABSTRACT This paper presents an analysis of motherhood as potentially ambiguous and empowering, using the Beauvoirian concept of the erotic. I argue that Beauvoir’s notion of the erotic can allow us to reevaluate “nonproductive,” repetitive, apparently immanent activities—such as going through pregnancy, giving birth, breastfeeding, and raising a child—as projects through which we disclose freedom, and, thus, as projects that possibly lead to transcendence.It is often argued that Beauvoir considered these experiences to be ways of embracing immanence and avoiding transcendence. Yet even supposing Beauvoir’s argument was against not maternity per se, but the oppressive construction of the institution of motherhood under patriarchy, can maternal engagement be viewed as an existentialist, phenomenological project? I claim that Beauvoir’s own premises show that it must be so considered once motherhood is recognized as potentially joyful, ambiguously erotic, and creative.
摘要本文运用波伏娃的情色概念,分析了母性潜在的模糊性和赋权性。我认为波伏娃的情色概念可以让我们重新评估“非生产性”、重复的、显然是内在的活动——比如怀孕、分娩、母乳喂养和养育孩子——作为我们披露自由的项目,因此,作为可能导致超越的项目。人们经常认为波伏娃认为这些经历是拥抱内在和避免超越的方式。然而,即使波伏娃的论点不是反对母性本身,而是反对父权制下母性制度的压迫性建构,母性参与是否可以被视为存在主义、现象学项目?我声称波伏娃自己的前提表明,一旦母性被认为是潜在的快乐、暧昧的色情和创造性的,就必须考虑到这一点。
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引用次数: 1
Philosophy—More than Ever 哲学——比以往任何时候都重要
IF 0.2 Q3 Arts and Humanities Pub Date : 2021-09-02 DOI: 10.1080/17570638.2022.2051328
David Jones
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引用次数: 0
期刊
Comparative and Continental Philosophy
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